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Comment: This book has already been loved by someone else. It MIGHT have some wear and tear on the edges, have some markings in it, or be an ex-library book. Over-all it's still a good book at a great price! (if it is supposed to contain a CD or access code, that may be missing)
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The Voyage of the 'Dawn Treader' (The Chronicles of Narnia, Book 5) Paperback – January 2, 2008

4.5 out of 5 stars 710 customer reviews

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Editorial Reviews

Amazon.com Review

The BBC Radio production of The Voyage of the Dawn Treader is a delightful two-hour sail on the most fabulous ship in Narnia. Lucy and Edmund, with their dreadful cousin Eustace, get magically pulled into a painting of a ship at sea. That ship is the Dawn Treader, and on board is Caspian, King of Narnia. He and his companions, including Reepicheep, the valiant warrior mouse, are searching for seven lost lords of Narnia, and their voyage will take them to the edge of the world. Their adventures include being captured by slave traders, a much-too-close encounter with a dragon, and visits to many enchanted islands, including the place where dreams come true. The adaptation is faithful to its source, C.S. Lewis's series of Narnia books, which have provided exciting and uplifting tales for generations of children. BBC Radio does wonders with sound effects--the ship creaks in the wind, the sorrowful dragon roars lugubriously--and musical cues and interludes that keep the pacing dynamic. There's also a splendid cast of plummy British voices, making this far more than a book read onto cassette--it's an audio drama, as enjoyable as a trip to the theater. Grownups who buy this tape for their children will want to borrow it for themselves. (Running time: two hours, two cassettes) --Blaise Selby --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 4-8-In the third book in C.S. Lewis's Chronicles of Narnia (but the fifth installment in Focus on the Family's Radio Theatre production), Edmund and Lucy Pevensy along with their bratty cousin, Eustace, are transported through a painting into Narnia where they join Prince Caspian on a voyage to the west. The children are tested on this voyage, and visit strange lands and encounter unusual creatures. Eustace is turned into a dragon, and then helped to return to human form by Aslan, the lion god. This outstanding full-cast dramatization adheres closely to the book's text. Recorded in London, actor Paul Scofield is the storyteller, and other parts are dramatically read by other British actors. The production features sound effects and background music, which sometimes becomes obtrusive. While adults might find the story a little dated at times and the religious elements somewhat heavy handed, children will not notice and will enjoy the story. This is a more complete version of the story than the excellent BBC production available from Bantam Audiobooks (1998).
Louise Sherman, formerly Anna C. Scott School, Leonia, NJ
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Age Range: 8 and up
  • Grade Level: 3 and up
  • Lexile Measure: 970 (What's this?)
  • Series: Chronicles of Narnia (Book 5)
  • Paperback: 256 pages
  • Publisher: HarperCollins; Reprint edition (July 1994)
  • Language: English
  • ISBN-10: 0064405028
  • ISBN-13: 978-0064405027
  • Product Dimensions: 5.2 x 0.6 x 7.7 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (710 customer reviews)
  • Amazon Best Sellers Rank: #16,732 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
The world of Narnia is coming to an end. A false Aslan is abroad in the land, and the people (and beasts) struggle to follow what they think is the truth. Eustace and Jill, from The Silver Chair, are sent to Narnia to help the last king of that land rally his troops for the final battle.

This is the apocalyptic volume of The Chronicles of Narnia. If The Magician's Nephew speaks of a creation reminiscent of the book of Genesis, this book speaks of an end reminiscent of that foretold in the book of Revelation. Here, everything comes to an end, and the entire purpose of the existence of Narnia is finally explained by Aslan. The Christian references are unmistakable. Aslan, like the Biblical Christ in Revelation, triumphantly comes to bring an end to his world and save his people. Most of the material in this book is very Christian-like, all the way down to the separating of the creatures on the right and left hands of Aslan.

This, the final volume of the Chronicles, brings everything to a head. This book provides the so-called meaning of life, and gives validity and value to all of the good deeds the children have been trying to do since the first book. Here, the good have their reward. The descriptions in this book (especially the end) are absolutely beautiful, and the finale is nothing short of moving. Lewis, a master of Christian apology, succeeds here in bringing to life the Christian concept of the end of the world, and of the final rewards of the just. No part of the Chronicles of Narnia would be complete without the vision afforded by this, the final book.
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Format: Paperback
The second volume of the Narnia Chronicles closed with the possibility of Lucy and Edmund -- though not their older siblings -- returning to Narnia. "The Voyage of the Dawn Treader" makes good on that story, with the intrepid pair (plus a whiny cousin) returning on a strange sea voyage.

After the events of "Prince Caspian," Lucy and Edmund are sent off to stay with their obnoxious cousin Eustace. But when they admire a picture of a strange ship, suddenly all three kids are sucked in -- and land in a Narnian sea. On board the ship is King Caspian, now fully grown, who is determined to find a bunch of knights exiled by his murderous uncle, even if he has to go to the edge of the world (literally).

Lucy and Edmund are thrilled to be back in Narnia again, but Eustance proceeds to make trouble any way he can, complaining and causing trouble among the crew. But there are problems more horrifying than any of them can guess, from dragons to sinister "gold water" to a region filled with their worst nightmares.

"The Voyage of the Dawn Treader" is one of Lewis's most original and tightly-written Narnian adventures. It's also a bit of a break from form. After two books of battles against evil tyrants, "Voyage" simply goes where no man/woman/mouse has gone before, and gives us a view of the Narnian world as more than one isolated little region.

And in some ways, it's also the darkest Chronicle. Lewis explores the theme of greed here -- greed for power, beauty, money and magic -- and has some scenes both chilling and majestic. But his archly humorous style peeks through in several places, whether it's pompous mouse Reepicheep or tea with a reclusive old wizard.

Edmund and Lucy are their usual plucky selves, albeit a bit more mature than before.
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Format: Hardcover
I have put off reviewing "The Voyage of the Dawn Treader" for a long time. There is no other book I have so longed to recommend to others, but I have felt (and still feel) totally inadequate when it comes to expressing what a wonderful story this is. I could go on for days about all the wonderful things contained here. That said, I will try and focus on only a few aspects of this book and then plead with you to read it.
First, I must note that I feel this story should be read in the context of the entire Narnian series. It stands on its own nicely enough, but the deep background of the previous tales adds richness and texture to the tale.
Secondly, I must note that this book is highly enjoyable because it works on two levels. The tale as a whole is the story of a journey into unknown lands. With each new place they visit, the whole is broken into wonderful episodes. My favorite episode (with the exception of the ending) is the island where dreams come true...its not what one would expect.
The character of Eustace is my favorite of all the humans in the Narnian books. This story is partly a tale of his transformation. This seems to be a universal human desire; but Eustace, like all who truly seek transformation must, finds impossible to reform himself. This is an especially timely lesson for our "self-help" culture at the beginning of the twenty-first century.
This brings me to what I like best of "The Voyage of the Dawn Treader." Let me preface what I say here by making it clear that no one hates heavy-handed use of allegory as much as I do. However, the allegory that is "The Voyage of the Dawn Treader" is one of the greatest things of beauty I have ever encountered.
In one form or another we are all questing after an unseen kingdom.
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