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Product Details
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| 1. Earth Intruders |
| 2. Wanderlust |
| 3. Dull Flame Of Desire |
| 4. Innocence |
| 5. I See Who You Are |
| 6. Vertebrae By Vertebrae |
| 7. Pneumonia |
| 8. Hope |
| 9. Declare Independence |
| 10. My Juvenile |
| 11. I See Who You Are (Mark Bell Mix) |
Still, the transition between her early work and the avant-garde bender she's been on since Vespertine is pretty harrowing, and it's satisfying to hear Björk revisit her more accessible self. Uber-producer Timbaland pitches in here and there, most successfully on "Innocence," which uses a fat, disjointed pulse to drive the euphoric vocals forward. Elsewhere, the hyperactive sitar sample on "I See Who You Are" provides texture for the song's theme of enjoying each other while there's still "flesh on our bones." And "Pneumonia" makes fantastic use of the horn section with a soft arrangement that compliments the song's lyrical melody.
So while it's a bit of a stall, Volta is a lovely pause. It reminds us how much we appreciate the laboratory of Björk’s imagination, but also how much we missed her back when she was just goofing around. –Matthew Cooke
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Most Helpful Customer Reviews
24 of 26 people found the following review helpful:
5.0 out of 5 stars
Challenging and Pristine,
By
This review is from: Volta (Audio CD)
I was taken aback when I listened to Volta the first time. This wasn't because I thought it was a new, fresh and stunning representation of Bjork's genius, but because I feared it represented a transition in which this album was produced simply for the sake of sales and lacked any philosophical or artistic inspirations.
The second time around, I compared the sound less to previous works. I always have to remind myself that each new album is a new experiment and expression. To compare one to the other - expecting continuity - will only disappoint. Volta is a new child with its own personality. Bjork has always pushed the limits of creative expression, and I feel Medulla was definitely evidence of this. Volta feels like an attempt to integrate her new territory with what some might call her classic sound. Some critics have said Volta is directionless or just a hodgepodge of songs that form no narrative. Clearly they don't understand why Bjork chose Volta as the name for this album. It is full of sudden unexpected course changes, and I suspect she struggled with how to tie it all up in the end. The lyrics are more coherent than I'm accustomed to. I think Bjork had a lot to say here. The same critics who called Volta a hodgepodge also said "Declare Independence" is lyrically immature. They missed the point not only of that song, but also of "I See Who You Are," which is to enjoy every bit of life while we have time. Bjork's mystical understanding of the human purpose and condition is revealed once again in "Declare Independence" when she states the protection of language is as important as currency. David Abram's book "Spell of the Sensuous" goes into detail about the origins of language and how closely tied language is to the land of its birth. Bjork has integrated the sounds of her environment into her music and her language. Whether Bjork is familiar with Abrams doesn't matter. She understands the importance of sovereignty not just in terms of political borders, stamps and currency, but also the importance of remaining connected to our source and therefore remaining human. She has left behind a lot of mystique to reveal more grounded aspects of herself through Volta. "My Juvenile" is a peak into the relationship between Bjork and her son. She has gone to great lengths to protect him from exploitation, and it seems like quite a step to open up to millions in this way. She shares the fears, the regrets, the worries and the joys that every parent has. How does one protect, while letting go at the same time? Volta is anything but immature. Lyrically Bjork has revealed another more grounded aspect of herself that comes with age and experience, while maintaining the buoyancy I need and appreciate. Volta adds context to everything she has created to date, and establishes a new foundation for future creative endeavors. What will her next gem sound like?
13 of 13 people found the following review helpful:
3.0 out of 5 stars
Everyone seems to either love it or hate it. I'm the exception - I'm right in the middle.,
Amazon Verified Purchase(What's this?)
This review is from: Volta (Audio CD)
I love Bjork - but Volta is pretty weird self-indulgent stuff. There are moments of shocking brilliance and a few very good songs. That just makes the long meandering patches and weird duets harder to take. I keep listening and hoping that with familiarity this album will "take" (sometimes an album I can't stand at first ends up being a favorite over the long haul - like "After the Goldrush" by Neil Young). So far (6 months later) I still find this album strong meat and tend to skip a lot of tracks. I still love Bjork - but I can't seem to find my love for this one.
10 of 12 people found the following review helpful:
3.0 out of 5 stars
Mediocre for Bjork,
By
This review is from: Volta (Audio CD)
Just to give a brief summary as to where I stand as a Björk fan before I dive in...I think her first two albums (Debut/Post) are both great records. Yet, she was a little more naive at the time and didn't have as much control creatively. But she was learning. With her next two releases, Homogenic and Vespertine, she began to break away from the poppy sounds of the first two and began to write (she began having more control over the writing), darker, bleaker records. So not only did she begin to define her sound and really become the unique artist she is, but they where also simply brilliant, amazing records. With Medulla she came up with an interesting concept, yet it was simply too hard to listen to in the context of a record. For me atleast.
My point is, Björk has been getting better and better, up until Medulla where things simply got TOO weird. It hurt the record and I think she crossed the line in that aspect. In her newest release, Volta, she returned to square one and tried to create something more in the flavor of a modern day Post. Well, this made perfect sense. Now I know she won't make another Vespertine, but with the creative control she's had to define her sound over the past 10 years then we should get a great return to form...right? Not so. Three problems with Volta. 1.) Vocals are not very well written. None of the lyrics are catchy and just don't carry the emotional impact Björk put into them in the past. She just kind of rambles, which is unusual for her. 2.) The albums does not have it's own unique SOUND, as her past records have each had. The asian strings/brass/horns almost make that happen, but just don't dominate enough of the record. 3.) Her vocals are mixed WAY too high. Whoever mixed the album needs to be shot. Considering how sharp and high pitched her voice can be, it's easy for her to overpower the electronics. In Homogenic, the electronics/beats where mixed to be just about as loud as her voice, which also gave the listener a feeling of an overwhelming sonic attack on the senses. There is some great instrumentation on Volta, it's just not implemented correctly. To touch on a few tracks, I think Earth Intruders is sort of average compared to some of her past works. A weak single. Wanderlust is much better, and features the L.F.O. infected sound of Homogenic with fast paced, slicing electronics. Problem is...the vocals on it are weak for Bjork, with the electronics mixed too low under them to the point where they don't provide the correct "punch". Innocence is a strong track of similar nature, packing a repetitive rhythm crunch that totally smacks you in the face, and the vocals are actually very good. The Dull Flame of Desire and Vertebrae both feature beautiful orchestration and better vocals, but the former is a little drawn out and is too long. Pneumonia is also very nice and relaxing, making good use of horns and rain effects. The HUGE letdown of Volta is Declare Independence, seeing how it is a collaboration with producer Mark Bell, who helped make Homogenic such a great record. It's easily one of, maybe the worst song she's written. The closer, Hope is kind of bland. Overall, a mediocre album from Björk. She has, and can, do better than this.
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