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17 of 19 people found the following review helpful:
5.0 out of 5 stars the writer's thin skin and faint heart
Mairs describes finding a writer's voice- reflections of enormous value because she has a prose style to kill for- witty, candid, utterly original, intellucally rigorous. She talks about her lukewarm realationship with the academcy while managing to actually put some extremely murky lit crit to good use Finally she talks...
Published on May 12, 2000 by margaret ricketts

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0 of 7 people found the following review helpful:
1.0 out of 5 stars oy
way too thick, not very readable if your not very invested in the subject
Published on January 19, 2006 by chowda


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17 of 19 people found the following review helpful:
5.0 out of 5 stars the writer's thin skin and faint heart, May 12, 2000
This review is from: Voice Lessons: On Becoming a (Woman) Writer (Paperback)
Mairs describes finding a writer's voice- reflections of enormous value because she has a prose style to kill for- witty, candid, utterly original, intellucally rigorous. She talks about her lukewarm realationship with the academcy while managing to actually put some extremely murky lit crit to good use Finally she talks about the downside of the writing life -- bad reviews, grants denied-- ''the writer's thin skin and faint heart''. Read this for sensual prose and writerly companionship.
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0 of 7 people found the following review helpful:
1.0 out of 5 stars oy, January 19, 2006
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This review is from: Voice Lessons: On Becoming a (Woman) Writer (Paperback)
way too thick, not very readable if your not very invested in the subject
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Voice Lessons: On Becoming a (Woman) Writer
Voice Lessons: On Becoming a (Woman) Writer by Nancy Mairs (Paperback - January 19, 1997)
$17.00
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