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Voice Lessons: On Becoming a (Woman) Writer
 
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Voice Lessons: On Becoming a (Woman) Writer [Paperback]

Nancy Mairs (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

January 19, 1997
Voice Lessons is a book about writing from a woman with a remarkable story to tell and an utterly distinctive voice in which to tell it. Nancy Mairs's essays have been called "triumphs... of will, style, candor, thought and even form" (Los Angeles Times). She has won acclaim for her autobiographical writing on themes from living with depression to renewing a marriage, from sex to religion. In Voice Lessons, Mairs's subjects are literary, but as always her approach is personal, revealing, and inspiring. Mairs first shares her sharply drawn story on how "finding a voice" as an essayist transformed her life when she was a graduate student, wife, and mother in her late thirties. In a tribute to the liberating power of literature and feminist ideas, she shows how the words of other writers made possible a new career, a new life in difficult times. Voice Lessons goes on to explore other women's writing and to outline a singular kind of literary life. Always grounding her writing in personal experience, always making ideas concrete, Mairs gives us essays on writing and the body, the challenges of autobiography, the revelatory power of Virginia Woolf and Alice Walker, the literature of personal disaster, and the art of dealing with rejection. Articulate, witty, incisive, and inspirational, Voice Lessons is a book for writers and aspiring writers, and for everyone who loves women's writing.

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Editorial Reviews

From Publishers Weekly

Critically acclaimed essayist Mairs ( Ordinary Times ) recounts the history of her development as a writer in a memoir that even those who are weary of the "what being a writer means to me" genre will find stimulating and insightful. Mairs's use of metaphor is dazzling, her self-scrutiny almost painfully candid. She reminds us that every writer's perspective is to a large extent shaped by circumstances, that one's "voice" is a product of his or her gender, social class, education, etc. Mairs's rigorous attention to the origins and growth of her voice is thus offered not so much as a "portrait of the artist" or a universally applicable guide to becoming a writer but as a meditation on the relationship between author and culture. Her contextual awareness leads Mairs to question many of the "rules" of the literary profession--the tradition, for example, of maintaining clear-cut distinctions between academic and creative writing--and to insist on breaking these rules. Mairs is an iconoclastic thinker; hers is an unusually original book and a great pleasure to read.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In her distinctive way, Mairs (Carnal Acts, LJ 9/1/90; Ordinary Time, LJ 4/1/93) tells her story on becoming a writer by intertwining theory, writing, life, intellect, and wit. She shares her experiences as a woman bound for 20 years by her ingrained repression and a patriarchal culture, and her liberation from these. She explores such dichotomies as writing by men and women, creative and critical writing, and writers in and out of the academy. Mairs devotes a substantial part of this book to the impact of reading on her life as a writer-of discovering Virginia Woolf in her teens and rediscovering her in her mid-thirties. Author of several autobiographical prose works, Mairs addresses the connectedness of feminine autobiographical writing to others than the self and of the importance of what she refers to as "literature of personal disaster." This is a provocative, honest, and revealing portrayal of how one writer deals with rejection and who is determined to fully despite multiple sclerosis.
Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 176 pages
  • Publisher: Beacon Press (January 19, 1997)
  • Language: English
  • ISBN-10: 0807060070
  • ISBN-13: 978-0807060070
  • Product Dimensions: 5.5 x 0.4 x 8.5 inches
  • Shipping Weight: 10.1 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,416,221 in Books (See Top 100 in Books)

More About the Author

NANCY MAIRS

Nancy Mairs, though born by accident of war in Long Beach, California, grew up north of Boston. In 1964, she received the A.B. cum laude from Wheaton College (Norton, Massachusetts), which made her a Doctor of Humane Letters thirty years later. She earned the M.F.A. in creative writing (poetry) in 1975 and the Ph.D. in English literature (with a minor in English education) in 1984 from the University of Arizona. She has taught writing and literature at Salpointe Catholic High School, the University of Arizona, and the University of California at Los Angeles.

A poet and an essayist, she was awarded the 1984 Western States Book Award in poetry for In All the Rooms of the Yellow House (Confluence Press, 1984) and a National Endowment for the Arts Fellowship in 1991. The Arizona Humanities Council gave her their 2008 Literary Treasure Award. Her first work of nonfiction, a collection of essays entitled Plaintext: Deciphering a Woman's Life, was published by the University of Arizona Press in 1986. Since then, she has written a memoir, Remembering the Bone House, a spiritual autobiography, Ordinary Time: Cycles in Marriage, Faith, and Renewal, and three more books of essays, Carnal Acts, Voice Lessons: On Becoming a (Woman) Writer, Waist-High in the World: A Life Among the Nondisabled. These are available from Beacon Press, as are her most recent books, A Troubled Guest: Life and Death Stories, which was supported by a fellowship from the Project on Death in America of the Soros Foundation's Open Society Institute, and A Dynamic God.

She and her husband, George, a retired high-school English teacher, continue to live in Tucson, though they make public appearances throughout the country. A Research Associate and SIROW Scholar with the Southwest Institute for Research on Women, she has also served on the boards of the Arizona Center for Disability Law, Kore Press, the Coalition of Arizonans To Abolish the Death Penalty, and ARTability.

 

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17 of 19 people found the following review helpful:
5.0 out of 5 stars the writer's thin skin and faint heart, May 12, 2000
This review is from: Voice Lessons: On Becoming a (Woman) Writer (Paperback)
Mairs describes finding a writer's voice- reflections of enormous value because she has a prose style to kill for- witty, candid, utterly original, intellucally rigorous. She talks about her lukewarm realationship with the academcy while managing to actually put some extremely murky lit crit to good use Finally she talks about the downside of the writing life -- bad reviews, grants denied-- ''the writer's thin skin and faint heart''. Read this for sensual prose and writerly companionship.
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0 of 7 people found the following review helpful:
1.0 out of 5 stars oy, January 19, 2006
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This review is from: Voice Lessons: On Becoming a (Woman) Writer (Paperback)
way too thick, not very readable if your not very invested in the subject
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