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The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop
 
 
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The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop [Hardcover]

John Marchese (Author)
4.6 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

March 27, 2007

How does a simple piece of wood become a violin, the king of instruments? Watch and find out as Eugene Drucker, a member of the world–renowned Emerson String Quartet, commissions Sam Zygmuntowicz, a Brooklyn craftsman, to make him a new violin. As he tells this extraordinary story, journalist John Marchese shares the rich lore of this beloved instrument and illuminates an art that has barely changed since the Renaissance.

Marchese takes readers from start to finish as Zygmuntowicz builds the violin, from the first selection of the wood, to the cutting of the back and belly, through the carving of the scroll and the fingerboard, to the placement of the sound peg. Though much of the story takes place in the craftsman's museum–like Brooklyn workshop, there are side trips across the river to the rehearsal rooms of Carnegie Hall and Lincoln center, and across the world. Stops on the itinerary include Cremona, Italy, the magical city where Antonio Stradivari (and a few of his contemporaries) achieved a level of violin–making perfection that has endured for centuries, as well as points in France and Germany integral to the history of the violin.

A stunning work of narrative nonfiction that's also a finely crafted, loving homage to the instrument that most closely approximates the human voice.


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The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop + Stradivari's Genius: Five Violins, One Cello, and Three Centuries of Enduring Perfection + The Violin Maker: A Search for the Secrets of Craftsmanship, Sound, and Stradivari
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Editorial Reviews

From Publishers Weekly

Celebrated Brooklyn violin-maker Sam Zygmuntowicz recently accepted a challenging commission from violinist Eugene Drucker of the Emerson String Quartet: to make a new violin that would equal Drucker's beloved Stradivarius. Marchese (Renovations: A Father and Son Rebuild a House) documents their collaboration. He follows Zygmuntowicz through the exacting, scrape-by-scrape process of trying to transform a block of wood into an exquisitely wrought vibrating box that somehow captures the inexpressible sonic essence the finicky Drucker longs to hear. Along the way, Marchese goes on a pilgrimage to Stradivarius's hometown of Cremona and delves into the secrets behind the maestro's incomparable sound. Was it the wood? The varnish? The nap-time transmigration of his spirit into the violin under construction? Zygmuntowicz's example, Marchese finds, suggests a more prosaic, if no less marvelous, possibility—that the genius of craftsmanship resides not in magic ingredients or arcane techniques, but simply in taking infinite, exhausting pains with the work, in "caring more and more about less and less." He also broaches a more inflammatory corollary: that modern violins actually sound just as good as Strads. The result is a beguiling journalistic meditation on the links—and tensions—between art, craft and connoisseurship. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

In exploring the relationships to one another of Antonio Stradivari of Cremona, Sam Zygmuntowicz of Brooklyn, Eugene Drucker of Manhattan, and a violin made of spruce and maple, Marchese corrals the acoustics and technology of violin building, the love of violin making, and the history of seventeenth-century Italian violins into one book. Emerson Quartet violinist Drucker plays a 1686 Stradivari that is temperamental, especially when traveling. Polish immigrant Zygmuntowicz, whom Marchese met at a luthiers' workshop, is one of the foremost luthiers making violins. Knowing both enabled Marchese to trace the construction of the violin from the beginning to its premier use. Marchese also relates Drucker's need for a more reliable and powerful instrument, the origins and history of violin making, and Zygmuntowicz's careful attention to every detail of his craft--all in a free-flowing style based on interviews and personal observation. LikeThad Carhart's The Piano Shop on the Left Bank (2001), this exploration of the lore of musical instrument manufacture is easy, entertaining, and uniquely informative reading. Alan Hirsch
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 240 pages
  • Publisher: Harper (March 27, 2007)
  • Language: English
  • ISBN-10: 0060012676
  • ISBN-13: 978-0060012670
  • Product Dimensions: 9.3 x 5.3 x 0.9 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #126,585 in Books (See Top 100 in Books)

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Average Customer Review
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13 of 13 people found the following review helpful:
5.0 out of 5 stars Great insight into the mind and craft of a luthier, June 6, 2007
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This review is from: The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop (Hardcover)
Sam Zygmontowicz is one of the great contemporary violinmakers, and John Marchese has more than done him justice in describing the process of his making a violin (for the Emerson String Quartet's first violinist, Gene Drucker). In the process, Marchese takes us not only into Zyg's studio, but also to Cremona, the birthplace of the violin in its modern form (in the 1560s) and the home of the three greatest families of violinmakers--Amati, Stradivari, and Guarneri. In addition, Marchese reports on his meetings with Drucker, who commissioned the violin, and on Drucker's reaction to his new instrument--which complements the Strad on which he had been playing but cannot, in his opinion, fully replace it.
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13 of 15 people found the following review helpful:
4.0 out of 5 stars Enjoyable and generally accurate, April 1, 2007
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David Fowler (Lincoln, NE USA) - See all my reviews
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This review is from: The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop (Hardcover)
The author gets to the heart of violin making by studying the work of a modern master. The trip to Cremona is a nice feature of the book, along with the interview with the customer for whom the featured violin is being crafted. I'd love to see a documentary film that parallels this book, with Marchese directing. The references for further reading will help a reader who's inspired by Marchese's book to pursue the study of violin fact and violin mythology.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars From a father's point of view, January 1, 2008
This review is from: The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop (Hardcover)
My son, now 17 has been playing his Great-Great Grandfather's violin for 8 years. Though I love how he plays, he feels he needs a replacement. I didn't know much about violins, so... my first step was to read about it. I picked up John Marchese's book for many reasons, one of which was to get a feel for what we should be looking for with the replacement. I was thrilled at how the book was written, the information it contained and the "easy read" of it. It gives great credit to Sam Zygmuntowicz along with all of those who work to create the magical boxes. I enjoyed it and it definitely had influence on how we will proceed with my son's next violin. Thank You.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
violin making, new violin, new fiddle, violin maker, old fiddles
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sam Zygmuntowicz, New York, Antonio Stradivari, Rene Morel, Emerson Quartet, Guarneri del Gesú, Isaac Stern, Simone Sacconi, Carl Becker, Phil Setzer, Count Cozio, Charles Beare, David Finckel, House of Wurlitzer, Jacques Français, Peter Paul Prier, Edward Heron-Allen, Exhibition Piece Indeed, Irving Berlin, Salt Lake City, Sir James Beament, The Violin Explained, Violin Society of America, World War, Bar Bolero
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