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Not only did this flash recycle in time, it was powerful enough to do the job. This little flash even replaced my Metz for wedding work because of its compact size!
I also noticed at the time that many other press photographers were leaving their Metz's at home too! For travelling and backpacking I bring my 283, which is very light and also has the remote sensor feature so handy for close-up work.
The 283 also sits nicer on the hot shoe being lighter, making the camera less top-heavy. Which brings me to the only complaint I have with these two flashes.... or many hot shoe flashes for that matter. Shooting at crowded concerts or busy news scrums the vulnerability of the hot shoe is always on my mind, on more than one occasion I have broken this hot shoe and had to order a new one which requires a bit of assembly and downtime. To make up for this -the remote sensor makes it possible to use these flashes off camera even with the broken hot shoe and with the amount of used 283's and 285's out there at good prices, they are still the best darn portable mini flashes I've come across!
With an on camera 283 fill light, reflected, a slaved 285 with a reflector on a stand next to the camera and a 283 slaved for a back light and you have yourself a portable studio, but watch out your subject doesn't step on the backlight!
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