Save Big On Open-Box & Preowned: Buy "Viridiana (The Criterion Collection)” from Amazon Warehouse Deals and save 39% off the $29.95 list price. Product is eligible for Amazon's 30-day returns policy and Prime or FREE Shipping. See all Open-Box & Preowned offers from Amazon Warehouse Deals.
Other Sellers on Amazon
Viridiana (The Criterion Collection)
|Additional DVD options||Edition||Discs||
|New from||Used from|
|Watch Instantly with||Rent||Buy|
Frequently Bought Together
Customers Who Bought This Item Also Bought
Special Offers and Product Promotions
Like any great film, Viridiana reveals its depth and detail through multiple viewings. The film is scathingly critical of Catholic hypocrisy and Franco's Spain (Don Jaime's estate is a direct reflection of the country's moribund state of sociopolitical decay), and its allegorical content was not lost on Spanish authorities, who banned the film (it wasn't shown in Spain until 1977) after it won the coveted Palme D'Or at the Cannes Film Festival. In a closing stroke of genius, Buñuel skirted around his censors with a final scene even more provocative (in its subtle implications) than the sexually suggestive ending he'd originally filmed. With much to say about the conflicting nature of human desires, Viridiana may have softened over decades, but it's never lost its ability to spark debate, discussion, and rewarding analysis of Buñuel's directorial vision. --Jeff Shannon
On the DVD
The newly restored, high-definition digital transfer of Viridiana impressively maintains Criterion's exacting standards of audio-visual quality; it's a flawless transfer, with deep blacks and richly detailed clarity. The supplements include new (2006) video interviews with actress Silvia Pinal and Spanish cultural scholar Richard Porton; warmly revealing excerpts from the 1964 French TV series "Cineastes of Our Times," featuring an interview with Buñuel; and a 30-page booklet with an essay on Viridiana by Princeton film scholar Michael Wood, and a generous interview excerpt from the book Objects of Desire: Conversations with Luis Buñuel. --Jeff Shannon
- New, restored high-definition digital transfer
- New video interviews with actress Silvia Pinal and Cineaste editor and author Richard Porton
- Excerpts from a 1964 episode of "Cineastes de notre temps" on Luis Bunuel's early career
- New and improved English subtitle translation
- 28-page booklet with a new essay by author and film historian Michael Wood and an archival interview with Luis Bunuel
Top Customer Reviews
Poe was one of the acknowledged precursors of the Surrealists, and in 'Viridiana', Bunuel makes use of two Gothic tropes - the Gothic house/castle/manor is often a figure for the disintegrating mind, but also a metaphor for the nation: Don Jaime's madness, his gentility masking a dangerous egotism, his passion perversely and inwardly directed so that it feeds on itself, his neglect of the land, are all tenets of Franco's Spain, a pinched, gnarled, sterile world in this film.
The Gothic was also the genre in which society could dramatise those anxieties - death, sexual deviance, social disruption - not talked aobut in the middle class public sphere.Read more ›
The controversial satire was banned by the Spanish government for obscenity and blasphemy after it had received the Golden Palm at the 1961 Cannes Film Festival. Viridiana of the title is a young nun (Mexican actress Silvia Penal) who is assigned by her mother superior to visit her widowed uncle Don Jaime (Fernando Rey) on his farm just before taking her final vows. Viridiana reluctantly agrees to meet with her uncle whom she never knew but who has supported her financially all these years. Don Jaime is obsessed by her cool virginal blond beauty and he sees her as reincarnation of his bride who died thirty years ago on their wedding night. Bunuel gives some of his own sexual fantasies, fetishes, and dreams that he freely admits to Don Jaime thus making him more human. Viridiana winds up as a farm owner along with her uncle's illegitimate son, Jorge (Francisco Rabal, humble and spiritual Nazarin of "Nazarin" here plays absolutely different man). Viridiana, following the great traditions of mad Spaniards, originated by Cervantes and continued by Nazarin, takes seriously great ideas and tries to live accordingly when she attempts to make the farm a heaven for local homeless beggars. Viridiana is a woman of virtue but all her good intentions lead nowhere. I am not surprised that the film was banned and all copies were ordered to be destroyed (Silvia Penal in her interview recalls the dramatic story of two copies of the film that were saved and buried, so they could wait for the better times), I am surprised how Bunuel was able to make this super dark dramedy about the inability of the Catholic Church to deal with the realities of the world at all in his native Spain when Franco was still in power.Read more ›
Just think in the historic moment the film was made. Buñuel was essentially an anti establishment artist , and his political posture is well known and one of his primary concerns consisted in proving that we are not in the best of the possible worlds and this statement scopes the shade of the Totalitarian Regimes in search a better world for the mankind : the search of the total welfare implies necessarily the demolition of the previous Status Quo. And if you watch with absolute coldness and free or passionless, you will feel this invisible slap in the face of the most devoted believers the human happiness can be stated. The literal mess when the alcohol make his late effects in the middle of this humble crowd , slowly and progressively goes showing the ugliness of the feelings behind the mask of good manners, creating a real atmosphere of claustrophobia and horror in the worst sense of the word. The sinister parody to the last Supper was immediately rejected by many religious sectors: Once more the forest avoided to watch the real intentions of Buñuel.
This extraordinary, original, powerful and unforgettable film is one the supreme master jewels of the Cinema in any age.
The performance of one of the most beautiful and talented actress in that age: Silvia Pinal as the prodigal nun who really believes in the fact the human still can be redeemable is simply of first rate. And the script deserves simply an everlasting applause. After you watch this merciless picture you will reformulate your inner vision about certain issues you considered out of discussion.
Most Recent Customer Reviews
Really good movie. This movie was banned in Spain which makes it so interesting. If you like old Spanish movies and are familiar with the history of Spain and the Franco regime,... Read morePublished 12 days ago by Agatha Tate
This disc doesn't come in English subtitled - although container & website indicated.Published 6 months ago by Desure Lim
The 1961 Spanish-Mexican film Viridiana is considered by many to be Luis Buñuel's masterpiece. Read morePublished 16 months ago by Film Buff
A tyrannical husband forbade me to go see this with my fellow Spanish graduate students. I'm so glad to have found it after all these years.Published 17 months ago by Miriam Eldridge
Although I've never been a fan of Bunuel, the description of the story in the ad got me intrigued. It wasn't what I expected to
see, but I'm glad that I stuck to it till the... Read more
While `Viridiana' contains some well known aspects of L. Buñuel's movies, like fetishism or voyeurism, its main target is, like in `L'Age D'Or', religion and more... Read morePublished on June 1, 2013 by Luc REYNAERT