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And what of the women left behind? Lavinia knows little of the dangers of ice (though she's well schooled in isolation) and lives only for Zeke's return. Her companion, Alexandra Copeland, is less sanguine. Even after she's been given a secret career break--ghosting for an ailing engraver--she knows how invisible she is and how threatening her family's "dense net of obligations" will always be. Though they get less page time, Barrett is in fact as concerned with these women as she is with her seafarers. Like the heroines of her National Book Award-winning Ship Fever, who bump up against science and history in which only men's triumphs are written, they must somehow escape social tyranny or retreat into the consolations of storytelling or silence.
There is tyranny on board the Narwhal as well, as Zeke alternates between good will and paranoia, his closest companion an arctic fox he has "civilized" and who sits on his shoulder "like a white epaulet." (Alas, Sabine, like many of the men, is not to survive the journey.) Encounters with the Esquimaux--who might know more about the lost expedition than they're willing to share--not having gone according to plan, Zeke determines in late August to head for Smith Sound rather than home, despite the crew's protests. By mid-September, however, the craft is ice-locked, and it's clear they'll have to "winter over." At first the men make the best of their situation, magically sculpting cottages, castles, palaces, even a whale--and offering informal seminars in butchery, Bible studies, and basic navigation. However, as the weather worsens and Zeke grows increasingly despotic, morale plummets.
Barrett excels in both physical and social description, writing with a naturalist's precision and a passionate imagination. With quick strokes (backed up by intense research), she can fill us in on some sensible but threatening Esquimaux footgear: "All five were dressed in fur jackets and breeches, with high boots made from the leg skins of white bears. The men's feet, Erasmus saw, were sheltered by the bears' feet, with claws protruding like overgrown human toenails. Walking, the men left bear prints on the snow." The author also shines in panoramic scenes--her descriptions of the Arctic can only be called magnificent--and in small, precarious, personal moments. When Erasmus eventually returns to Philadelphia, minus his toes and his future brother-in-law, a grieving Lavinia takes to her bed. Eventually, however, she relents: "Lavinia stared straight ahead. Straight at Erasmus, her right hand tucked in her lap while her left turned a silver spoon back to front, front to back, the reflections melting, re-forming, and melting again.... Lavinia said softly, 'I forgive you.' Everyone knew she was speaking to Erasmus."
The Voyage of the Narwhal is full of blood-freezing surprises, a score of indelible characters, and heart-stopping mysteries. As Erasmus watches Alexandra draw landscapes he has seen before but missed something in, each pencil stroke is "like a chisel held to a cleavage plane: tap, tap, and the rock split into two sharp pieces, the world cracked and spoke to him." Readers of Andrea Barrett's novel will experience this sensation again and again. Packed with harsh truths about the not-always-true art of discovery, it is also among the most emotionally wrenching, subtle works of the century. --Kerry Fried
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Most Helpful Customer Reviews
28 of 28 people found the following review helpful:
4.0 out of 5 stars
Beautiful descriptions of Arctic life. Weak characterization,
By RAdams8553@aol.com) (Australia and the USA) - See all my reviews
This review is from: The Voyage of the Narwhal (Hardcover)
This is about human endeavour and evil, initially set in the hostilities of the Arctic. The first 2/3 of the book is brilliantly written and researched. The semi-historic descriptions of an ill-fated exploration into the depths of the Arctic is fast-paced. Ms Barrett writes clearly and beautifully. I could envision life in that hostile locale, during all seasons; and almost wanted to be there, too. Normally, I am not a reader of such historic novels. She created excellent suspense, too. The last 1/3 revealed the author's weakness. Despite her extensive research into Esquimaux culture, the story plods to an end. I feel that this is due to her inability to develop characters convincingly. She describes events, geography, climate and "history" wonderfully. Much less convincing are the people central to the story. Most are either weak and without usual human passions, or purely evil. She had difficulty concluding the story that became somewhat ponderous, considering the writing skills well demonstrated at the beginning. Humans and their behavior are not her descriptive strength. I really recommend the book. It was a different reading experience for me. I re-read many paragraphs just to let the prose sink in. She understands and describes great beauty in it's many forms. Her knowledge of evil, fundamental to the story, is more conjectural. Very well done, none-the-less!
14 of 15 people found the following review helpful:
4.0 out of 5 stars
Hard to Put Down (as a book and as a critic!),
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Amazon Verified Purchase(What's this?)
This review is from: The Voyage of the Narwhal (Hardcover)
If you've never read anything about arctic exploration in the 19th century, this book could be for you. "Voyage of the Narwhal" is a bona fide page turner that demands to be read in as few readings as possible; there never seems to be a convenient place to put the book aside 'until later.' I was always looking forward to the next page.I knew little and had read even less about this fascinating era of exploration. This book has inspired me to search for more. I disagree with the criticisms of "weak characterizations:" I found the characters very intriguing. I learned to despise Zeke; side with Erasmus; and empathize with Alexa. The subordinate characters came across very well, also. From a pure entertainment standpoint, I judge the success of a book based on whether or not I could visualize it on the big screen, and, if I could, would I enjoy it. Barrett painted a beautiful film with this book complete with breath-taking action and real live characters that I could see and feel. Bravo
8 of 8 people found the following review helpful:
3.0 out of 5 stars
Good story, but...,
By Mark Wiklund (MA) - See all my reviews
This review is from: The Voyage of the Narwhal (Hardcover)
The Voyage is a 19th century story told with a 20th century sensibility and style. Written a hundred years ago, the hero would have been Voorhees, the explorer stranded in the arctic and returned a public hero. Instead, today's hero is the Naturalist Erasmus who sees Voorhees for a vain and arrogant fool but is uncomfortable in his own skin, who simmers inside about morality buts commits no action until the tide has turned, who resents the falseness of the world but will take no step to remedy it. Ned and Alexandra were the real heros (in either century!) but they are not the center. Written a hundred years ago, the story would have been a rich, swashbuckling yarn, but in today's style, it is lean and understated and ultimately disappointing. I so much wanted to walk away wow! It seems so many writers would rather we admire their artful minimalism than participate as equals in their real feelings!
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