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WAR Hardcover – Bargain Price, May 11, 2010

ISBN-13: 978-0446583282 ISBN-10: 0446583286 Edition: 1st

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Product Details

  • Hardcover: 304 pages
  • Publisher: Twelve; 1 edition (May 11, 2010)
  • Language: English
  • ISBN-10: 0446583286
  • ISBN-13: 978-0446583282
  • ASIN: B005K5DN5O
  • Product Dimensions: 9.1 x 6.3 x 1.2 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (488 customer reviews)
  • Amazon Best Sellers Rank: #23,660 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Evan Thomas and Sebastian Junger: Author One-on-One
In this Amazon exclusive, we brought together authors Sebastian Junger and Evan Thomas and asked them to interview each other.

Evan Thomas is one of the most respected historians and journalists writing today. He is the author of The War Lovers. Sebastian Junger is an internationally acclaimed author and a contributing editor to Vanity Fair, and has been awarded a National Magazine Award and an SAIS Novartis Prize for journalism. He is the author of War. Read on to see Sebastian Junger and Evan Thomas talk about their books.

Evan Thomas: War really is hell in your book. And yet it seems to captivate some of the men who fight it. Why?

Sebastian Junger: War is hell, as the saying goes--but it isn't only that. It's a lot of other things, too--most of them delivered in forms that are way more pure and intense than what is available back home. The undeniable hellishness of war forces men to bond in ways that aren't necessary--or even possible-- in civilian society. The closest thing to it might be the parent-child bond, but that is not reciprocal. Children are generally not prepared to die for their parents, whereas the men in a platoon of combat infantry for the most part are prepared to do that for each other. For a lot of men, the security of being enclosed by a group like that apparently outweighs the terrors of being in combat. During World War II, wounded soldiers kept going AWOL from the rear-base hospitals in order to rejoin their units on the front line. Clearly, for those men, rejoining their comrades was more important than the risk of death.

I'm curious about the reactions of foot soldiers in previous wars--the Civil War, the Spanish-American War. Are there letters from soldiers describing their anguish at being separated from their comrades? Or is this a modern phenomenon?

Thomas: In the Spanish-American War, Teddy Roosevelt made a cult out of his band of brothers, the Rough Riders, with the twist that he was bringing together gentlemen and cowboys to be true Americans. It was a romantic ideal but largely realized in the short (several week) war they fought--two battles, about a 15 percent casualty rate. The anguish you speak of was felt by the Rough Riders who were left behind--there was no room on the transports for roughly a third of Roosevelt's troopers, and they had to stay behind in Florida. Roosevelt wrote of them weeping over being separated from their comrades and missing out on the fight.

Roosevelt's war lust was sated by the Spanish-American War--for a time. He was not a notably bellicose president ("Talk softly but carry a big stick"). But when World War I came, he was almost pathologically driven to get back into the fight. He badgered President Wilson to let him raise a division. (Wilson, not wanting to create a martyr, said no.) Do you think the brotherhood of combat is in some ways addictive? What is it like for the soldiers and marines coming home?

Junger: It's amazing to see these same themes played out war after war. Politicians seize war for themselves, in some ways, and the public certainly holds them accountable for it--but the men who actually do the fighting are extraordinarily conflicted about it all. Only one man in the platoon I was with chose to leave the army after the deployment--Brendan O'Byrne, a main character in my book and now someone I consider a good friend. A few weeks ago we were hanging out with a family I know, and the talk turned to how rough the fighting was in Afghanistan. The mother, a woman in her thirties, asked Brendan if there was anything he missed about the experience. Brendan looked at her and said, without any irony, "Yes, almost all of it." I think what Brendan meant was that he missed an existence where every detail mattered--whether you tied your shoelaces, whether you cleaned your rifle--and you never had to question the allegiance of your friends. As Brendan said at another point, "There are guys in the platoon who straight-up hate each other-- but they'd all die for each other." Once they've been exposed to that, it's very hard for these guys to go back to a seemingly meaningless and ill-defined civilian life.

What happened to the men after they returned from their adventures with Roosevelt? Where did their lives lead them?

Thomas: The Rough Riders seem to have had endless reunions--but nothing like the PTSD so widely reported today. But perhaps that was because they were only fighting for about a month--a "splendid little war," as diplomat John Hay called it, apparently without irony. In The War Lovers, I was looking at another kind of camaraderie--the bond of men who want to get the country into war, who think that war will somehow restore the nation to spiritual greatness. Roosevelt and his best friend, Senator Henry Cabot Lodge, believed that America at the end of the 19th century had become "overcivilized"--that young men were turning soft and needed to somehow stir "the wolf rising in the heart," as Roosevelt put it. "All the great races have been fighting races," he said. It is significant that Roosevelt and Lodge, who pushed America to go to war with Spain in 1898, had written about war a great deal but never seen it. President William McKinley resisted; he had, as he noted, seen "the dead piled up at Antietam" in the Civil War. But the hawks in America were able to roll the doves, not for the last time.

Before The War Lovers I wrote Sea of Thunder, a book about the last naval battle of World War II, Leyte Gulf. I interviewed a number of survivors from the USS Johnston, a destroyer sunk in the battle after an unbelievably brave fight against superior forces. About 220 men went in the water but only about half of them were rescued. Because of a series of mistakes by the navy, they were left in the water for two and half days. The sharks came on the first night. For a long time, the survivors did not talk much about it. But then, after Tom Brokaw wrote The Greatest Generation, they began having reunions and speaking--almost compulsively--bout their experiences. The recollections are often harrowing. Yet even years later, when the veterans compiled their recollections in a book of about eighty oral histories, the veterans did not speak of their own fear, with only one exception, as I recall. Somehow acknowledging fear remained a taboo.

In War you write about fear in clinical and fascinating ways. Did you have a hard time getting men to talk about fear?

Junger: Getting the men to talk about fear was very hard because, well, I think they were afraid of it. Their biggest worry seemed to be failing the other men of the platoon in some way, and whenever someone got killed, a common reaction was to search their own actions for blame. They didn't want to believe that a good man could get killed for no reason; someone had to be at fault. During combat, their personal fear effectively got subsumed by the greater anxiety that they would fail to do their job and someone else would get killed. The shame of that would last a lifetime, and they would literally do suicidal things to help platoon mates who were in danger. The classic story of a man throwing himself on a hand grenade--certain death, but an action that will almost certainly save everyone else--is neither a Hollywood cliché nor something that only happened in wars gone by. It is something that happens with regularity, and I don't think it can be explained by "army training" or any kind of suicidal impulse. I think that kind of courage goes to the heart of what it means to be human and to affiliate with others in a kind of transcendent way. Of course, once you have experienced a bond like that, everything else looks pathetic and uninteresting. That may be one reason combat vets have such a hard time returning to society..

My guess is that the survivors of the USS Johnston were more traumatized by the deaths of their comrades than the prospect of their own death. Did any of them speak to that? What were their nightmares about? Has anyone studied the effect of that trauma on their lives--divorce rate, suicide rate, that kind of thing?

Thomas: They certainly described the deaths of their colleagues--who went mad from drinking seawater, or were killed by sharks, or died from untreated wounds or exposure (the seawater was about 86 degrees at night, cold if you spent all night immersed in it). Some just swam away and drowned. In one or two cases, men begged to be put out of their misery and were. There were complicated emotions over the deaths. There wasn't enough room on the rafts for all the men, so when one died, it made room for another. I am sure there was terrible guilt, but I didn't get into it with the survivors I interviewed. I don't think they were studied as a cohort. I think they were expected to go on with their lives, and I think by and large they did.

Nations are changed by war--but somehow, only for a time. We have a way of forgetting the horrors of war, in the need young men (and old men who missed war) have to some experience the greatest challenge to their manhood. This was true in the period I wrote about in The War Lovers, more than three decades after the Civil War: men like Roosevelt and Lodge wanted to somehow experience the glories of war, and not think too hard about the way wars often turn out in unexpected ways. I know in Cuba, where I visited to research The War Lovers, the Cubans don't think of the Americans as their liberators from Spanish rule, but rather as foreign invaders. That's unfair, and in many ways just plain wrong, but not so hard to understand if you put yourself in the shoes of a country occupied by a foreign army. Some things never change.




From Publishers Weekly

Starred Review. War is insanely exciting.... Don't underestimate the power of that revelation, warns bestselling author and Vanity Fair contributing editor Junger (The Perfect Storm). The war in Afghanistan contains brutal trauma but also transcendent purpose in this riveting combat narrative. Junger spent 14 months in 2007–2008 intermittently embedded with a platoon of the 173rd Airborne brigade in Afghanistan's Korengal Valley, one of the bloodiest corners of the conflict. The soldiers are a scruffy, warped lot, with unkempt uniforms—they sometimes do battle in shorts and flip-flops—and a ritual of administering friendly beatings to new arrivals, but Junger finds them to be superlative soldiers. Junger experiences everything they do—nerve-racking patrols, terrifying roadside bombings and ambushes, stultifying weeks in camp when they long for a firefight to relieve the tedium. Despite the stress and the grief when buddies die, the author finds war to be something of an exalted state: soldiers experience an almost sexual thrill in the excitement of a firefight—a response Junger struggles to understand—and a profound sense of commitment to subordinating their self-interests to the good of the unit. Junger mixes visceral combat scenes—raptly aware of his own fear and exhaustion—with quieter reportage and insightful discussions of the physiology, social psychology, and even genetics of soldiering. The result is an unforgettable portrait of men under fire. (May 11)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

More About the Author

Sebastian Junger is the internationally acclaimed author of The Perfect Storm, which spent over three years on the New York Times bestsellers list and was the basis for a major motion picture starring George Clooney. He is also the author of the New York Times bestsellers Fire and A Death in Belmont. He is a contributing editor to Vanity Fair, and has been awarded a National Magazine Award and an SAIS Novartis Prize for journalism. He lives in New York City.

Junger's time in the Korengal is also the subject of the documentary feature film Restrepo, which Junger directed with award-winning photographer Tim Hetherington. Restrepo, which won the 2010 Grand Jury Prize for documentary at Sundance, will be released theatrically as a National Geographic Entertainment presentation of an Outpost Films Production in July, and will have its worldwide television premiere on the National Geographic Channel this fall.

Amazon Author Rankbeta 

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Customer Reviews

Very well written and easy to read.
mtlivi
WAR --As Soldiers Really Live It by: Sebastian Junger My hope is that when people read my book, they'll understand that emotional territory better.
P. H. Foley
If you are familiar with Junger's other book, "The Perfect Storm" then you know his writing is great, very informative, and with no fat.
Alex

Most Helpful Customer Reviews

398 of 409 people found the following review helpful By Howard Goldowsky on March 4, 2010
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Sebastian Junger is the well-known author of The Perfect Storm and A Death in Belmont. He is also a world-class war correspondent with over a decade of experience. This book is the product of five months spent embedded with a platoon in U.S. 2nd Battalion in the Korengal valley, Afghanistan. For five months, Junger existed like a regular soldier in the U.S. army: He ate MREs, went on patrol, took cover when the bullets started to fly. As Junger likes to explain in the book, he was the target of the same bullets as the other men in the platoon, and he had the same responsibility to Army rules. Even one broken minor rule risked lives. Junger remained vigilant, won the companionship of these soldiers, and garnered enough of their trust to record their thoughts and beliefs about what it's like to be in combat. That's what this book is about. The war in Afghanistan happened to be just a convenient location to do field research. At one particular scary moment, Junger was in a Hummer that got hit by a roadside bomb. The bomb exploded under the engine block, ten feet away. The blast shook Junger's emotions for days. Needless to say, this book was almost never written.

Good thing it was. Junger provides excellent war correspondence, describing combat as a first-hand observer. Junger's prose remains apolitical, his goal to show the reader what it's like to be in battle, not make a political statement. The book is broken into three sections: "Fear," "Killing," and "Love." All three sections describe combat, but each section is loosely structured around its theme.
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Format: Hardcover Vine Customer Review of Free Product ( What's this? )
There aren't many books that really tell the reader what it means to be in battle. Those that have been there don't feel comfortable trying to explain it to those that haven't. As more than one combat veteran has told me, "you just wouldn't understand." Most reporters, even those embedded in a war, haven't really experienced what it means to bean active participant in battle- trying to kill someone before he kills you. There are some very good books about what it's like to be in the middle of a war, like Bernard Fall's Hell in a Very Small Place; Fall was a French reporter who was there at the siege of Dien Bien Phu. But even though Fall could describe what it felt like to survive the incessant shelling and attack on the base, he wasn't a combatant. He was still a reporter, an observer.

Sebastian Junger is a writer of rare skill who can paint a frighteningly real picture of places few of us would ever think of going. His first book, The Perfect Storm, gave readers a taste of what it would be like to be on a doomed fishing boat in the North Atlantic, at from home, at the mercy of the sea. In War, he takes the reader to an Army outpost in Afghanistan, where Junger and filmmaker Tim Hetherington spent five months over the course of a year and a half with a platoon of young soldiers, fighting a war that we've all read about, but that few of us can imagine.

This isn't the tourist war reporting we're used to, where the embedded reporter rides along at the rear of an armored column; Junger puts himself in a situation where he runs all the risks of the soldiers he's reporting on, including getting blown up by an IED that is detonated under the Humvee he's riding in.
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49 of 53 people found the following review helpful By Chase Powell on June 25, 2010
Format: Hardcover Verified Purchase
This is a pretty good book - certainly eye-opening - but didn't quite match up to my read of "The Good Soldiers" last year (by David Finkel).

That War's author, Sebastian Junger, chose to spend 5 months in the fiercest combat in Afganistan is very impressive and deserves a lot of credit. He also included exhaustive footnotes supporting research he cites. What comes through well is the violence the men faced every day, the extreme living conditions, the losses taken and imposed on the enemy, the brotherhood formed within the platoon. He is admirably apolitical (as are his subjects) even as he honors the soldiers he lived with.

What didn't come through to me was a personal connection to any of the soldiers. The book felt disorganized, like a lot of unrelated scenes strung together, making it tough to follow the action or see how soldiers changed or grew over time.

Also, a photographer was embedded with Junger almost the whole time, but there are only three photos in the book (all on the jacket). A few more images and a map or two of the area would have been a huge help to the reader in visualizing the soldiers, the geography, and the firefights. (The documentary film of the book just came out, called "Restrepo." I'm eager to see it, but would have been nice to have a few pics in the book to whet the appetite.)

In all, War is good, but if you're going to read just one of these two books about modern-day US soldiers' experience in combat, I'd recommend The Good Soldiers. It is set in Iraq instead of Afganistan, but the timing and issues are similar. And you get to know the soldiers personally - including the gut-wrenching feeling when one of them is killed or injured.
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