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The entire story is in dialogue, with only a very few 'he said' and 'she said's to allow us to remember just who is speaking - which due to the quality of the writing and characterisation is rarely necessary. At first, Jim is mostly interested in one thing, but early on he realises that he has found someone who is perhaps worth more of a time investment than a 'normal' call to this particular chatline, and for a very long time, there is only very minor sex talk. They discuss the little oddities of life that everyone discusses in quiet moments, sharing thoughts about mundane items or events in ways that would no doubt sound instantly familiar to anyone, anywhere. A huge positive of this novella is that Baker writes both characters with a sense of awareness, just like any other normal person. There are a lot of things that the two characters just plain get, and a lot that they don't. They can talk about the casual immediacy of events, or the metaphysics of those little lights on stereo sets.
A few questions. Have you ever, when talking to someone, wanted to travel through the phone? Yes. Have you ever spoken to someone, and you know that if, through any circumstance whatsoever, there is a break in the conversation, the magic will be gone and that will be that? Yes.
... Read more ›Still, I admit to being intrigued by the concept of revealing sexuality to a stranger over the phone and must praise Baker for having the audacity to attempt such an undertaking. Unfortunately, the tiring details of this book render it unsexy as the characters take themselves ,(and their fantasies), far too seriously. The book reads like an indie art house hit- one that has been subjected to a lot of hype. And I feel the same muddy daze as when I leave an art house after wading through two hours of heightened plastic emotion. While I'm glad I read the book, (or saw the film),...I still feel a bit cheated that style won out over substance.