What other critics said about this C.D.:
--Blender magazine included this in their "The 50 Greatest Rawk Albums of All Time" article and said it's "a brooding exercise in listener-as-punching bag, with Phil Anselmo's vocals a savage roar up against Dimebag Darrell's spiteful riffing."
--Entertainment Weekly gave it an "A" grade, and said it's "undoubtedly one of the most satisfying heavy-metal records since Metallica's early-'80s cult days."
--Q magazine: One of the "50 heaviest albums of all time."
--Yahoo music: "With songs as catchy as they are powerful, Vulgar Display may be the group's all-around best album."
--Napster (I couldn't agree more with this description): "A raw, pulverizing, insanely intense depiction of naked rage and hostility that drains its listeners and pounds them into submission."
--Hit Parader magazine has several times listed "Vulgar Display of Power" in their "Top 100 Metal C.D.'s of All Time" list.
Now, my review...:
Pantera albums in order, from best to least best:
1. Vulgar Display of Power
2. Far Beyond Driven
3. Cowboys From Hell
4. Reinventing the Steel
5. The Great Southern Trendkill (it's still a good album, though.)
Like Metallica, Pantera's sophomore effort was slower than their debut, 1990's "Cowboys from Hell," but it was also much heavier and more mature. Pantera continued to release albums (which were increasingly heavy) over the next eight years, and every one of their albums is an epic, but this band shines brightest on 1992's landmark, "Vulgar Display of Power." This album didn't completely abandon the band's thrash roots (it still showed thrash influence), so it should please "Cowboys from Hell" fans, but it will also definitely please fans of Pantera's newer, heavier, and somewhat slower metal. The guitar playing is just perfect; the riffs fly, but unlike some bands (i.e. Slayer), Dimebag plays slowly enough so you can absorb and enjoy one riff before another one comes.
Calling "Vulgar Display of Power" the best metal album of the 1990's isn't an insult to Pantera's "Far Beyond Driven," Metallica's "Black Album," or Megadeth's "Rust in Peace," but I truly believe this is as good as heavy music-- or any type of music-- gets. A lot of great metal came out of the 1990's, and "Vulgar Display of Power" is still, hands down, the best album of that decade. I don't understand how anyone, especially metalheads, can give it less than five stars. Even 4 or 4.5 stars is an injustice. It is at least a five star album. If you don't like this album, you don't like heavy metal! This C.D. is why I need a C.D. player. (As of July 2005) I have 350 compact discs, and "Vulgar Display of Power" is like the crown jewel of my collection. I almost consider it one of my prized possessions.
If I could give only one or two albums five stars, "Vulgar" is one of those albums that would still get five. Mark my words, because I don't say this often, this album actually deserves more than five stars. It is a very catchy, brilliantly written, perfectly executed, and very heavy album that rivals "Master of Puppets" for the best metal album of all time. Every song on this album is a classic, timeless, very memorable hit, and every song is essential listening. Not one song (or a single second of a song) on this album is less than top-notch. You will find absolutely no filler (or anything close to it) here.
Dimebag Darrel (R.I.P.) is, in my opinion, a modern day Jimmy Hendrix. He lays one big, talented riff after riff and one excellent, acrobatic solo after solo. Dimebag is, obviously, as good as or better than every other modern guitarist, but sometimes on this album (i.e. the song "Rise") it seems like he's even trying to out do himself. Plus, drummer Vinnie Paul's catchy, often complex drumming is always great and bassist Rex Brown is also at the top of his game, here. Finally, Phil Anselmo may not go down as one of the all time greatest singers, but no one can yell or snarl better than he, and his wailing voice is outstanding against the background wall of instruments. Plus, Phil actually does some real singing on here (i.e. "This Love" and "Hollow.")
Pantera were a modern day Black Sabbath. They were a brutal, no frills band with a sound all their own. They never made the same album twice, they were never trendy, never flavor of the month, and never a band to go with the flow or care what other people think. They weren't doom metal, thrash metal, or death metal. Pantera didn't make any type of music except straight up, anti-pop, heavy as heavy gets metal that stops just short of death metal. But their music stopped just short of doom, thrash, and death metal, so fans of those genres should be pleased with Pantera, as well. Actually, fans of any type of metal--except melodic or nu-metal--should be in love with this band.
Dimebag Darrel, "Vulgar Display of Power," and Pantera (in general) were as original, influential and innovative as anything else in music the 1990's. They might not have been the creators of heavy metal, but, in addition to being the pioneers of 1990's metal (and giving birth to modern metal bands like Lamb of God and Shadows Fall), Pantera also helped to keep metal alive. In the early '90's, when grunge rock was dominating the charts, heavy metal seemed to be dead; but bands like Pantera (and Prong and Megadeth) kept it alive.
If you've ever wondered what it was like experiencing metal for the first time back in the 1970's, and if you wonder what it was like listening to Black Sabbath for the first time, do yourself a favor and get some Pantera. Next, if you believe every metal band goes through a sophomore slump, or if you've never heard a 100% perfect album (and truly grade-A metal), and you wonder what it sounds like, proceed directly to "Vulgar Display of Power." Finally, I cannot recommend this C.D. to you more if you don't like modern music and have nostalgia for older metal.
Highlights include:
Everything! Every song song is a stand out!
1. "Mouth for War" (3:56), the first single, includes a great opening riff which speeds up as the song goes along--as do the drums-- before falling into a surging groove. The vocals and guitars meld perfectly on this song (as they always do on this C.D.). "Mouth for War," which debuted at number one on the Billboard music videos charts and also has some rhythmic drumming, is a good headbanger and VERY catchy. Rating: 20/10.
2. "A New Level" (2:57) opens with sound of glass shattering, then it Rex lays down some good bass riffs, but Dimebag again dominates the show, with more great, bludgeoning guitar licks and a four part guitar solo. Phil's vocals are harmoic, too; he repeats some heavy yells in the chorus. The only problem with this song is it's rather short. Rating: 10/10.
3. "Walk" (5:15) is one of Pantera's most famous songs, mostly due to the staccatto riff that runs through the whole song. This toe tapping riff is about as catchy as you'll ever hear, and the drum beat is mighty catchy too. (Drummer Vinnie Paul fills the space in between the riffs and makes the rhythm have that thumping sound.) The riffs stop only briefly, for a speaker shredding guitar solo (a solo that Guitar World magazine named one of the all time best.) And you'd be hard pressed not to shout along to the chorus ("RE!SPECT! WALK!") You're just not metal if you don't know this song. Rating: 19/10.
4. "F'in' Hostile" (2:49) is an amazingly fast and brutal song that you can almost feel exploding out of your headphones. It's a shame this song wasn't included on Pantera's Greatest Hits album, because it's another fan favorite and one of Pantera's most famous tunes. Rating: 20/10.
5. "This Love" (6:32) gives the listener the first bit of relief. It's actually a semi-ballad, with almost "haunting" riffs and clean vocals in the beginning and verses. The lunging shout-along choruses, which have buzzsaw riffs, are still brutal, though, and they make this song another classic. Lyrically, this song is about a relationship gone awry. Rating: 15/10.
6. "Rise" (4:36) begins with guitar playing that's even more fast and brutal than "F'in' Hostile." Plus, after like the first ten seconds, it shifts to an even higher, faster gear. Guitarists everywhere must be driving themselves crazy, trying to match Dimebag's insane, piledriving, blistering, scorching guitar work, on this song. And when Phil's vocals begin, the song becomes extremely catchy. The beat almost bobs in places, and you'll have this chorus--which is mosh worthy--running through your mind all day. The real highlight here, though, is the guitar solo. It's one of my favorite guitar solos of all time, and is definitely my favorite Dimebag solo. It builds like a skyscraper (it just builds and builds, then builds some more.) This moment and this moment alone made me want to pick up and learn the guitar. (Though I don't know why I'd even bother trying, because no one can top Dimebag.) Rating: 20/10.
7. "No Good" (4:50) has a riff which builds and gains speed like a snowball going downhill. Phil's vocals again go from supple growling (in the beginning) to yelling (in the unforgettable chorus). Another wailing guitar solo is included, as well as a killer ending of thumping riffs which echo Sepultura. Rating: 13/10.
8. "Live in a Hole" (4:59) has a guitar solo that's so close to the start, this song almost begins with it. Dimebag then turns the riff into a riff that goes up and down throughout the whole song. A shorter guitar solo is included (Pantera always had great solos) and the song ends with Anselmo whispering. Rating: 10/10.
9. "Regular People" (5:27) is another great and unforgettable anthem.
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