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  • Vivaldi: The Complete Works for Italian Lute of His Period
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Vivaldi: The Complete Works for Italian Lute of His Period Import

4 customer reviews

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Audio CD, Import, September 22, 1994
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Editorial Reviews

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Vivaldi wrote very little for the lute, guitar, or mandolin--all of which can be used to play this music. In fact the two concertos have become very popular among guitarists, who are always looking for something interesting to play that doesn't require too much effort to transcribe from another medium. The music itself, curiously, is among the composer's most popular. These particular performances have a very special beauty, partly the result of superb performances by all concerned, and partly due to the positively luminous recording quality. It's so pretty as pure sound, it's almost hypnotic. Those interested in this tiny but popular Vivaldian niche need look no farther. -- David Hurwitz

1. I. (Allegro Giusto)
2. II. Largo
3. III. Allegro
4. I. Andante Molto
5. II. Larghetto
6. III. Allegro
7. I. Allegro Non Molto
8. II. Larghetto Lento
9. III. Allegro
10. I. Allegro (Moderato) - Jakob Lindberg
11. II. Largo - Jakob Lindberg
12. III. Allegro - Jakob Lindberg

Product Details

  • Performer: Jakob Lindberg, Nils-Erik Sparf, Monica Huggett
  • Orchestra: Drottningholm Baroque Ensemble
  • Composer: Antonio Vivaldi
  • Audio CD (September 22, 1994)
  • Number of Discs: 1
  • Format: Import
  • Label: BIS
  • ASIN: B0000016BR
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #455,231 in Music (See Top 100 in Music)

Customer Reviews

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Most Helpful Customer Reviews

4 of 4 people found the following review helpful By Ivan Weiser on November 12, 2008
Format: MP3 Music
I totally agree with A baroque listener: this recording is stunningly beautiful. I have heard at least six different recordings of the lute (or mandolin or guitar) concerto RV93, including fine ones by John Williams and Angel Romero, and this tops them all, which is saying a LOT. The playing, the sound, and the balance among the instruments, is superlative.

The same for the trio sonatas. I do not feel that the concluding Concerto RV540 is as inspired a piece of music as the others, but it too is played superlatively.
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6 of 7 people found the following review helpful By A baroque listener on June 15, 2007
Format: Audio CD
The 3-star review below is not indicative of this CD. This is simply one of the most beautiful Vivaldi pieces recorded. The editor's review is right-on. As far as the complaint of its brevity -- this is, as the title suggests, Vivaldi's 'complete works for Italian lute.' It's unfair to give this recording a 3-star rating because of it. This CD is absolutely stunning.
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2 of 2 people found the following review helpful By Reviewer on July 25, 2010
Format: Audio CD Verified Purchase
... and it still sounds completely HIP. Jakob Lindberg is as fine a lutenist as any alive today, and if lutenists of the 18th C played better than he does, we've all been cheated by Father Time!

But Lindberg is also a scholar of the lute, with a deep knowledge of its historical forms and playing techniques, a knowledge that is absolutely necessary for producing playable scores from Vivaldi's manuscripts. Vivaldi wasn't a lutenist, first of all, and the conventions of score preparation of his era were based on the assumption that instrumentalists knew what to do with vague suggestions and outlines of a given piece of music. Lindberg explains the choices he had to make in the liner notes: the specific sort of lute and how it might have been tuned, the proper octave in which to play the written notes on the treble staff, and the correct amount of doubling of the basso continuo on the lute. However, the casual listener won't be 'fretted' by scholarship; Lindberg plays the music convincingly and gorgeously.

Violinist Nils-Erik Sparf is the scion of a long genealogy of Dalecarian folk fiddlers; he learned that folk tradition of ornamented fiddling from his own father before studying formally in Stockholm and Prague. His remarkable ease with baroque ornamentation seems to my ears to reveal his Dalecarian roots. English-born Monica Huggett was a student of Sigiswald Kuijken, one of the great pioneers of informed baroque performance. Huggett has in turn become a bright star among baroque fiddlers; viola d'amore is patently a side-line, but she acquits herself eleoquently on this CD. "Drottningholm" is Swedish for "Queen's Palace", and in fact the baroque palace and theater of that name have become major attractiosn of a visit to Stockholm. The Drottningholm Baroque Ensemble is as dependably stylish as any chamber orchestra in Europe.

All of the Vivaldi compositions on this CD have survived in North European archives!
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2 of 14 people found the following review helpful By Ytzan on January 29, 2006
Format: Audio CD
No question, one of the better Vivaldi CDs I have. The music making is of the highest standards, very atmospheric and vivid. The recording with great presence, a BIS recording. What is dissapointing is the length of the CD that runs a bit over 40 min. At the time it was first released that may have been acceptable - not anymore.
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