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The Visit: A Drama in Three Acts
 
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The Visit: A Drama in Three Acts [Paperback]

Maurice Valency (Adapter), Friedrich Durrenmatt (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 15, 2011

Drama

Friedrich Durrenmatt, adapted by Maurice Valency

Characters: 25 male, 5 female, 2 children

Drop and wing; frags.

The Lunts chose this unforgettable play for their swan song. A wealthy woman returns to her debt ridden home town and offers a sum greater than they have ever imagined to help out. But there is a condition: she wants the life of a villager who years ago had caused her to be expelled from town in disgrace. Ringing denial of this absurd demand is followed by the gradual corruption of everyone in town. He is murdered and money is passed over his body to the town. The lady leaves with a fantastic entourage and with the coffin of her old lover. Voted best foreign play of the year by N.Y. Drama Critics Circle. "Stinging.... [with] astonishing power." N.Y. Herald Tribune. "A devastating drama." N.Y. Times.


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Product Details

  • Paperback: 120 pages
  • Publisher: Samuel French, Inc. (March 15, 2011)
  • Language: English
  • ISBN-10: 0573617546
  • ISBN-13: 978-0573617546
  • Product Dimensions: 7.1 x 4.8 x 0.3 inches
  • Shipping Weight: 5 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #74,764 in Books (See Top 100 in Books)

 

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4 of 4 people found the following review helpful:
3.0 out of 5 stars A terrible translation of a beautiful play, January 31, 2005
By 
Eric McGill "Eric" (San Diego County, CA, USA) - See all my reviews
This review is from: The Visit: A Drama in Three Acts (Paperback)
Friedrich Dürrenmatt's play Der Besuch der alten Dame is a milestone in German language drama, one of the most significant pieces in the twentieth century. The Maurice Valency "adaptation" is barely a suggestion of the original. Obviously some things must be lost in the translation, but Valency makes unjustifiable decisions: entire scenes are excised, a great deal of dialogue has been trimmed from scenes that didn't need it, Valency has written his own scenes in, he's moved things around, and then on top of all of that he changed the main character's name for reasons that elude me. If at all possible, find another translation of this play, whether you intend to perform it or just to read it; the Valency version is a sin.
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