Visual Perception of Music Notation: On-Line and Off Line Recognition addresses the computer recognition of music notation, its interpretation and use within various application contexts. It includes research in the field of image processing and pen-based computing, representation languages and web-based applications. This book consolidates the successes, challenges and questions raised by the computer perception of this music notation language.
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About the Author
Susan E. George received her BSc and PhD in computer science from the University of Reading, UK and MSc in Knowledge-Based Systems from Edinburgh University, UK. Dr. George has undertaken post-doctoral research at both the Department of Optometry and Visi
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Inside This Book
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First Sentence:
This chapter describes the issues involved in the detection and removal of stavelines of musical scores. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lyric recognition, music notation symbols, music notation format, optical music recognition system, music recognition systems, notation interchange file format, symbolic indexing, typesetting choices, standard music description language, notation recognition, syllable extension, handwritten music, lyric editor, horizontal symbols, common music notation, music information retrieval, staff detection, main score, performance directives, original bitmap image, music symbols, beamed notes, score recognition, superimposed objects, visualization rules Key Phrases - Capitalized Phrases (CAPs): (learn more)
Idea Group Inc, International Conference, The Handbook of Musical Codes, New York, Delivering of Music, Retrieved February, Stavelines Removed, Della Santa, Structured Document Image Analysis, The Virtual Score, Music Information Retrieval, Optical Character Recognition, San Jose, Startx Starty Endx Endy, University of Leeds, World Scientific, Aggregation Module, Computer-Human Interaction, George University of South Australia, Liszt Rhapsodies Hongroises, New Zealand, Oxford University Press, Transform Image, University of Florence, Cambridge University Press New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
This chapter describes the issues involved in the detection and removal of stavelines of musical scores. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lyric recognition, music notation symbols, music notation format, optical music recognition system, music recognition systems, notation interchange file format, symbolic indexing, typesetting choices, standard music description language, notation recognition, syllable extension, handwritten music, lyric editor, horizontal symbols, common music notation, music information retrieval, staff detection, main score, performance directives, original bitmap image, music symbols, beamed notes, score recognition, superimposed objects, visualization rules Key Phrases - Capitalized Phrases (CAPs): (learn more)
Idea Group Inc, International Conference, The Handbook of Musical Codes, New York, Delivering of Music, Retrieved February, Stavelines Removed, Della Santa, Structured Document Image Analysis, The Virtual Score, Music Information Retrieval, Optical Character Recognition, San Jose, Startx Starty Endx Endy, University of Leeds, World Scientific, Aggregation Module, Computer-Human Interaction, George University of South Australia, Liszt Rhapsodies Hongroises, New Zealand, Oxford University Press, Transform Image, University of Florence, Cambridge University Press New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 44
books:
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- Document Image Analysis (Machine Perception and Artificial Intelligence) by H. Bunke on 6 pages
- Structured Document Image Analysis by Henry S. Baird on page 27, page 74, and page 123
- Dictionary Of Music And Musicians (9 Volumes)) (Music Book Index) by Sir George Grove on page 267, and page 271
- Music Notation: A Manual of Modern Practice (Crescendo Book) by Gardner Read on page 28, and page 197
- Beyond MIDI: The Handbook of Musical Codes by Eleanor Selfridge-Field on page 124, and page 225
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