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Viscous Solid


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Audio CD, July 13, 2004
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Biography

Geoff White’s work as Aeroc occupies a rarified air in which the surreal nature of dreams and the rhythms of everyday waking existence merge to create an unexpectedly naturalistic form of electronic music—harmonized drones merge with graceful jazz patterns and glitch-inspired rhythms to make a sound that is totally his own. White released the first Aeroc album, Viscous Solid, on ... Read more in Amazon's Aeroc Store

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Product Details

  • Audio CD (July 13, 2004)
  • Number of Discs: 1
  • Label: Ghostly Int'l
  • ASIN: B000228E7M
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #133,980 in Music (See Top 100 in Music)

1. My Love, The Wave Break
2. Evolvo
3. Mahy
4. Bronze Leaves Fall First
5. Wish Eyes
6. Rockets Can't Get the Stars
7. Vio La
8. Enter
9. Rusted Dress Up
10. Onward... Upward
11. Blue Eyed Bitter
12. Another Mere Moment
13. Please Go Wrong
14. And Then .. ..
15. Summers Almost Over

Editorial Reviews

Customer Reviews

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Most Helpful Customer Reviews

8 of 9 people found the following review helpful By alexander laurence on September 21, 2004
Format: Audio CD
This is a rather ambient affair. It is very abstract. Maybe more like some of Plaid's and Autechre's more non commercial things. A lot of spooky sounds for an hour. Maybe more like soundtrack music. It is relaxing. It's shocking to hear some guitar on "Blue Eyed Bitter." It is post-industrial, post-hiphop, and post-techno. Probably what the characters in the film Minority Report listen to. After listening to something mentally bankrupt like Royal City. this record is wonderful.
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1 of 1 people found the following review helpful By scoundrel on February 24, 2011
Format: Audio CD
Geoff White adopts the moniker Aeroc for his first release on Ghostly International, VISCOUS SOLID. And while the title may be an oxymoron, White manages to blend glitchy IDM with acoustic guitar work into an organic whole, with the earthy balancing the technology. The first track, "My Love, The Wave Break" (a reference to Octavio Paz's famous short story) sets the bucolic tone that the rest of the album will follow. "Mahy" brings a fragile delicacy to the guitar work that's underwritten by the clicks and whirs. Other more ambient tracks eschew the guitar (or reduce them to processed plucks, like on "Rockets Can't Get the Stars" or "Enter"), but retain a moody tonal quality reminiscent of Biosphere's work. "Onward... Upward," however, sounds like a folk-rock song that's had its percussion mugged by a mainframe, while "Please Go Wrong" is a hymn played through a malfunctioning Speak-N-Spell. "Summer's Almost Over" returns us to the beginning, where guitar and computer merged into one being.
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Viscous Solid
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