Vol 5: Louis in New York

Louis Armstrong | Format: Audio CD

Product Details

• Audio CD (September 7, 1990)
• Number of Discs: 1
• Label: Sony
• ASIN: B000002748
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #255,718 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Armstrong At His Best, December 10, 2003

By 

Fred Wemyss (Actual Name) (Huntington, NY United States) - See all my reviews

This review is from: Vol 5: Louis in New York (Audio CD)

Here are the sides Satchmo recorded in the late nineteen-twenties. Some of these tracks on this disc are presented in several versions. For example, you'll hear "Ain't Misbehavin'" featuring Armstrong on cornet but with somebody else singing and, a few songs later you'll hear another take with Armstrong's vocal. Of course, he still takes the cornet solo. The difference in the vocals highlights how many light-years ahead of most singers Armstrong was.
The sound quality is much to my liking, although I know jazz enthusiasts who find it lacking. I think it sounds incredibly present. Of course, this particular collection has been on CD for about thirteen years now (which means it came out in 1990) and I wouldn't be surprised if, in all that time, Sony may have done something to the sound. In fact, I've had three copies in the last ten years, because I lost my first copy and for a while I was convinced the later pressings were a bit muffled. It seems to me it came out when Columbia was still called Columbia and now the word "Sony" is all over it. Would Sony altar the sound without saying so? I hope not.
Anyway, nobody double-tracked in the twenties and these, then, are live-in-the-studio takes of some songs which are still standards, featuring one of the most recognizable voices in the history of recorded music. That the man with the voice was also the biggest pioneer of the jazz solo shows what a dynamo he was.
Fats Waller's "What Did I Do To Be So Black and Blue" is sung with heartbreaking dignity and the cornet at the close of the song will stay with you.
The trombone and the bass throughout this collection make you think you're in a small cafe. The singing lets you know you're in good company. The cornet comes at you from the world stage.