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W.B. Yeats: A Life I: The Apprentice Mage, 1865-1914
 
 
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W.B. Yeats: A Life I: The Apprentice Mage, 1865-1914 [Hardcover]

R. F. Foster (Author)
4.2 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

0192117351 978-0192117359 April 10, 1997 1st ed
William Butler Yeats has cast his long shadow over the history of both modern poetry and modern Ireland for so long that his preeminence is taken for granted. Now, in the first authorized biography of Yeats to appear in over fifty years, leading Irish historian R.F. Foster travels beyond Yeats's towering image as arguably the century's greatest poet to restore a real sense of Yeats's extraordinary life as Yeats himself experienced it--what he saw, what he did, the passions and the petty squabbles that consumed him, and his alchemical ability to transmute the events of his crowded and contradictory life into enduring art.
In the first volume of this long-awaited biography, Foster covers the poet's first fifty years, bringing new light to bear on Yeats's heroic and often ruthless efforts to invent himself as a poet and public figure. Drawn from a fascinating archive of personal and contemporary documents with the cooperation of surviving members of the Yeats family, it dramatically alters long-held assumptions about the poet's background, his relationship with Maud Gonne and other women, and his roles in the great cultural and political upheavals that transformed Ireland in his lifetime. A rich and entertaining account of Yeats's boyhood days amidst the talented but troubled members of the Yeats and Pollexfen clans provides important insight into the poet's deep and lifelong connection to the Irish landscape, his early, impassioned embrace of the nationalist cause, and his later retreat to the traditions of the once grand Protestant aristocracy. In his own day Yeats attracted enemies and admirers with equal passion, and Foster vividly recreates the friendships, love affairs, and simmering rivalries that swirled about the poet's circles in London, Dublin, and Coole Park. Complementing his meticulous scholarship with a shrewd wit and a novelist's eye for detail, he chronicles the romantic disappointments, financial difficulties, experimentation with hashish and mescal, and the growing preoccupation with the occult that prefaced Yeats's attempt to unite Irish politics with high culture and his creation of an Irish national theater. Here are the poet's memorable encounters with many of the most interesting people of his time, including Oscar Wilde, George Bernard Shaw, Lady Gregory, J.M. Synge, Ezra Pound, James Joyce, and the wildly diverse leaders of the Irish independence movement. And here at last is a full accounting of the complex bond between Yeats and the incomparable Maud Gonne, revealed as an influence eternally recreated 'like the phoenix,' affecting almost everything he did.
Poet, playwright, mystic and revolutionary; lover, confidant, and friend. This brilliant account of the public and private lives of William Butler Yeats illuminates not only the wellspring of his artistic vision, but the modern Irish identity he helped to create. It is essential reading for anyone intrigued by one of the most original and influential voices of the twentieth century.


Editorial Reviews

Amazon.com Review

There are several biographies of the great Irish poet to choose from, and the one you'll prefer depends on how much biography you want. Subtitled "The Apprentice Mage, 1865-1914," this is the one for completists (though they'll have to wait for Volume Two to get through Yeats's death in 1939). The author, a noted Irish historian, renders Yeats's life almost day to day, giving a particularly lively sense of the helter-skelter nature of his early years and a nice depiction of his tumultuous engagement with the Abbey Theatre.

From Publishers Weekly

In a poem ("The Choice") written in his late 60s, William Butler Yeats (1865-1939) asserted that "The intellect of man is forced to choose/Perfection of the life or of the work." Previous studies (notably those by Richard Ellmann, Denis Donoghue and A. Norman Jeffares) have concentrated on the work. In a significant departure from that approach, Irish historian Foster (a professor at Hertford College, Oxford, and biographer of Lord Randolph Churchill and Charles Stewart Parnell) focuses on what Yeats did rather than on what he wrote. Raised in genteel poverty in Dublin, Sligo and London, Yeats was largely self-taught. Beginning in his early 20s he threw himself into various unconventional pursuits?the occult, the theater and Irish nationalist politics?with feverish energy, moving restlessly between Ireland and England. While projecting an otherworldly air, early on Yeats took to heart Oscar Wilde's dictum that "a man should invent his own myth," and Foster shows how his "great talent for managing publicity" figured in the construction of his own artistic image. Driven by an almost ruthless need to dominate events, Yeats imposed himself at the center of cultural, literary and political controversy, making important friends (and enemies) in all walks of life. This meticulously researched "authorized" biography, prepared with the cooperation of Yeats's children, lets the facts speak for themselves and bears out T.S. Eliot's later observation that Yeats was "one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them." Illustrations not seen by PW. (Apr.) FYI: Foster's biography is dedicated to the distinguished Irish historian F.S.L. Lyons, who at the time of his death in 1983 had been working on a biography of Yeats for nearly ten years. Foster drew on Lyon's extensive research notes but acknowledges that this book is very different from the one Lyons might have written.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 704 pages
  • Publisher: Oxford University Press, USA; 1st ed edition (April 10, 1997)
  • Language: English
  • ISBN-10: 0192117351
  • ISBN-13: 978-0192117359
  • Product Dimensions: 9.3 x 6 x 1.9 inches
  • Shipping Weight: 2.8 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,199,424 in Books (See Top 100 in Books)

 

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9 of 9 people found the following review helpful:
5.0 out of 5 stars Informative biography of a complicated man, February 29, 2004
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This review is from: W.B. Yeats: A Life I: The Apprentice Mage, 1865-1914 (Hardcover)
William Butler Yeats offers a life of contradictions. Born in Dublin to a middle-class Protestant family, Yeats went on to become one of the premier poets of the twentieth century. As a writer and member of the Irish literary community, he also helped to forge Irish national identity through his words and his deeds. In this biography, the first of two volumes, Roy Foster offers an account of Yeats' development into one of the leading figures of the Irish literary scene.

This is not an easy book. Foster recounts Yeats' life in what is sometimes excruciating detail, covering every movement and literary battle the poet undertakes. Moreover, as he does so he assumes the reader's familiarity with both the background of late nineteenth century Ireland and the members of the Irish literary community. People appear in his narrative with little introduction, creating a confusing jumble of names that limits the appreciation of their role in Yeats' life.

Such problems aside, this is a first-rate biography. Foster does a great job examining Yeats' life, in a text that while long is never dense. His coverage of Yeats' occult interests is particularly good, as is that of the poet's involvement in nationalist causes - both integral aspects of his poetry. Foster's argument that Yeats' involvement in the mystical was a reaction to the declining position of Protestants in Ireland, an effort to cope with the sense of dislocation by asserting psychic control, is a compelling one that helps to fit more of his poetry into its contemporary context. Foster helps this process; while he asserts that his biography is about what Yeats did rather than what the poet wrote he does offer a perceptive commentary on aspects of Yeats' work, which helps us better appreciate the connection between the man and his writings. Thanks to this, we have a book that is essential for understanding such a complicated literary figure and the role he played in his times.
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24 of 29 people found the following review helpful:
3.0 out of 5 stars The Lighthouse and the Anteater, May 1, 2003
For the first 100 pages or so, this book had me completely. Roy Foster writes with elegant brio and has a historian's eye for the wider events and contexts that shaped Yeats's early years. Where previous biographers like Ellman take a sort of lighthouse approach to their subject, treating the passions and conflicts of Yeats's day as fuel for the poetry that was destined to outshine them, Foster is more like an anteater, eagerly snuffling up the everyday bits of information that give the flavor of Yeats's multifaceted life as he actually lived it, before his later fame and incessant revisions smoothed it into a pattern.

After a while though, the book tends to bury Yeats in a mass of trivia that include everything from the menu at one of his literary dinners to the prices he charged for his lectures. This level of detail could be enlightening if Foster stopped for breath more often to tell us why these things are important. Too often though he keeps his head firmly down with the ants, cataloging the day-to-day intrigues of a very complicated life without linking them to any kind of larger interpretation of Yeats's personality or development. Instead, Foster spends his 500+ pages introducing new names at the rate of one or so per page, most of them disappearing by the end of the chapter never to be heard from again. We get the intrigues of various Irish nationalist factions, potted bios of minor figures on the Dublin and London art scenes, humorous sketches of Yeats's fellow-travellers in his sundry mystical societies. It was hard to see Yeats after a while with all these minor figures crowding the stage.

If Foster does have an interpretation of his own, as far as I can tell it's a revisionist one. Where Ellman or Jeffaries saw Yeats's life as a drama of painful self-creation, Foster sends to see an ambitious man on the make, an aggressive networker who wasn't beyond bending the truth if it helped his own advancement. Even his life-long passion for Maud Gonne, one of the key sources of his poetry, was, according to Foster, in part a self-conscious realization that a great poet needed a great passion to write about. In trying to bring Yeats back down to earth, I think Foster overcompensates by making him more canny and worldly than the sexual naivete, table rapping, faery talk and aesthetic posturing of these years suggest. Worst of all, Foster shows almost no interest in Yeats's poetry, the reason we're reading the biography in the first place. I put down the book admiring Foster's energy and mastery of such a huge anthill of facts, but I couldn't shake the feeling that a lot less would have told us a lot more.

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5 of 6 people found the following review helpful:
4.0 out of 5 stars Surprises!, July 3, 2001
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This is loaded with surprise after surprise. Foster's insights into the poetry, through historical and social readings, are often revelatory. My only complaint is that many of the tales he tells tend to have the same emotional architecture due to a descirptive repetition: this makes it a little monotonous at times. But this is a quibble. This book is great. When is Vol. 2 going to be published?
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Inside This Book (learn more)
First Sentence:
'EVERYONE'S life is along series of miraculous escapes,' wrote JBY with characteristic insouciance. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
apprentice mage, advanced nationalism, literary theatre, cancelled passage, fairy belief, personal utterance
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Golden Dawn, Maud Gonne, Bedford Park, New York, Irish Literary Theatre, Young Ireland, George Pollexfen, United Irishman, Woburn Buildings, George Moore, The Shadowy Waters, Irish Literary Society, Fisher Unwin, Frank Fay, Lady Gregory, Gavan Duffy, Trinity College, Sinn Féin, Annie Horniman, Florence Farr, Sturge Moore, Gaelic League, Olivia Shakespear, Irish Times, Lionel Johnson
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