Customer Reviews

Visual Forces: An Introduction to Design (2nd Edition)

5 star:		(3)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

Circumstances are such that I've been forced into a crash course-type study of composition for the past two months. I've been buying many books and checking them out from the library as well. I find it amazing that there is so much original information in each book, given that they are all discussing approximately the same thing. My conclusion about this aspect is that composition is an extremely complex and rich subject. (That fact is probably supremely obvious to any seasoned artists reading this.)

"Visual Forces" by Benjamin Martinez is one of the books that covers many design AND composition topics well and also has much that the other books I've read so far didn't cover. Or at least you don't have to dig to find the information. The payoff for time invested is high. With two pages per topic and excellent illustrations, the point is made and then you're ready to go on to the next point which is logically connected.

One two-page topic that stands out is the one on using depth cues to control eye movement. It uses an illustration that shows how the eye rests briefly at each spot where a different level of depth occurs. With two pages per topic and 228 pages, Visual Forces is a great value and a vital addition to any collection of books on design and/or composition. The concepts it illuminates can be applied to many design disciplines, including furniture design, drawing, painting, sculpture, multimedia creations and so on.

Yes, this book is full of great information and compiled in an interesting format that helps guide one though the forces that affect human perception. BUT it is a paperback book with the only color illustration on the front. The inside pages are printed on a thin stock that allows images fro the reverse to partially show through. The images in the book look like low resolution scans printed on an ink jet printer set on "cheap black and white". When I first got the book I was sure I had been scammed, that someone had glued up a xeroxed copy of the "good color" printing of the book and substituted it. I actually called Prentice Hall to check, but no, that's how they shipped it. The scam is being perpetrated by the publisher who must be in concert with some teachers who are forcing whole classes of students to buy this book. If you really want a copy of this think about checking one out from a library and xeroxing it yourself, you copy won't be any worse that what's coming from the publisher.

This book is good for beginners. It has the basic design principles to consider when creating art. It doesn't take the place of class, however. A good instructor is more helpful because they can look at your work and assist you hands on. The book is still pretty good but not very flashy.I've been looking for design books and haven't found very many good ones. I liked this one better than any of the others.

I needed this book for my college Design class. I was expecting it to be in dry and boring, but it uses famous artists' pieces as examples so you can understand the concepts. This is a great book if you're a fine art major.

This book covers a lot of what I covered when I was in art school. It's a good read for a beginner or professional. It's also one of the only books that covers how visual conventions are applied in different visual mediums, whether painting or design. To read more on the subject go to [...]