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Void Captain's Tale [Mass Market Paperback]

Norman Spinrad (Author)
3.8 out of 5 stars  See all reviews (10 customer reviews)


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Book Description

July 1, 1986
In the Second Starfaring Age, humans travel the universe via a technology they barely understand, propelled by a space drive consisting of mysteriously complex mechanisms and, symbiotically linked to it, a living woman, the Void Pilot. Pilots are rare, and the ability to be a Pilot also entails physical wasting and a shortened life.

But Pilots live only for the timeless moments of Transition, when their ships cross the emptiness of space in an instant. Now Void Pilot Dominique Alia Wu has begun to catch a glimpse of something more, something transcendent in that eternal moment . . . and she needs the cooperation of her Captain to achieve it permanently. Even at risk to the survival of the Ship.

Norman Spinrad has been one of SF’s most adventurous writers since the 1960s, an internationally praised peer of such writers as Harlan Ellison, Michael Moorcock, and Samuel R. Delany. His stories of the Second Starfaring Age, The Void Captain’s Tale and the later novel Child of Fortune, form a single epic praised by the Encyclopedia of Science Fiction as “an eroticized vision of the Galaxy . . . an elated Wanderjahr among the sparkling worlds.”
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Review

“Spinrad’s best novel. A tour de force.” —Gregory Benford

“Without doubt Norman Spinrad’s finest piece of science fiction.” —Michael Moorcock
--This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback
  • Publisher: Spectra (July 1, 1986)
  • Language: English
  • ISBN-10: 0553259954
  • ISBN-13: 978-0553259957
  • Product Dimensions: 6.8 x 4.2 x 0.7 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #6,000,133 in Books (See Top 100 in Books)

More About the Author

Norman Spinrad Bio


Reviews of HE WALKED AMONG US

Norman Spinrad's He Walked Among Us - Horror Drive-In

Norman Spinrad's He Walked Among Us






I'm always getting up here and urging you to buy this book, or to go see that movie. Buy a DVD or try a new author. I do it because I'm passionate about this stuff. And I swear to you that, regardless of whether you end up agreeing with me, I am always 100% honest about them.


Coming out on March 30th is what I consider to be the book of the year. It's He Walked Among Us, by Norman Spinrad. I bet it's already shipping now from Amazon.

Maybe you've read some Spinrad. Some pieces here and there. Or maybe you've been trying to make the time to read Bug Jack Barron for decades now. Or maybe you've read some of his books. My own personal favorites are Bug Jack Barron, The Iron Dream, Pictures at 11, Little Heroes, The Mind Game. My previous favorite was probably Norman's mainstream novel of Hollywood, Passing Through the Flame. My favorite now is He Walked Among Us.

Spinrad had trouble getting this book published and it boggles my mind. Here is not only one of the finest science fiction writers that ever published, but one of the most important writers of the modern age. I'm not kidding.

He Walked Among Us was previously published in a typically overpriced and poorly manufactured POD edition in 2004. Norman Spinrad having to put his work out in what is barely a notch above self publishing. It's criminal.

Why did he have such a difficult time getting He Walked Among Us published? For one thing, Spinrad has never been afraid to bite the hand that feeds him. He has been an acerbic critic of organized science fiction fandom for a long time. He paints the community in a harsh light in He Walked Among Us. I have the experience to tell you that his unflattering depictions of SF conventioneers is pretty damned accurate.

Also, Spinrad's career has been hard to classify in any one particular genre. He's known as a science fiction writer and many of his book fall solidly in that realm. Russian Spring, Songs From the Stars, The Void Captain's Tale, Greenhouse Summer, for examples. He has also written books that made him a popular figure in the counterculture, like The Children of Hamelin and Passing Through the Flame. There are stories that seem pulled direct from current events, such as The Mind Game and Pictures at 11. Spinrad has even done historical fiction: Mexica and The Druid King.

So what, exactly, is He Walked Among Us? Well, that's a hard one. In a way it's science fiction. It's also an acidly satiric satire of show business. The novel is screamingly funny at times. There are New Age aspects to He Walked Among Us. It's philosophical. It might deal with Quantum Physics, but I'm not exactly sure. And it also has some hardcore scenes that might make Edward Lee wince.

Jimmy Balaban is an aging, seedy, third rate show biz agent. He meets a dubious comedian named Ralf who claims to be from the future. He's here to save us from ourselves. It's an odd act, but Jimmy is a pro and the nose knows. Maybe there is a little bit of money to be made from this strange act. He takes Ralf on as a client and hires a male science fiction writer and a female New Age guru to turn Ralf into the cash cow that he always wanted. Astonishingly, it works. The question remains: Who, or what, is Ralf?

Spinrad has called He Walked Among Us his magnum opus and I definitely agree. I've been a fan of his work for a long time and I've been continually blown away by his writing. He Walked Among Us, however, is a revelation.

Naturally, a lot of people aren't going to get it. This isn't an easy, simple book. Oh, it's easy enough to read, but it's even easier to dismiss it as gimmicky fluff. Worse, readers could feel that Spinrad has a condescending attitude toward his audience. That he's laughing at them or feeling smugly superior. I don't feel that way, but a complex novel like He Walked Among Us can be interpreted in endless ways. That's part of the beauty of it.

Spinrad has always had an amazing imagination, which is augmented by his own radical sensibilities. I've always felt an element of danger in his work.

Norman Spinrad recently announced on Facebook that he has been diagnosed with stomach cancer. He had previously been told that it was inoperable, but there is greater hope now. It's still terrible news. This writer is a treasure and it's horrible to think that we may be losing him soon. Perhaps he'll pull out of it. I've always perceived Norman Spinrad as a fighter and I believe that he'll fight this battle with the courage that he is known for possessing. Hopefully he'll emerge with his health and years of productive life ahead of him. Forget the vicious lie that everything that doesn't kill us makes us stronger. Cancer is the worst thing in the world and it'll take its toll on him.

Thankfully we have a large body of work from Norman Spinrad to keep us astonished, entertained, and best of all, to keep us thinking. And he's never done a better work than He Walked Among Us. This writer has been neglected for far too long. He Walked Among Us deserves to be a success. And Norman Spinrad deserves more respect than he has gotten lately. A lot more respect.

Please consider buying a copy of He Walks Among Us.

---Mark Sieber

Spinrad, Norman. He Walked Among Us. Tor. Apr. 2010. c.544p. ISBN 978-0-7653-2584-6. $27.99. SF

When talent agent Jimmy Balaban discovers an ad lib comic named Ralf who claims to be from the future, he recognizes a potential moneymaker. Together with a once-famous sf writer and a New Age guru, the trio transform Ralf into a messiah-like figure who brings a message about a desolate future and the need to transform the world in order to avert disaster. When Ralf refuses to break character, his handlers wonder whether he is their creation or whether his message from the future is in fact real. VERDICT First published in France, this latest novel by one of sf's most distinguished authors (Bug Jack Barron, The Iron Dream) presents a cautionary tale that is at once sardonically witty and intellectually thought-provoking. A big book in more than pagination, this meaty saga of a contemporary prophet is essential for sf fans.

Library Journal







-->




Norman Spinrad is the author of some 20 or so novels, five or six dozen short stories, a classic Star Trek epsisode, a couple of flop movies, an album's worth of songs, political columns, film criticism, literary criticicsm, mini-cookbooks, autobiography, and a bunch of assorted other stuff.
The latest to be written is a new and literarily revolutionary novel called WELCOME TO YOUR DREAMTIME, in which you, the reader are the viewpoint character, and sections of which have been published in a weird assortment of magazines as free-standing short stories.
The latest to be published in the US,by Tor, is HE WALKED AMONG US, a novel so far ahead of itself that it had to wait until it had become something of the fave rave of a radical viral internet distribution experiment and a cause celebre in France as IL EST PARMI NOUS before any traditional American publisher would bring it out in paper.

 

Customer Reviews

10 Reviews
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Average Customer Review
3.8 out of 5 stars (10 customer reviews)
 
 
 
 
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14 of 15 people found the following review helpful:
3.0 out of 5 stars Good read, haunting story, sexually explicit, February 22, 2001
This review is from: Void Captain's Tale (Mass Market Paperback)
In an undefinedly distant future, humankind navigates to the stars using alien "Jump" technology aboard each Void Ship, which technology must be controlled by a Pilot, who must be female and who experiences orgasmic ecstasy with each Jump. The ship's captain, ostensibly in charge, is at the mercy of the Pilot.

Our protagonist is Genro Kane Gupta, Void Captain of the Dragon Zephyr. The events of the story are kicked off when he encounters an attractive woman enroute to his ship, a woman whom to his surprise turns out to be Jump Pilot Dominique Alia Wu-surprise because Pilots tend to be wasted, emaciated creatures who live only for their next Jump. He becomes infatuated with her, haunted by the thought of the Jump ecstasy forever denied him, and neglects his duty to his passengers (which includes participating in the sexually charged social rituals used to distract them from the long voyage). And Dominique has a request for him: in his responsibility as Captain, neglect to set the navigation matrix so that the ship Jumps Blind. She believes it will free her soul to join the Void in permanent ecstasy, and of course she doesn't care what happens to the ship. Will he do it? Well, that would be telling.

One of the great aspects of science fiction is that it can put people into situations they would not encounter out of science fiction, and this is an example of that. Spinrad completes a tour-de-force with a masterful futuristic patois that is a hodgepodge of today's major languages and as such can be followed with some slight strain by the attentive reader.

A good read and a haunting story, though not for those who are easily offended by sexual situations.

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7 of 7 people found the following review helpful:
3.0 out of 5 stars All those phallic rocket ships, September 20, 2001
By 
Well, this is a blast from the past. I was very surprised to see this listed as 'new in paperback', but then there does seem to be a swathe of classics being re-released.

Is this a classic? Not sure. It must be around 20 years old now, and certainly when first released it was regarded as prime new wave material - advetised in *Omni* no less! But of course age doesn't make it a classic.

It's certainly original: I can't think of any other tale in the genre predicated on starships propelled across space by the power of orgasm. But that doesn't mean this is a sex fantasy either. Spinrad makes the idea work, and casts the captain of his ship into a credible (at least within this premise) dilemma, and eventually a real bind ... with a very new wave lack-of-ending to boot.

The genre may have moved on from the needs to break through barriers of editorial conservatism that - in part - inspired books like this. In some ways 'The Void Captain's Tale' will seem terribly dated, and I have to say that I think other wirters have since tackled broadly similar ideas and one it better. So this re-release may be of more interest to people who are bona-fide fans of 70's sci-fi than to the general reader.

But if you want some idea of where the genre has come from, it's worth a look.

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6 of 7 people found the following review helpful:
3.0 out of 5 stars Not Spinrad's best, but still worth reading ..., September 30, 2005
By 
Paul Hickey (Fairfax, VA USA) - See all my reviews
(REAL NAME)   
"The Void Captain's Tale" is one of those alternately frustrating and rewarding books that leaves you intrigued by the imaginative ideas in the fiction but somewhat disappointed it did not amount to more.

Basically, this is an ingenious narrative with a simple plot twist about what happens when an individual's personal morality clashes with his professional duties and the ethics of society. As such, it works best when Spinrad stays focused on the internal conflict between (and within) Captain Genro Kane Gupta and Void Pilot Dominique Alia Wu, and the latter's attempt to seduce Gupta into betraying his own command for the sake of exploring what they both believe is the destiny of their souls.

The ultimate test comes when Gupta must decide whether to send the starship Dragon Zephyr on a Blind Jump through the universe to learn the secrets of what lies beyond the Great and Only Unknown (and thereby risk the lives of all on board), or to deny Wu and himself the fulfillment of their mutual heart's desire. Because Spinrad cleverly postulates the idea of a stardrive based on the power of female orgasm to complete a Jump Circuit, sex is necessarily an important factor in moving the ship (and the story) forward.

However, this is much more of an intellectual journey than an erotic passage, and the author tends to emphasize the philosophical quest of Gupta and Wu at the expense of examining their emotions or physical chemistry together. A hot and sweaty description of intimate encounters it is not.

Instead, on the one hand, Gupta is confronted with the chance to unravel the mystery of our species' existence in time and space. On the other, he faces the potentially terrifying consequences of placing his ego above his conscience. The conclusion he reaches, and the choice he makes, is the engine that advances the plot. And although Spinrad introduces some interesting secondary characters along the way (most notably Lorenza Kareen Patali, the ship's cultural hostess, and Maddhi Boddhi Clear, a dissolute seeker of truth), "The Void Captain's Tale" is essentially about the dramatic tension between following one's dreams versus mastering one's fate.

This is the sixth Norman Spinrad novel I've read, and if it isn't as creative and finely nuanced as "Little Heroes" or "Pictures At 11," it isn't as dense and dull as "Child of Fortune" or "The Mind Game" either. Spinrad's fondness for metaphysical transcendentalism and polyglot psychobabble is still here, but it isn't as annoying or pretentious, and his storytelling style is far more disciplined. Furthermore, in spite of his occasionally awkward dialogue and tedious exposition, he often manages to produce prose that borders on pure poetry. Take this line, for instance:

"... And so our spirits touch in exile in this shadow realm ... and comfort each other as best they can."

Or this:

"From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion's final veil."

No, it isn't brilliant, inspired writing, but it does work well enough most of the time to get its point across. Throughout the more prosaic parts of the book, Spinrad drops lots of such tiny literary gems and nuggets that will leave you re-reading them with a serendipitous sense of appreciation for his lovely, lyrical turns of phrase or sudden glimpses of insight. In other words, if you're looking for a suspenseful potboiler or page-turner, "The Void Captain's Tale" is probably not what you want. But if you are in the mood to stretch your concept of science fiction past the genre's typical fascination with technology over humanity, this is a novel that will offer you something different, unexpected, and worthwhile.
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