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Viridiana (The Criterion Collection) (1962)

Silvia Pinal , Fernando Rey , Luis Buñuel  |  Unrated |  DVD
4.4 out of 5 stars  See all reviews (36 customer reviews)

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Product Details

  • Actors: Silvia Pinal, Fernando Rey, Francisco Rabal, José Calvo, Margarita Lozano
  • Directors: Luis Buñuel
  • Writers: Luis Buñuel, Benito Pérez Galdós, Julio Alejandro
  • Producers: Gustavo Alatriste, Pere Portabella, Ricardo Muñoz Suay
  • Format: Black & White, Closed-captioned, Color, Subtitled, Widescreen, NTSC
  • Language: Spanish (Dolby Digital 1.0)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Criterion
  • DVD Release Date: May 23, 2006
  • Run Time: 90 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (36 customer reviews)
  • ASIN: B000C8Q900
  • Amazon Best Sellers Rank: #28,008 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Viridiana (The Criterion Collection)" on IMDb

Special Features

  • New, restored high-definition digital transfer
  • New video interviews with actress Silvia Pinal and Cineaste editor and author Richard Porton
  • Excerpts from a 1964 episode of "Cineastes de notre temps" on Luis Bunuel's early career
  • New and improved English subtitle translation
  • 28-page booklet with a new essay by author and film historian Michael Wood and an archival interview with Luis Bunuel
  • Trailer

Editorial Reviews

Amazon.com

While its so-called "blasphemies" have been tamed by the passage of time, Luis Buñuel's Viridiana remains a masterpiece for the ages. After 22 years in Mexico and the United States, Buñuel returned to his native Spain in 1961 with dictator Franco's permission to make any film he wanted, pending the approval of censors. Inspired by a minor saint named Viridiana and an erotic fantasy about making love to the Queen of Spain after drugging her, Buñuel proceeded to combine these elements into a characteristically provocative scenario about Viridiana (Silvia Pinal), a young woman about to become a nun, who leaves her convent to visit the decaying estate of her uncle, Don Jaime (Fernando Rey), an eccentric widower who's immediately taken with Viridiana's close resemblance to his dead wife. Jaime's aborted attempt to seduce Viridiana (and his subsequent suicide) sets the film's second half in motion, as Viridiana assuages her guilt by turning Don Jaime's estate into a haven for the dispossessed--quite literally a "beggar's banquet" that culminates in one of the most indelible images in all of Buñuel: a staged recreation of da Vinci's "The Last Supper," with a cast of itinerant peasants as "disciples" in Buñuel's new world order--a cutting response to backward notions of progress.

Like any great film, Viridiana reveals its depth and detail through multiple viewings. The film is scathingly critical of Catholic hypocrisy and Franco's Spain (Don Jaime's estate is a direct reflection of the country's moribund state of sociopolitical decay), and its allegorical content was not lost on Spanish authorities, who banned the film (it wasn't shown in Spain until 1977) after it won the coveted Palme D'Or at the Cannes Film Festival. In a closing stroke of genius, Buñuel skirted around his censors with a final scene even more provocative (in its subtle implications) than the sexually suggestive ending he'd originally filmed. With much to say about the conflicting nature of human desires, Viridiana may have softened over decades, but it's never lost its ability to spark debate, discussion, and rewarding analysis of Buñuel's directorial vision. --Jeff Shannon

On the DVD
The newly restored, high-definition digital transfer of Viridiana impressively maintains Criterion's exacting standards of audio-visual quality; it's a flawless transfer, with deep blacks and richly detailed clarity. The supplements include new (2006) video interviews with actress Silvia Pinal and Spanish cultural scholar Richard Porton; warmly revealing excerpts from the 1964 French TV series "Cineastes of Our Times," featuring an interview with Buñuel; and a 30-page booklet with an essay on Viridiana by Princeton film scholar Michael Wood, and a generous interview excerpt from the book Objects of Desire: Conversations with Luis Buñuel. --Jeff Shannon

Product Description

Banned in Spain and denounced by the Vatican, Luis Bunuel's hilarious vision of life as a beggar's banquet is regarded by many as his masterpiece. In it, the young novice Viridiana does her utmost to maintain her Catholic principles, but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism. Winner of the Palme d'Or at the 1961 Cannes Film Festival, this anticlerical free-for-all is as shocking today as ever.

Customer Reviews

Ideal para conocer a Buñuel o pera ver una buena pelicula. Enrique Guevara  |  6 reviewers made a similar statement
In his past is a shameful story of youthful transgression, and an abandoned, illegitimate son. darragh o'donoghue  |  6 reviewers made a similar statement
Most Helpful Customer Reviews
97 of 100 people found the following review helpful
5.0 out of 5 stars Bunuel dares you to laugh. April 26, 2002
Format:VHS Tape
'Viridiana' begins like a mad Spanish variant on Roger Corman's Poe adaptations. Don Jaime is the Vincent Price-like mad widower (his wife died of heart-attack on their wedding night), haunting his crumbling manor, neglecting his decaying lands, mournfully playing an old piano or listening to Bach and Handel records. At night, by a coffin in which is draped his bride's wedding dress, he wears her shoes and corset. In his past is a shameful story of youthful transgression, and an abandoned, illegitimate son. He invites his niece, Viridana, a dead ringer for his wife, to stay with him for the few days before she takes holy orders. In a fantastic ritual, he asks her to wear the wedding dress and proposes marriage; when she refuses, he drugs her, with the aid of his devoted servant - to whose daughter he gives the skipping rope that takes on an importance from the merely symbolic into the fetishistic and violent - and takes the niece to the bedroom for a necrophiliac rape. Prior to this, he had caught her in one of her sleepwalking trances, throwing her knitting into the fire, and pouring ashes on her uncle's bed. Pure Poe.

Poe was one of the acknowledged precursors of the Surrealists, and in 'Viridiana', Bunuel makes use of two Gothic tropes - the Gothic house/castle/manor is often a figure for the disintegrating mind, but also a metaphor for the nation: Don Jaime's madness, his gentility masking a dangerous egotism, his passion perversely and inwardly directed so that it feeds on itself, his neglect of the land, are all tenets of Franco's Spain, a pinched, gnarled, sterile world in this film.

The Gothic was also the genre in which society could dramatise those anxieties - death, sexual deviance, social disruption - not talked aobut in the middle class public sphere. Gothic novels often featured representative, hyper-virtuous heroines who had to negotiate evils such a society would cast out. Such a reading applies to 'Viridiana' also, with the title character, who has spent most of her life closed off from the world, hidden from its temptations, confronted with unpalatable distortions of desire, family, the body, community, class etc.

In 'Viridiana', however, Bunuel conflates these two movements - the Gothic as social allegory, and as site of released repressions. The film's infamous second half - in which Viridiana attempts to atone for a suicide by caring for beggars and outcasts, and her uncle's son's attempts to modernise the home - savagely mixes them up. The beggars, embodying a whole antheap of qualities, desires, realities the Spanish ruling class and bourgeoisie everywhere suppress, take over the mansion, mishandle its possessions, parody its civilising artefacts (food, music, painting, sculpture), a destructive Bacchic frenzy contemptuous of viewers - we may cheer when the meek inherit the earth, but a greater pack of brutal thugs, informing sneaks, loathesome lepers or frothing rapists you'll never see; while Don Jaime, for all his monstrosity, has a quiet grace absent from the other characters. His servants assume their own thuggish hierarchy when faced with the amoral vagrants, asserting their perceived superiority. The celestial Viridiana's initiation into the 'earthy' is not something anyone, whatever their politics, can buy.

It is wholly characteristic that Bunuel should couch this moral dynamite in one of his most visually beautiful films - the recurring Bunuel motifs (feet, ropes etc.; religious paraphernalia as bondage gear); the dense compositions, at once framing characters in their environment and mocking them; and the startling zooms out, from intimate close-ups on parts of the body to the shocking realisation that someone is always watching.

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53 of 55 people found the following review helpful
5.0 out of 5 stars Hypocrisy exposed May 8, 2002
Format:VHS Tape
This is one of the best pictures I have seen in my short life of 75 years. The plot is economical and excellent. The direction of Bunuel is outstanding (hardly news that). The plot exposes the hypocrisy of the devout, the fallibilty of human nature, the hopelessness of poverty and the uselessness of instictive philantropy. It would be difficult to make a better picture on the subject. I have seen it many times and I would see it again and again. Bunuel had to smuggle it out of Spain while Franco was ruling it but Franco loved it too... He would watch it in private...
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20 of 23 people found the following review helpful
5.0 out of 5 stars "That Obscure Object of Desire meets Nazarin" October 22, 2006
By Galina
Format:DVD
*** This comment may contain spoilers ***

The controversial satire was banned by the Spanish government for obscenity and blasphemy after it had received the Golden Palm at the 1961 Cannes Film Festival. Viridiana of the title is a young nun (Mexican actress Silvia Penal) who is assigned by her mother superior to visit her widowed uncle Don Jaime (Fernando Rey) on his farm just before taking her final vows. Viridiana reluctantly agrees to meet with her uncle whom she never knew but who has supported her financially all these years. Don Jaime is obsessed by her cool virginal blond beauty and he sees her as reincarnation of his bride who died thirty years ago on their wedding night. Bunuel gives some of his own sexual fantasies, fetishes, and dreams that he freely admits to Don Jaime thus making him more human. Viridiana winds up as a farm owner along with her uncle's illegitimate son, Jorge (Francisco Rabal, humble and spiritual Nazarin of "Nazarin" here plays absolutely different man). Viridiana, following the great traditions of mad Spaniards, originated by Cervantes and continued by Nazarin, takes seriously great ideas and tries to live accordingly when she attempts to make the farm a heaven for local homeless beggars. Viridiana is a woman of virtue but all her good intentions lead nowhere. I am not surprised that the film was banned and all copies were ordered to be destroyed (Silvia Penal in her interview recalls the dramatic story of two copies of the film that were saved and buried, so they could wait for the better times), I am surprised how Bunuel was able to make this super dark dramedy about the inability of the Catholic Church to deal with the realities of the world at all in his native Spain when Franco was still in power.

Technically, Viridiana is a perfect film, odd and enigmatic behind the seeming simplicity. It's power lays not in the set decorations, stunning locations or the colorful costumes but in a way people interact. When asked what were his ideas behind his films, Bunuel answered, "I have no ideas, it is all instinct".

It took 17 years to bring "Viridiana" home to Spain where it was first shown at the theaters in 1977. It took another 29 years to transfer it to Criterion DVD. Now it is available with several interesting bonus features that include interview with Silvia Penal from 2006, an interview with Richard Norton, the Cineaste editor, and the best one, the parts of the film about Bunuel that was made back in 60th and the man in the documentary is as enigmatic, odd, charming, brilliant, and sinister as his films are.

Highly recommended.
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Most Recent Customer Reviews
5.0 out of 5 stars The conflict of desires with the possible....
'Viridiana" (1961) is directed by Luis Bunuel (The Phantom of Liberty). The story is about Viridiana who is a young nun about to take her vows, but who reluctantly goes to visit... Read more
Published 8 months ago by Edmonson
1.0 out of 5 stars Bad Movie
There are three types of movies abroad in the world: Good movies, Ugly movies, and Bad movies. Good movies are the ones most people think of when they choose their favorites --... Read more
Published 16 months ago by Irish Eyes
5.0 out of 5 stars The Poor Say Thank You By Asking for More
Most films that attack the Christian faith take a safer route than "Viridiana". Many films, "Elmer Gantry" for example, attack the clergy. Read more
Published on November 20, 2010 by Dean A. Anderson
5.0 out of 5 stars Viridiana by Luis Buñuel
Even though Viridiana is very controversial because of its harsh attack against the Catholic Church, the film is very artistic and makes a very good point: "Don't expect that God... Read more
Published on December 26, 2009 by Jaime Sanchez
4.0 out of 5 stars A somewhat antirelious classic?
The nun find no good deed goes unpunished when the beggars
that she is trying to help turn on her and her cousin. Read more
Published on October 26, 2009 by R. Bagula
2.0 out of 5 stars Yawn
The criticism of intent is a killer on bad films that have no real depth and do not last a few years beyond their intent's purpose. Read more
Published on September 23, 2008 by Cosmoetica
5.0 out of 5 stars The masterpiece of Don Luis Bunuel
If you have to own only one film from Luis Bunuel, Viridiana have to be it ! I still consider this film from 1961 to be one of the two best the spanish film director ever made. Read more
Published on August 11, 2008 by Daniel Bradette
5.0 out of 5 stars Viridiana
Perhaps the crowning achievement in Buñuel's oeuvre, "Viridiana" details the efforts of a virtuous former nun to minister to the poor after she's irrevocably changed by a... Read more
Published on July 2, 2007 by John Farr
5.0 out of 5 stars A Buñuel masterpiece
The day after this film won the 1961 Palme d'Or at Cannes, the reaction of the Catholic church prompted Franco's Spain to ban it and burn most copies and all outtakes. Read more
Published on June 14, 2007 by Bert vanC Bailey
5.0 out of 5 stars ...and to think, none of this would have happened if Viagra has...
Viridiana (Luis Bunuel, 1961)

Most people seem to consider Viridiana Luis Bunuel's magnum opus. Read more
Published on March 5, 2007 by Robert P. Beveridge
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