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Virtual Light [Paperback]

William Gibson (Author)
3.7 out of 5 stars  See all reviews (68 customer reviews)


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Product Details

  • Paperback
  • Publisher: Penguin; Cover Worn edition (1993)
  • ASIN: B000M6DSY2
  • Product Dimensions: 6.8 x 4.1 x 1.2 inches
  • Shipping Weight: 6.4 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Best Sellers Rank: #5,471,002 in Books (See Top 100 in Books)

More About the Author

William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.

 

Customer Reviews

68 Reviews
5 star:
 (29)
4 star:
 (14)
3 star:
 (8)
2 star:
 (11)
1 star:
 (6)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (68 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

35 of 37 people found the following review helpful:
5.0 out of 5 stars More story, less technology, December 3, 2001
By 
This review is from: Virtual Light (Paperback)
William Gibson is an author that creates characters and situations that capture your imagination. When you put one of his books down your thoughts stay with the story. Gibson is a major player in the Sci-Fi genre. His visions of technology and the world to come have influenced many other visions from the TV shows like Dark Angel to films like the Matrix.

Fans of Gibson's work love and hate Virtual Light. In one hand his writing style is still there but the high technology of Neuromancer has been replaced by a less advanced technological culture. Those readers expecting another high adrenaline rush through the matrix almost gave up on virtual light. One of the appeals of Gibson's work is the vision of technology. The world of Virtual light predates the world of Neuromancer by leaps. The Eye phones and goggles take the place of the nerve-splicing and micro bionics seen in his earlier work. The lesser technology almost seems childish in comparison but it does provide an intermediate step for those of us who hope and wish for a glimpse of the matrix as a reality. "Virtual Light" leans more to the characters and plot than earlier work and gives a rich smooth story some times humorous some times sad. The characters take on more than just three dimensions. You can feel them grow and develop as the story continues. Now, if your new to Gibson start with `Virtual Light' then read the sequels `Idoru' and `All Tomorrow's Parties' to get a feel of Gibson's style and technology. Then brace yourself and take the leap to `Neuromancer', `Count Zero', `Mona Lisa Overdrive' and finish up with the collection of short stories that is `Burning Chrome'. On the other hand if you've already read `Neuromancer' or its sequels then try to put aside the lack of technology and just enjoy the story.

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19 of 20 people found the following review helpful:
5.0 out of 5 stars Second only to Neuromancer, January 7, 2000
This review is from: Virtual Light (Paperback)
This is the first book in the trilogy (Virtual Light, Idoru, All Tomorrows parties), and a good place to start if you are new to Gibson.

In my and most peoples opinion, it is only second to Neuromancer, not because of style or content, but because it's not as revolutionary and original.

William Gibson is excellent in describing characters, technology and environment. This book represents a 'new' style for him (as opposed to Neuromancer, Count Zero and Mona Lisa Overdrive). He focuses more on the characters and their travel to the new semi-dystopian world of technology.

At the end you'll want to get your hands on a copy of the sequels (Idoru, All Tomorrows Parties). What the heck! Just buy them too right now!

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Fast-paced and Suspenseful, December 4, 2000
By 
Deanna (Macomb, IL USA) - See all my reviews
This review is from: Virtual Light (Paperback)
Virtual Light is a good read. Although very different than Neuromancer, William Gibson's cyberpunk classic, it is still very well written. The book is not only suspenseful, fast-paced, and imaginative, but it has just a hint of humor throughout. All of these things make you want to keep turning the pages, just to see what Chevette and Rydell will do next.

Chevette is a bicycle messenger with an attitude. After some tough luck, she finally has her life pretty much on track and doesn't want to screw it up. Rydell went through some rough times too, but finally has a job that looks promising. He gets hired to help with the hunt for Chevette after she steals a pair of glasses, and something goes wrong.

The plot of the book jumps around at first. It's a bit confusing, but after a few chapters you get the hang of it, and kind of figure out what is going on. The use of technology in the book was surprisingly sparse, compared to many other cyberpunk novels. What I especially liked was Gibson's use of humor. It was thrown in, in all the right places, which really made the book more interesting.

Gibson describes all the characters in the book very vividly. It is very easy to sense what they are thinking and feeling. He also creates a vivid setting. Rydell moves from Tennessee to what used to be California, but is now NoCal and SoCal, two different states. All aspects of the setting are believable and conceivable. This is only the second Gibson novel I've read, but I liked it better than Neuromancer. Everything was much easier to believe and understand, and the entire novel was action packed. The suspense of the book wouldn't let me put it down.

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Sammy Sal, Chevette Washington, San Francisco, Well Rydell, Karen Mendelsohn, Container City, Rydell Rydell, Kenneth Turvey, Republic of Desire, Death Star, Aaron Pursley, Fluoro Rimz, Pooky Bear, Berry Rydell, Los Angeles, Reverend Fallon, Freddie Warbaby, Jesus Rydell, Hey Rydell, Dream Walls, Hotspur Hussar, Okay Rydell, Futon Mouth, Kevin Tarkovsky, Skinner Yamazaki
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