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Voices

4.7 out of 5 stars 129 customer reviews

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Audio CD, February 18, 2014
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Editorial Reviews

2014 release, the second album from the Electronic Rock duo from Saratoga Springs, New York. Formed in 2007, Phantogram is Josh Carter (vocals, guitars) and Sarah Barthel (vocals, keyboards). The band name was partially inspired by an optical illusion called a phantogram, in which two-dimensional images appear to be three-dimensional. They described their sound as "street beat, psych pop". According to Josh, their music has "lots of rhythms, swirling guitars, spacey keyboards, echoes and airy vocals." Phantogram has played and toured with bands including: The xx, Ra Ra Riot, M83, Metric, Beach House, Zero 7, Yeasayer and countless others.
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Digital Booklet: Voices
Digital Booklet: Voices
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Product Details

  • Audio CD (February 18, 2014)
  • Number of Discs: 1
  • Label: Republic
  • ASIN: B00H7MW3D6
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (129 customer reviews)
  • Amazon Best Sellers Rank: #6,241 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: Audio CD
I, like many people first discovered this amazing duo when I heard their song "Fall In Love" on satellite radio. It was such a different yet familiar and beautiful sound. The song intrigued me enough to look up the group. The female lead, Sarah Barthel has one of the sexiest voices in music today. My friend told me about their Nightlife EP and the sleeper hit from it "Don't Move" and I was even more intrigued. So I look into their debut album "Eyelid Movies" and preview their lead single from that album, "When I'm Small" which is recently becoming the theme song for Gillette fusion commercials. Then I listened to the Nightlife EP a few times and liked it, but only two songs really excited me. I decided to order their debut album to prepare me for the release of this album. I ended up loving the album so much. I was also surprised to know that the male part of the group, Josh Carter, who produces the music too, also sings very well and sometimes sing raps hauntingly. At this time the song "Bill Murray" from this album was released and I couldn't have been more excited. Now the album is finally here, and after a few listens, I can say with confidence that this is one of my favorites now. Here is a track by track review.

1. Nothing But Trouble: This song was also released prior to the albums release. I immediately compared the industrial sound of it to Nine Inch Nails but with female vocals. The vocals took some getting used to at first because I was so used to the delicious vocals from "Fall in Love". The song seriously gets better with multiple listens. A great song to add to your work out routine and for cardio. A great industrial start to the album. 9.5/10
2. Black Out Days: Another song released prior to the album.
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Format: Audio CD
Phantogram could've very easily gotten lost in the massive wave of boy/girl electronic duos that made their way into our ears since 2009. They've rode the wave along with bands like The Bird and the Bee, Matt and Kim, Chairlift, and Sleigh Bells into that hip hop-inflected indie dance pop that was either catchy or grating. Fortunately for Phantogram they are blessed with the amazing voice of Sarah Barthel and the studio prowess of Josh Carter. They're unique in a sea of many interesting but not necessarily long lasting bands. Their 2009 full-length debut was a rather breathtaking album filled with rough-around-the-edges pop tracks hidden under electronic beats and at times an industrial roughness that made you think you were hearing something more than just electronic pop. Barthel's voice is what made that album so unique, while Carter's programming and studio expertise made the beats more than just cookie cutter loops run through some Pro Tools plug-in. Eyelid Movies felt organic, not processed. Four years and one e.p. later Barthel and Carter have returned with a polished piece of electro/industrial pop gold called Voices. While not as sublime and dark as it's predecessor, Voices builds on Phantogram's strengths: Sarah Barthel and those beats.

Right out of the gate "Nothing But Trouble" comes roaring out of the speakers, all studio shine and spit-polished. There's no mistaking Barthel's voice, for sure. But there's something a little stale about the beat. Nothing distinguishable from any other electronic band playing on internet radio. Mid-song Carter comes in with some guitar work that is reminiscent of classic 80s Cure and brings the song up a few notches. We then go right into the club banger "Black Out Days" that seems to want to be some sort of radio hit.
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Format: Vinyl Verified Purchase
I'm a huge fan of Phantogram's first album, so to say I was excited about their follow-up would be an understatement. Overall, I consider this to be a strong album, although not as strong as their first. As others have noted, their sound on this album sounds more calculated and produced. And there seems to be overall less emotion than on Eyelid Movies.

However....the vinyl pressing of this album is excellent!!! Vinyl usually reveals more details in songs when compared to MP3 versions, but Voices on vinyl makes all the tracks sound noticeably better. They wisely chose to press this on a 45rpm LP, and the resulting clarity and bass response made the album much more enjoyable for me. If you have the system and the cash, get this one on vinyl!
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Format: Audio CD Verified Purchase
I really couldn't say enough good things about this album. They have taken the formula that made Eyelid Movies so successful and have upped the ante for sure. I can't wait to see them live again so that I can hear these songs in action.
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Format: MP3 Music Verified Purchase
After hearing Phantogram's first album, Eyelid Movies, I was instantly hooked. Their sophomore effort, Voices, is even better. Sarah's dark, ethereal vocals are both calming and eerie. The music is beyond phenomenal. Any fan of electro/synth pop will immediately fall in love with the catchy beats and atmospheric, ambient tracks.
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Format: MP3 Music Verified Purchase
Well their sound has grown up, and they're playing in a space with many other bands....however they bring their own flavour too it.
The beats are constantly changing, lots of great studio effects on the ambient noises. Sarah's voice is a howling, growling moody mix of rasp and reverence. This is a sophomore album with a label budget...a natural progression. I love it. If I had one...ONE thing i'd like to see more of....its bring back those classic break beats....just a taste!
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