From School Library Journal
Grade 3-6-A fresh approach to the topic in a picture-book format. Garland speaks in the voices of 16 characters whose lives lead up to the present day. She begins with an Indian woman of 1500 gathering nuts beside a river (presumably the San Antonio). The author then gives voice to anonymous armored Spaniards and cowled priests, Tejanos and Texans, and finally to individuals such as General Santa Anna and David Crockett. Within this device, she retells the story of the fall of the Alamo, General Sam Houston's victory at San Jacinto, and Clara Driscoll's rescue of the Alamo from demolition in 1904. Garland's point of view is traditionally partisan. The villain, Santa Anna, is shown as having coerced his own soldiers, as well as having trampled on the rights of honest colonists. Himler's outstanding double-page watercolors depict characters, sweeping landscapes, battle scenes, and the Alamo throughout its history and fill the pages with bright colors. The book includes a lengthy historical note that provides background information and a glossary of Spanish words and phrases. The book, which will supplement traditional nonfiction accounts of the events, ends with an appeal to readers to "remember."-Ruth Semrau, Upshur County Public Library, Gilmer, TX
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
For most Americans the history of the Alamo begins and ends on the same day: March 6, 1836, the date of Santa Ana's famous defeat of the renegade forces that had occupied the former mission. However, the story actually begins centuries earlier and continues to this day, as Garland dramatizes in this picture book for older readers by giving voices to 16 individuals who were involved in various ways with the unfolding story. Many, like a nameless Payaya Indian maiden in the year 1500, are imagined, but some, such as David Crockett, William Baret Travis, and Santa Ana himself, are historical figures. Each personality recounts a different aspect of the Alamo's evolution from mission to de facto fort to monument. The final voice belongs to a contemporary boy who records his impressions of seeing the Alamo for the first time. An appended two-page historical note provides essential context, and Ronald Himler's handsome, double-page pictures give faces to the voices.
Michael Cart
--This text refers to an out of print or unavailable edition of this title.
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