This classic guide offers an accessible initiation into the mysteries of violin-making. Charming in its style and cultivated in its research, it covers every detail of the process and includes a fascinating history of the instrument. More than 200 diagrams, engravings, and photographs complement the text. 1885 edition.
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7 of 7 people found the following review helpful:
3.0 out of 5 stars
Worthwhile, but beware of misinformation,
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This review is from: Violin-Making: A Historical and Practical Guide (Dover Books on Music) (Paperback)
This book is a re-issue of the book "Violin Making as it Was and Is", which I bought about 30 years ago. I thought it was great stuff (except for the stilted writing style of the 1880's) until a professional violin maker laughed and said it was known as "Violin Making as it Wasn't and Isn't." As I have since realized, the details of plate graduation and varnishing are the author's conclusions, but do not necessarily reflect the actual techniques of the masters.
With these cautions in mind, yes, it is a worthwhile read for its viewpoint from over 100 years ago. However, if you want to build instruments, I would strongly recommend paying the price for "The Art of Violin Making."
5 of 5 people found the following review helpful:
3.0 out of 5 stars
Utter bunk but interesting on every page,
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This review is from: Violin-Making: A Historical and Practical Guide (Dover Books on Music) (Paperback)
This book, a reprint of Edward Heron-Allen's "Violin Making As It Was an Is," of 1884 is a very poor choice if you don't know the fundamentals of violin making and you really want to learn. For that, you should start with Simone Sacconi's `The "Secrets" of Stradivari,' probably the single most influential book of the past 30 years (available in Dipper's English or Adelmann's German translation from specialist online booksellers, but not, alas, from Amazon.com). If you are an amateur who wants to make an instrument, try one or more of Henry Strobel's books.
That said, "Violin Making As It Was an Is" is still quite an interesting book. Edward Heron-Allen was a rather brilliant Victorian polymath who had an intense interest in the violin. Somehow, he convinced the distinguished French violin maker George Chanot, then working in England, to show him how to build an instrument. The next thing Chanot knew, and apparently to his intense dismay, Heron-Allen was publishing what he had learned in a magazine intended for gentleman amateurs. His book is based on those articles. What we have, then, is information about 19th-century French violin making reported through the filter of a talented English amateur. From this perspective, the most interesting part to me was the chapter on using a French outer form. I was also curious about the descriptions of tools and some odd older building techniques such as gluing linen to the sides before bending. If you do read the book, you should certainly be aware that most of it is utter bunk. At the same time, I find something interesting on almost every page and quite enjoy the author's energetic style. Despite it's strange take on the craft, "Violin Making As It Was and Is" has also had a lot of influence, especially on earlier generations of English makers, who in a time before the proliferation of violin-making schools, made profitable use of what it had to offer. Another reviewer mentioned the quip about this being "Violin Making as it Wasn't and Isn't" and that is certainly just. I would merely add Pliny the Elder's remark that there is "no book so bad but that some good might be got out of it."
4 of 6 people found the following review helpful:
5.0 out of 5 stars
The one violin book to have.,
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This review is from: Violin-Making: A Historical and Practical Guide (Dover Books on Music) (Paperback)
If, like me, your earliest memories are of sitting in front of the T.V., then this book will be a little hard to get use to. Once you get use to the victorian era prose, It gets to be more fun than three days at the circus.
This is not a visual book.Everything you could want is here, but you have to be able to read and follow along. There is a set of the the best plans and templates you will find. They are in the back of the book and reduced in size, but can be enlarged easily enough at Kinkos or some such shop. The templates were taken from a real Strad that he had on his bench. They are painstakingly compiled by a violin maker who apprenticed to Chanot,(remember. This was written in 1885) and there is no detail left out. You have to turn to the templates page while you read, but it is well worth it. If you buy no other book on violin making, buy this one. It is everything you need.
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