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Vladimir Nabokov : The Russian Years
 
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Vladimir Nabokov : The Russian Years [Paperback]

Brian Boyd (Author)
5.0 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

January 11, 1993

This first major critical biography of Vladimir Nabokov, one of the greatest of twentieth-century writers, finally allows us full access to the dramatic details of his life and the depths of his art. An intensely private man, Nabokov was uprooted first by the Russian Revolution and then by World War II. Transformed into a permanent wanderer, he did not achieve fame until late in life, with the success of Lolita. In this first of two volumes, Brian Boyd vividly describes the liberal milieu of the aristocratic Nabokovs, their escape from Russia, Nabokov's education at Cambridge, and the murder of his father in Berlin. Boyd then turns to the years that Nabokov spent, impoverished, in Germany and France, until the coming of Hitler forced him to flee, with wife and son, to the United States. This volume stands on its own as a fascinating exploration of Nabokov's Russian years and Russian worlds, prerevolutionary and émigré.

In the course of his ten years' work on the biography, Boyd traveled along Nabokov's trail everywhere from Yalta to Palo Alto. The only scholar to have had free access to the Nabokov archives in Montreux and the Library of Congress, he also interviewed at length Nabokov's family and scores of his friends and associates.

For the general reader, Boyd offers an introduction to Nabokov the man, his works, and his world. For the specialist, he provides a basis for all future research on Nabokov's life and art, as he dates and describes the composition of all Nabokov's works, published and unpublished.

Boyd investigates Nabokov's relation to and his independence from his time, examines the special structures of his mind and thought, and explains the relations between his philosophy and his innovations of literary strategy and style. At the same time he provides succinct introductions to all the fiction, dramas, memoirs, and major verse; presents detailed analyses of the major books that break new ground for the scholar, while providing easy paths into the works for other readers; and shows the relationship between Nabokov's life and the themes and subjects of his art.



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Editorial Reviews

From Publishers Weekly

These intimate, magisterial, prodigiously researched biographies illuminate the contours of the great author's mind with sensuous precision. Photos.
Copyright 1993 Reed Business Information, Inc.

From Library Journal

This is the first volume of a detailed critical biography of the Russian-born author of Lolita ( LJ 8/58) and Pale Fire ( LJ 5/15/62). Boyd's analysis of Nabokov's works is bracing, but his summary of the man's life is sometimes infelicitous: "His heart and mind set on love and verse, young Vladimir Nabokov had neither eyes nor ears for the smoke and rumble of history." We last see Nabokov, clearly alive to history by now, fleeing France with his wife and son just ahead of Nazi troops; a second volume, The American Years, is to follow. Boyd's biography supersedes Andrew Field's VN ( LJ 9/1/86), which Boyd and others have criticized as inaccurate. Recommended for collections of modern literature.
- Grove Koger, Boise P.L., Id.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 619 pages
  • Publisher: Princeton University Press (January 11, 1993)
  • Language: English
  • ISBN-10: 0691024707
  • ISBN-13: 978-0691024707
  • Product Dimensions: 9 x 5.9 x 1.6 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #346,522 in Books (See Top 100 in Books)

More About the Author

Brian Boyd, University Distinguished Professor of English at the University of Auckland, Auckland, New Zealand, has published on American, Brazilian, English, Greek, Irish, New Zealand and Russian literature, from Homer to the present and from child to adult, and on biography, comics, drama, essays, fiction, film, literary theory, poetry, science, and translation. His writing has appeared in seventeen languages and has won awards in four continents.

He has worked especially on Vladimir Nabokov, as annotator (see AdaOnline, http://www.ada.auckland.ac.nz/), archivist, bibliographer, biographer, consultant, critic, donor, editor, expert witness, historian, lecturer, lepidopterist, museum advisor, negotiator, reviewer, supervisor, teacher, translator.

He also works on literature and evolution, including his forthcoming Why Lyrics Last: Evolution, Cognition, and Shakespeare's Sonnets (Harvard University Press, 2012).

His other Shakespeare work includes Words That Count (University of Delaware Press, 2004).

He is currently researching and writing Karl Popper: A Life.

For key publications, see http://www.arts.auckland.ac.nz/staff/index.cfm?P=3566

 

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34 of 35 people found the following review helpful:
5.0 out of 5 stars Behold the splendid Bird of Paradise!, July 5, 2008
This review is from: Vladimir Nabokov : The Russian Years (Paperback)
Who would have thought that the world's foremost Nabokov expert is a Kiwi? Amazing. Boyd's two volume bio is a must for all Nabokovistas. He splits the life neatly between the Russian Years, ie from birth until emigration to the US, and American Years, ie the rest.
Boyd tells us Nabokov's life story and interweaves the main prose works and their interpretations. While still a Russian novelist, Nab published under the pen name Sirin, which means Bird of Paradise. How appropriate this choice of name!
The man was born towards the end of the 19th century in Zarist Russia to an aristocratic family of latifundistas and jurists in parlament and government service on cabinet level. He grew up in riches, spending his childhood between the town appartment in St.Petersburg (to which I made a pilgrimage in 2006) and a splendid country mansion in the vicinity. He began collecting butterflies as a boy; he started painting, but dropped that, it was not his real talent. He started writing poetry early.
He became personally rich as a teen, when he inherited a fortune from an uncle. He lost it all in the Bolshie revolution. He escaped to Western Europe with the family as a young man. He studied in England and was a notorious playboy, a gifted chess player, soccer goalkeeper, tennis coach and poet. He moved to Berlin, which was the center of Russian emigration. His father was killed by Monarchist assassins, perversely. (One of the assassins later became a Nazi spy on emigrants.) He earned the family upkeep with English and tennis lessons. He became a well established novelist as Sirin. He met Vera and married her and had a son with her. When the Nazis took over, they prepared to move to France, which however took a few more years, partly because Vera earned well as top secretary to Berlin businesses. Her Jewish family background remained a strong motivator to leave, however. They moved to Paris, and a few years later were lucky to get away in time to the US.
Nab always claimed that despite his many years of living in Berlin, he never learned German. This is doubtful, and probably a political statement. Other writers have traced some of Nab's texts and letters to sources such as Schopenhauer or H.C.Andersen, an important source and probably in the German translation. It is even likely that he did read his favorite subject of ridicule Thomas Mann in the original. Possibly also Freud, who was his supreme bete noire.
If you want to look at Nab's Russian novels, my suggestion would be The Gift, Lushin's Defense, Bend Sinister, and the Invitation to a Beheading. But actually, go for all of them, and don't forget the short stories.
The American years of the 2nd volume include the Swiss years. He spent the last years of his life in a hotel on the Lac de Geneve. Odd that he never owned a house after losing the 'paradise' in Russia. He refused to try to replace the loss.
His work in the US can be divided into 3 categories: museum work as a curator for the enthomology department, classifying butterflies; teaching work as professor for European literature (from which came some volumes of highly interesting texts on literature); and writing novels and stories, plus the so-called non-fiction of Speak, Memory (a most fantastic autobiography); and a Gogol monography; and a Pushkin translation plus some minor translations. The man did work a lot. For fun he went hunting butterflies all over the US. From this came Lolita, which made him rich.
Asked why he chose to live in La Suisse despite his professed good American citizenship, he said that he and Vera wanted to be near their son, who was a professional opera singer with assignments in Italy, plus a mountain climber and race car driver.
Among his English books my favorites are Speak, Memory and Pale Fire.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars Probably the definitive Nabokov biography for years to come, May 18, 2004
This review is from: Vladimir Nabokov : The Russian Years (Paperback)
The man himself once said, "Biographies are generally fun to write, less fun to read." The implication is that the person who authors the biography becomes so immersed in the life of their subject that biographies end up being labors of love. However, take that biography and assign it to a student...

I would have to say that this two-volume biography of Nabokov is the mathematical proof that disproves the formula above. Boyd plays the role of historian/biographer, spending time explaining the political scene of Russia early on in N's life, and traces the movements of the most significant person in N's first twenty years; his father. Of course, this is probably out of necessity considering his father's position in the whole political mish-mash that was fin-de-siecle Russia. I might gripe and say that there's too much attention paid to the politics, but that's because I'm an English major, not a historian or a politician, and I'm reading for pleasure. Were I reading for a thesis, these excerpts would be invaluable.

I'm thrilled about the chapters of Russian emigre life in Europe following the Bolshevik Revolution. Not only does it trace the influence that wafts through N's early stuff (and follows through his life), but it also gives us a taste of the climate of those years, plus a roster of sorts of who was part of that microcosm. This is going to be, in my estimation, a highly researched period of literature, once it becomes fashionable that is, and this biography will be a resource for all those students looking for a glimpse into that world. Studies in Nabokov are really beginning to blossom, and this will spur interest in that era as well.

N's life is portrayed as an emerging talent, rather than a natural genius who could command language and characters as well at 20 as at 70. This humanizes Nabokov, a figure who can sometimes seem a little god-like to his devotees. Expelling mist and myth is the mark of a good biography, next to joyously reporting the life of the subject. The analysis provided by Boyd in the sections dealing with early literature (such as the comparative criticism of his first novel "Mary" and the story "Return of Chorb") is revealing in this case because he can explain what Nabokov lacks here, or does not do so well early on.

Extensive references and a collection of satisfying photographs complete the package. One of the best photos being a shot of the Rohzdestveno manor that Nabokov inherited from his Uncle Vasily at age 17. A 17 year-old with his own mansion. Can you say harem?

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Brilliant, August 31, 2000
This review is from: Vladimir Nabokov : The Russian Years (Paperback)
Both volumes of this set are excellent. This is the way literary biography should be done. It's so good, in fact, that you wouldn't necessarily have to be a huge Nabokov fan to want to read both books. (Of course, I am a diehard Nabokovian, so I raced through them even more eagerly.) Bravo to Brian Boyd.
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