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Visual Tennis-2nd [Paperback]

John Yandell (Author)
4.1 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

December 24, 1998
"


In acquiring and mastering sports skills, a picture is often worth a thousand words. Research shows most athletes learn skills better through visual demonstration than through verbal instruction. If you're a ""visual learner,"" Visual Tennis may be the most natural and effective way to improve your game.

The book presents more than 200 photographs-including many of top stars like Pete Sampras, Martina Hingis, Andre Agassi, and Steffi Graf-so you can imprint images of flawless technique into your mind. When you get on the court, your mind replays the images, and you develop and refine each stroke until it matches the proper technique.

As former tennis great John McEnroe-once one of the author's star clients-explains it, ""This book teaches the way players actually learn."" The outstanding photos combine with simple checkpoints to show exactly how to learn essential tennis skills, from the forehand through the serve.

Updated and expanded from the highly successful first edition, Visual Tennis provides you with an alternative to the repetitive verbal cues so common in tennis instruction. Leading teaching pro John Yandell shares his proven method, which has helped thousands of players realize their potential and raise their game to new levels.

"

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Editorial Reviews

From Library Journal

This first volume of Doubleday's projected "Visual Sports" series offers all levels of tennis devotees a portable version of a companion video available through Atlas Video. Yandell, a young pro who trained under the legendary Stanford coach Dick Gould, uses a modified version of Gould's teaching system--as well as ideas acquired from working with John McEnroe and Ivan Lendl--to present a coherent visual method of learning. It rests on the principle that players can imitate the good techniques they see. More traditional is the verbal procedure, which often consists of a collection of isolated tips. Yandell breaks down techniques into replicable component parts ("stroke keys"), then reconnects the motions into a fluid whole. With practice, players can reproduce stroke keys even during matches. These procedures expand upon those propounded by Harold A. Stein in Hitting Blind: The New Visual Approach . . . (Beaufort Bks., 1981). A proven technique.
- Frederick J. Augustyn Jr., Library of Congress
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"
"""Occasionally, a book comes along that has something genuinely new and exciting to say about the game of tennis. "Visual Tennis" is one of these exceptional books."""
Dick Gould
Men's Tennis Coach
Stanford University

"""This book teaches the way players actually learn."""
John McEnroe
"


Product Details

  • Reading level: Ages 18 and up
  • Paperback: 192 pages
  • Publisher: Human Kinetics; 2 edition (December 24, 1998)
  • Language: English
  • ISBN-10: 0880118032
  • ISBN-13: 978-0880118033
  • Product Dimensions: 10.9 x 8.3 x 0.5 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #818,089 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
4.1 out of 5 stars (8 customer reviews)
 
 
 
 
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38 of 39 people found the following review helpful:
5.0 out of 5 stars The BEST way to master tennis strokes., May 5, 2001
By 
Jeffrey Counts "JCo872" (Alexandria, VA United States) - See all my reviews
(REAL NAME)   
This review is from: Visual Tennis-2nd (Paperback)
John Yandell has pioneered a new, and shockingly simple, way of first understanding how tennis shots are actually hit, and second how to teach this complex information in the most effective way possible to students.

To answer the first question, I will quote John:

"Of the thousands of words coaches and teaching pros have used to describe tennis strokes in lessons, articles, videos, etc., no single element is more neglected and misunderstood than the role and position of the hitting arm. In fact, even the term 'hitting arm' is largely unfamiliar in the vast lexicon of tennis tips."

What John says is hard to believe, but as a life-long student and as a teacher for many years, I know what John says is right on the money. In tennis, no one has been able to identify, with certainty, the position and path of the wrist and forearm through the shot. It has all been guess work and impression. And this information, of course, is the key to hitting good shots! The reason John has been able to answer this question is through cutting-edge, high-speed photography, which shows us exactly how professional tennis shots are hit. The naked eye (and the reports and tips of pro players) are surprisingly incorrect and misguided perceptions of what really happens during a stroke. The strokes are just too fast to capture.

To answer the second question about teaching, John has discovered something that I have long suspected. People learn physical movements and skills by watching and observing real-life examples, and then repeating these examples. We do not learn physical movements by words and instructions. We learn these things visually. Furthermore, we do not break down the strokes into minute, piece by piece progressions. Instead the brain needs three "key" images -- the backswing, the point of contact, and the follow through--ingrained in its memory. Once these key images are remembered, it becomes very easy to turn them into full, uninterrupted strokes.

Like another reviewer here, I too turned a pretty average stroke (my forehand) into a powerful consistent weapon soon after using the visual system. And this was after years of following "tips" and "advice" of pros. The speed and level of improvement were just breathtaking for me.

In short, Yandell's ideas are pioneering ones in terms of learning, teaching, and understanding a complex sport like tennis. I urge you to check out his website, "tennisone.com" which has footage of pro strokes -- Agassi, Sampras, Venus Williams, etc in super, super slow motion. I agree with the reader that complained of the pictures in the book not being pictures of the pros. But John's website, with its library of super slow motion video of pro strokes (shot at 250 frames/second, whereas television replays are shot only at 30 frames/second) certainly rectifies this omission.

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36 of 39 people found the following review helpful:
5.0 out of 5 stars Cheaper and better than a lesson!, March 20, 2000
By A Customer
This review is from: Visual Tennis-2nd (Paperback)
Having played competitive tennis for many years, having taught tennis, and having competed for many years in sanctioned USTA Open level events, this book is worth every penny. For many years my achilles heel was my forehand volley. No matter how many times I saw myself on video, how many volley lessons (at an average of $45 a lesson) I took, how much I competed in singles and doubles, how much tennis I saw, I could never hit a forehand volley with consistency, acuracy, and confidence. After visually seeing how to hit the volley and then practicing in front of a mirror as suggested in the book, I was able to hit a forehand volley RIGHT AWAY! With detailed visual cues to fall back on, I finally have a volley I can count on and keep. Amazing! This book is well worth having. Having taught tennis, I truly believe in the book's premise that we learn physical activities visually and not cognitively: our minds which can constantly criticize and judge our strokes can be our worst enemies on court (imagine trying to walk while TELLING yourself how to walk!); visual images are the best aids and this books provides great visuals.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars Good book but ....., April 5, 2007
By 
This review is from: Visual Tennis-2nd (Paperback)
This book is correct about learning by using visual images. For the last 8 years, I've been playing tennis using Yandell's images. But the only problem with this style is that it's not very good for competitive tennis. The forehand stroke that resulted from this book are more flat than topspin. The backhand stroke are also relatively flat. In competitive play, especially against modern players, these strokes are not suitable because of the tremendous topspin that they put on the ball. The strokes
photographed are not suitable to handle topspin shots.

The reason the top pros are not seen in the book is because they don't hit this way. This book is a good start for any beginner. After a few years of
playing using Yandell's photos, a beginner should have enough confidence to switch to modern tennis which is nothing but topspins.

I no longer hit the way this book suggests. But I still utilized the visual learning technique from the book. So get this book if you are a beginner. It will increase your tennis enjoyment.
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Inside This Book (learn more)
First Sentence:
Most tennis players have had the experience of playing at a new level after watching great tennis. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
classical forehand, four key positions, racket drop, correct ready position, flat volley, hitting arm, continental grip, classical strokes, racket face, racket preparation, controlled drill, eastern backhand grip, right foot for balance, biomechanical elements, move through the turn, forehand grip, racket head, advanced serve, body leverage, most effective key, position physically, swing pattern, backhand volley, low volleys, forehand volley
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Visual Tennis, Pete Sampras, Chris Evert, Ivan Lendl, Jimmy Connors, Andre Agassi, Martina Navratilova, Steffi Graf, Bjorn Borg, Boris Becker, Billie Jean King, Martina Hingis, Michael Chang, Stefan Edberg, The Winning Edge
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