32 of 32 people found the following review helpful:
5.0 out of 5 stars
Vivid and believable., June 20, 1998
Outstanding. Given the premise-opaque Austrian philosopher Ludwig Wittgenstein's life adventures, I feared this would be dry as dust. Happily this is first and foremost splendid story telling. Wittgentein's career at Cambridge, his relationships with Bertrand Russell and G.E. Moore, his wartime experiences in WW1 and after are rendered beautifully. Indeed his Vienna boyhood, growing up privileged yet emotionally bereft, is chillingly described. The characters are so perfectly drawn one can't help but be pulled into a wonderfully imagined world.
Also interesting is the ongoing description of the conflict of "philosophy" versus everyday living. Philosophers are human beings first and foremost and life events, circumstances and other people conspire together to thwart the life of the mind. It is interesting to read the compromises, adaptations and concessions the characters must make in order to bring their philosophies into actual daily existence. Occasionally successful, often not, the struggles depicted are so genuine and believable that one can't help but moved by their efforts, painful though they often are.
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19 of 19 people found the following review helpful:
4.0 out of 5 stars
At its best, an exciting novel about philosophers!, February 13, 2006
Surprisingly readable, given the subject matter, and from an author who obviously loves to write. This quality seems less than apparent in many books, but Duffy, I felt, took great time and applied careful skill in making his characters emerge on the page as recognizably full-fledged people. Whether the clumsy and appealing, if fanatic and mysterious Max; Ottoline's bony limbs; Wittgenstein's trench nemesis Grundfeldt; Russell's liberated flapper DD and her dentist father from the Illinois prairies the philosopher visits in a wonderful chapter; DH Lawrence's fulminations about blood knowledge; Moore's gustatory enthusiasm when dining at Hall; or Russell's attempts to write an article for Parents' Magazine on "Are Parents Bad for Children" while trying to seduce yet another lissome lass and take care of his failing marriage, faltering children, and chaotic progressive school--this book's most engrossing.
Especially noteworthy are Duffy's depictions of trench warfare as Wittgenstein might have experienced it in WW1. I didn't expect that the relatively brief part of the philosopher's life would be so much a part of this novel. It serves, once you finish and can see the whole work completed, as the titular centerpiece and the fulcrum for so much of his subsequent reactions to the middle of the 20c. I had recently read Sebastian Barry's Booker Prize-nominated novel "A Long Long Way From Home," and while Duffy spends less than his whole novel on the hell endured on the Western Front, he gives a variety of vividly rendered scenes that match Barry at his best--no mean feat for Duffy's not a professional full-time writer, apparently, and this was his first novel. The depictions of war are simply and terrifyingly superb.
While I had difficulty even with the simplified explanations of Wittgenstein's thought, I confess, full comprehension of them may well be beyond any of us. W's own battles with his homosexuality, his family history of suicide, and his Christian ideals vs. his Jewish heritage make for engrossing material that eases the challenge of keeping up with W's ratiocinations. Duffy shows dramatically W's refusal to start a circle of fawning disciples or imitators of his notoriously challenging thought-experiments and investigations into what does and does not underly logic. Perhaps even Moore and Russell, as shown when they conduct the viva voce doctoral exam of W., cannot understand their candidate either.
The novel is not perfect; the latter chapters especially after WW2 appear rushed and the author seems winded by so much previous exertion on behalf of his complicated characters. The first section takes place around 1912; the wartime is largely early in WW1, and the latter part is around 1938 for the most part. Appended to this are detours back and forward in time that expand W's family history. It may sound cumbersome, yet it gives you enough of a context for each period to feel that you can find your way around.
Somehow over so many thousands of sentences, Duffy manages to avoid cliche, to write fresh and efficient prose, and to take the reader into a series of realms that would have seemed the least likely areas that a novelist would want to explore, let alone re-create over 500 densely printed pages. It took me most of a week's free time to read this, and it flows best when you have a few hours straight to immerse yourself in it. It's a novel that works by association, accruing patiently the rewards that pay off for the thinkers if not always their long-suffering supporting casts of lovers, relations, colleagues, and spouses.
The reason for so much reasoning gradually grows as the novel continues; you will begin to understand at least a bit how everyday life impinges upon and stimulates rarified speculation. This happens subtly, as it does in reality, and may take the space of hundreds of pages to connect, but it will cohere--for the most part, which is quite an accomplishment for a book that aspires to not only enlightenment but sophisticated entertainment. The novel does take its slow time to warm up; get beyond the first hundred pages, and know that with the middle section, part two, "The World as I Found It" will start to deepen its spell.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
forging flesh and blood out of the artifacts of history, September 4, 2001
This review is from: THE WORLD AS I FOUND IT. (Paperback)
I certainly wasn't hampered in my enjoyment of this book by a lack of familiarity with (or, until now, interest in) twentieth-century philosophy. "The World as I Found It" taught me what makes a great fictional characters: such compassion and detail that I feel I know them as I know myself. Duffy's Wittgenstein, Russell, and Moore are forged from such different materials and live such different lives. But their struggles and motivations are painted in such rich detail that I intimately recognized the humanity in each of them. Great writing.
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