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Most Helpful Customer Reviews
33 of 33 people found the following review helpful:
5.0 out of 5 stars
"wonderful marriage between Classical and Jazz...Concord!",
This review is from: Virtuosi (Audio CD)
Two genres appease my appetite for today's music CLASSICAL and JAZZ...so it's nowonder this latest Concord release hits the spot to satisfy my craving...featuring Gary Burton(vibes) and Makoto Ozone(piano), performing the works of Barber, Bonilla, Brahms, Cardoso, Confrey, Delibes, Gershwin, Rachmaninoff, Scarlatti and even Ozone composed his "SOMETHING BORROWED, SOMETHING BLUE", mesmerizing with haunting overtones, a perfect ending to this classic event. Each piece mirrors the harmonies of both classical and jazz, through the musicianship of each A big thank you to Concord Jazz, Gary Burton(producer), Glen Barros and John Total Time: 69:45 on 11 Tracks ~ Concord Jazz 2105 ~ (2002)
12 of 13 people found the following review helpful:
5.0 out of 5 stars
A marvelous blend,
By A Customer
This review is from: Virtuosi (Audio CD)
This Burton-Ozone collaboration has produced a record that deserves to be timeless. It is a marvelous blend of the classical and jazz traditions. The spirit of the classical composers represented on the disc comes through in a refreshing way, brilliantly interpreted by these two superb musicians. This will be my favorite record from the year 2002, no question about it.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Classics with a Jazzy Pulse,
By J. Garcia (New Mexico, USA) - See all my reviews
This review is from: Virtuosi (Audio CD)
Burton and Ozone perform a splendidly diverse variety of classics alongside some newer tunes considered classics in their own right. Tombeau de Couperin, Rachmaninoff's Prelude, Scarlatti's Sonata, and the Lakmé Medley do not merely use a melody and chord changes as inspiration for a "head chart," but rather delve inside the original songs for a new twist. The Sonata particularly shows off the duo's ingenuity in finding a new interpretation that respects the old melody.
The newer pieces (such as Milonga, the Confrey Impromptu and the Gershwin pieces) do not belittle themselves as "lesser classics," but Ozone and Burton respect them as equals to the other pieces. The final piece, though not destined to be a classic of its own, is a pensive reflection on the "classics" which echoes the voice the duo found inside many of the other pieces. Overall, a charmingly novel album perfect for lovers of jazz and classical music alike.
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