Most Helpful Customer Reviews
27 of 28 people found the following review helpful:
4.0 out of 5 stars
Wonderful music and complete, but prefer the Thomson CD, November 13, 1998
By A Customer
This review is from: Virgil Thomson: Four Saints In Three Acts (Audio CD)
This is wonderful music -- inventive, tunefull, distinctive. This recording is complete and digital, but the RCA re-issue of Thomson's 47 is to be preferred. I own both.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Say what....?, March 27, 2001
This review is from: Virgil Thomson: Four Saints In Three Acts (Audio CD)
What fun this opera is! Virgil Thomson likes to play with the orchestra and singers as much as Gertrude Stein likes to play with the English language. It's nonsense, but it's not. Part of the fun is trying to make some sense of the cryptic libretto....indeed, you can't help it. Your brain wants to make something of it. The music almost gives it logic, but (cleverly) stops short of filling in the blanks for you. (Regardless of the original intent, the opera has something to say about the difficulties of expressing the divine experience....I think) True, Thomson's music is not plumbing the depths of the human psyche, but it is inventive and witty. Indeed, many modern "neo-romantics" could learn a lot about being accessible without being sentimental or schmaltzy. Well worth multiple listenings.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Allusively elusively and very much as it may, September 23, 2001
This review is from: Virgil Thomson: Four Saints In Three Acts (Audio CD)
I've characterized this as "surealists invading a camp meeting"... but that doesn't do it justice. Much of Stein's text seems cryptic (though it sings beautifully in Thompson's hands), but moments like the chorus singing: "St. Teresa being photographed dressed like a lady and then they taking out her head changed it to a nun and a nun a saint and a saint so." followed by St. Teresa singing: "Can women have wishes?" are crystal-clear. Thompson invokes Wagner and Puccini, adds (with Stein's help) a patriotic opening and a Spanish ballet, and even tosses in a witty though perfectly appropriate parody of "The Trumpet Will Sound" from Handel's "The Messiah" while never straying too far from the two-chord base of the music. The singers and sonorities are wonderful. This is timeless music and text, wonderfully performed, and certainly worth the price of the CD.
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