Viva La Vida Or Death And All His Friends
 
See larger image
 

Viva La Vida Or Death And All His Friends

June 17, 2008

$9.49
Song Title
Time
Popularity  
1
Life In Technicolor
2:29
2
Cemeteries Of London
3:21
3
Lost!
3:55
4
42
3:57
5
Lovers In Japan
6:51
6
Yes
7:06
7
Viva La Vida
4:01
8
Violet Hill
3:42
9
Strawberry Swing
4:09
10
Death And All His Friends
6:23

Customers Who Bought This Item Also Bought


Product Details

  • Original Release Date: June 17, 2008
  • Release Date: June 12, 2008
  • Label: Parlophone UK
  • Copyright: 2008 Parlophone Records Ltd. This label copy information is the subject of copyright protection. All rights reserved. (C) 2008 Parlophone Records Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 45:54
  • Genres:
  • ASIN: B001AU8ZLK
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (556 customer reviews)
  • Amazon Best Sellers Rank: #1,321 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Chris Martin's voice is not the most amazing I have ever heard by any means, yet their music is still beautiful.
Erin Lee
With Coldplay taking a "new direction", it just shows that this is a band that isn't afraid to offer their fans something fresh, and it sounds amazing.
sensative psycho
I own all four of Coldplay's albums on CD, and I can tell you that this one is as good as any other, if not better.
IlliniGuy08

Most Helpful Customer Reviews

236 of 257 people found the following review helpful By Rudy Palma on June 17, 2008
Format: Audio CD
Coldplay has turned in another solid effort with its 4th studio album, the indecisively-titled "Viva La Vida or Death and All His Friends," but they expand their boundaries this time. Gone is the predictability of tightly-wound, highly catchy 4 minute arena pop/rock anthems marching in succession, not to mention the sensitive male singer/songwriter clichés and often dial-by-numbers production values. The British quartet has traded that solid but stagnant formula for artsy experimentation, and the results are commendable, even if their enlisting legendary studio wizard Brian Eno to bolster the LP's ethereal, left-field sound is in and of itself predictable. These songs do not lend themselves to radio playlists in the vein of "Clocks" or "Talk," but the album is their most intriguing and memorable. The results are a little less Phil Collins, a little more Peter Gabriel.

The highly digitized, nearly instrumental "Life In Technicolor" opens the album on a high note with sweeping Middle-Eastern instrumentation and loopy, buoyant beats. Immediately ascertainable is that this is not an album that can safely grace the intercom of the local ShopRite. With hand claps and frothy production values behind a droning, funereal organ, "Lost!" is a poignant, yearning ode to finding salvation and a new lease on life. Accented by just the right amount of electric guitar, the intriguing, atypical track not only rocks and invigorates but finds these talented musicians trying for something new and succeeding, underscoring the album's unexpectedly adventurous direction.
Read more ›
24 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
82 of 93 people found the following review helpful By Liam F. on June 17, 2008
Format: MP3 Music
And assuming that we had no knowledge of any of Coldplay's previous 3 albums, and assuming that we had no idea of Coldplay's alleged greatness in today's music world. So without any comparison or benchmark, here's what I have to say.

"Life in Technicolor" is so aptly titled. An instrumental arrangement that gradually picks up in volume, texture and excitement, this album opener is so colourful it reminds you of a carnival. It gets your foot tapping and your head nodding. Some sources rumour that this song will be sung in words in Coldplay's next CD. The mood then glooms down when "Cemeteries of London" comes along. Sinister synthesizers flood the atmosphere and mysterious notes tinkle from the piano before the beats enter and the song erupts into a minor-key rock anthem. You'll find yourself singing "la la la la la" in no time. "Lost" bounds in, as track #3, with claps and a bouncy beat. Featuring some of the most intriguing lyrics (either deep or nonsensical will depend on you) - "just because I'm hurting, doesn't mean I'm hurt" and "just because I'm losing, doesn't mean I'm lost" - this song maintains the upbeat tempo throughout.

The mood becomes sombre once again at the beginning of "42". Apparently this is the favourite number of this band's lead singer. Anyway, by the time you finish pondering what makes 42, the number, so likeable, this song takes a sharp turn and rages forward, pounding drums screeching guitars and all. "42" finishes off back where it began - kinda like a fine day turning into a storm and becoming peaceful once again after the storm. Work of art. "Lovers in Japan/Reign of Love" is really 2 songs. "Lovers in Japan" sports a `happy' tune, with racing piano.
Read more ›
7 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
73 of 86 people found the following review helpful By Paul Allaer TOP 100 REVIEWERVINE VOICE on June 17, 2008
Format: Audio CD
As a fan from Coldplay's very early days (I still have "Parachutes" as one of my favorite albums of the last decade, and I saw the band's second ever US gig, in February 2001 in Portland, OR), I have to admit that I was somewhat apprehensive about the new album, which has been widely touted as Coldplay's 'experimental' album. One of the things touted was that the album would feature sounds recorded in a Barcelona church, as if anyone really cares about that, in the end we just want to hear good songs/a good album. So.... three years after "X&Y", finally comes Coldplay's 4th studio album.

"Viva la Vida or Death and All of His Friends" (10 tracks, 46 min.) starts off with a 1-2 blast of the soaring instrumental "Life in Technicolor" and the equally great "Cemeteries of London". "Lost!" finds Chris Martin pensive ("I May Be Losing/But I'm Not Lost"). The album centers around the two long tracks into the middle: "Lovers in Japan/Reign of Love" (2 separate songs stapled together for whatever reason, with "Lovers in Japan" reminding me of U2's "Where the Streets Have No Name", courtesy of producer Brian Eno) and "Yes", which also features 2 different songs, albeit under the same name. "Viva La Vida" (2nd single, also featured in the iPod commercial, prompting Coldplay to its biggest Billboard Hot 100 success ever at No. 3) is a nice dreamy song. "Violet Hill" (1st single) is for me the best song on the album, even without it being catchy as such. The album's closer "Death and All of His Friends" crashes in after a pensive beginning and also includes the 'hidden' track "Chinese Sleep Chant", which reprises the"Life in Technicolor" theme, and a nice way to round off the album.

In all, this album makes clear that this is not the Coldplay of yesteryear. Even "X&Y" sounds dated by this.
Read more ›
3 Comments Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Product Images from Customers

Most Recent Customer Reviews

Search

What Other Items Do Customers Buy After Viewing This Item?


Look for Similar Items by Category

ARRAY(0x9e5bc4f8)