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Vision Science: Photons to Phenomenology [Hardcover]

Stephen E. Palmer
4.7 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

May 7, 1999 0262161834 978-0262161831 1

This book revolutionizes how vision can be taught to undergraduate and graduate students in cognitive science, psychology, and optometry. It is the first comprehensive textbook on vision to reflect the integrated computational approach of modern research scientists. This new interdisciplinary approach, called "vision science," integrates psychological, computational, and neuroscientific perspectives.The book covers all major topics related to vision, from early neural processing of image structure in the retina to high-level visual attention, memory, imagery, and awareness. The presentation throughout is theoretically sophisticated yet requires minimal knowledge of mathematics. There is also an extensive glossary, as well as appendices on psychophysical methods, connectionist modeling, and color technology. The book will serve not only as a comprehensive textbook on vision, but also as a valuable reference for researchers in cognitive science, psychology, neuroscience, computer science, optometry, and philosophy.


Frequently Bought Together

Vision Science: Photons to Phenomenology + Vision: A Computational Investigation into the Human Representation and Processing of Visual Information + Vision and Art: The Biology of Seeing
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Editorial Reviews

Review

"This is a monumental work, covering a wide range of topics, bothclassical findings and recent approaches on the frontiers ofresearch." Anne Treisman , Princeton University

About the Author

Stephen E. Palmer is Professor of Psychology and Director of the Institute of Cognitive Studies at the University of California, Berkeley.

Product Details

  • Hardcover: 832 pages
  • Publisher: A Bradford Book; 1 edition (May 7, 1999)
  • Language: English
  • ISBN-10: 0262161834
  • ISBN-13: 978-0262161831
  • Product Dimensions: 8.5 x 1.4 x 10 inches
  • Shipping Weight: 4.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #609,426 in Books (See Top 100 in Books)

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Customer Reviews

4.7 out of 5 stars
(6)
4.7 out of 5 stars
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Most Helpful Customer Reviews
42 of 45 people found the following review helpful
5.0 out of 5 stars A unique text for students and researchers alike. May 13, 1999
By A Customer
Format:Hardcover
This is an excellent book! Steve Palmer is perhaps best known for his work on perceptual grouping and perceptual organization. With this text, however, Palmer proves that his interests extend beyond these boundaries into the domain of perception as a whole. Palmer also demonstrates that his interests are not confined by one methodology either. Presenting findings from a number of perspectives is one of the things that excites Palmer the most, and he does it like no other. By making use of relevant research in neuroscience, psychology, computer vision and linguistics, to name a few, Palmer develops a unified text for the emerging domain of "Vision Science", a subfield of the larger interdisciplinary enterprise of Cognitive Science.

Palmer's book differs from other books on visual perception in three major ways. First, Palmer introduces the major theoretical perspectives to visual perception--inferential, ecological and computational-- early in the text and then places empirical findings throughout the text in the context of these perspectives. Second, Palmer presents findings from a number of disciplines in an integrated fashion. As opposed to having separate sections for neuroscience, computer vision and perceptual development, for example, Palmer presents research from multiple disciplines as it relates to relevant areas of visual perception, such as perceptual organization or object recognition. Third, and perhaps most importantly, Palmer resists the temptation to dichotomize. The discussions of the literature are sophisticated, presenting both the pros and the cons of different approaches to phenomena in perception, even venturing to propose novel theoretical syntheses at various points in the book....

For anyone who is interested in visual perception, neuroscience, computer vision, or just Cognitive Science in general, this is a book that you must have on your book shelf. Read more ›

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10 of 10 people found the following review helpful
5.0 out of 5 stars A book that's as good as its cover July 26, 2002
Format:Hardcover
As an interested academic in a completely unrelated field (chemistry) Palmer's book was only the second cognitive psychology text that I had ever read. It was an "eye opener." There should be awards given to authors who commit themselves and succeed at the task of what Palmer has done here. The book was comprehensive and didn't pull any punches, but was still very readable. The quality of the writing and organization leads me to assume that the man is a gifted teacher as well. The layout, glossary, index, and organization of the text were clearly constructed with the reader in mind. Five star reviews at Amazon.com should be reserved for books of this quality.
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4 of 4 people found the following review helpful
5.0 out of 5 stars Psychology & Neurophysiology of Vision Science June 10, 2004
Format:Hardcover
Stephen Palmer has written a marvelous book. Its well organized and written. It is suitable as a reference & text for those beginning and advancing to higher levels in Vision Science. The pictures, diagrams, graphs, charts, photos, and outlines are well placed and explained in the body of the text. Because Dr. Palmer is first a Neuropsychologist, the approach is more geared toward psychological mechanisms & psychophysics. The emphasis is less on Biological Approaches to Visual Function. This & Chalupa's 2 Volume Set should get novice to intermediate scientists going further in Vision Science!
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Book Review
"Vision Science: Photons to Phenomenology" by Stephen E Palmer, MIT Press, Cambridge, Massachusetts, 1999.

At 810 pages, this is a phenomenally encyclopaedic book. However, due justice to the grand title - "Photons to Phenomenology" - would by necessity take several volumes this size. I imagine the reader who scans the library shelf, licking their lips for a discourse about photons would be rather disappointed in this tome. On the other hand, the reader seeking a coherent account of current ideas concerning the phenomenon of visual perception will undoubtedly be delighted. So, despite being initially turned off by the now-hackneyed "X to Y"-style title (we have recently had "Pigments to Perception" and "Genes to Consciousness"... what next, "Molecules to Meaning" or perhaps "Big-bang to Business-bust"?), let me say why I became so fond of this book.

The stated aim is to present as full a view of Vision Science as possible, with offerings coming from the many diverse disciplines which claim an interest in the field: physiology, psychology, neuro-anatomy, computational neuroscience and psychophysics, to name a few. A tempting way to cover such a broad scientific landscape would be to maintain this convenient parcellation, and present chapters describing separately the findings of each approach. However the author avoids this temptation and instead undertakes the difficult task of integrating, as much as possible, pertinent information arising from different disciplines. Here Palmer has done more than a good job - he has managed to discover novel links between views offered by different disciplines and emerges with his own solid and internally consistent vision of Vision Science, which he then espouses deftly.
... Read more ›
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2 of 5 people found the following review helpful
4.0 out of 5 stars Physics to Phenomenology July 5, 2006
Format:Hardcover
Palmer has written an outstanding book for the technically trained reader, even if that reader has a casual interest in understanding the emergence of of human cognition from the physics of vision, to the function of sight.

Absent from the book is a cogent presentation of aesthetics of seeing. For that the interested reader should see John Gage's Color and Meaning.
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