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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Wow, July 19, 2002
Listen to Monkey Kong, A's second release, and you'll become convinced that there really is a conspiracy by record companies to prevent good music from being popular. I mean, how was this album so completely ignored? Taken with the new (and outstanding) Hi Fi Serious, it becomes clear that not only is A the most criminally underrated band in rock, but that they're the best band in rock. Period. They're like the Foo Fighters without boring ballads. Or Blink-182 with chest hair. However you want to describe it, nobody today is making music this melodic, this downright ALIVE. Not the nu-metallers, not the rap-rockers, not the garage rockers. This is what the next step in rock should be - a orgiastic fusion of balls out rock and California pop. Listen to the title track while driving and you'll floor it. "Down on the Floor," "Miles Away," and bonus track "She Said" are all so good, you'll spend half your time wondering how this band was ignored by audiences, the media, everybody. Hi Fi Serious should change that, but if A doesn't end being global rock superstars, then the music industry is beyond salvation.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
A is the greatest, October 17, 2000
By A Customer
A is the greatest band no one has heard of. My friend and I saw them last may in Minneapolis, and we were blown away. We liked them so much that we drove all the way from minneapolis to Lawrence, Kansas just to see them, a 9 hour each way trip. This album has everything from the in your face hard rock of "Monkey Kong", to the slow mellow "Hopper Jonnus Fang", to the upbeat pop-sounding "Here We Go Again (I Love Lake Tahoe)." This album has it all. If you ever get the chance to see them live I would Highly reccomend it.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
A savage flurry of hooks!, October 3, 1999
By A Customer
This review is from: A Vs Monkey Kong (+1 Bonus Track) (Audio CD)
Unrelentingly catchy and energetic, songs like "Old Folks" compare favourably with the efforts of weaker American bands, such as the Offspring, to keep power pop and punk vital. This record has been unfairly savaged by some UK music press writers, who prefer emasculated and melodramatic orchestral rock to this sort of lively fare, but they have missed the boat entirely on this band. With fast pacing, ace musicianship and a Sting-reminiscent vocalist who hollers good-natured but on-target barbs over one hook after another, A is not supposed to be the New Bomb Turks, but rather sounds as a young Police would today. Easily as good, if not as rude, as Blink 182, A should have a much larger following, but that is not likely if the CD is not released domestically. It is bizarre that this record is only available as an import, but it is not the first time that record companies have dropped the ball in giving kick-ass English bands access to a North American audience, as any fan of Swervedriver will know. Silly bastards!
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