Product Details

• Actors: Yves Montand, Charles Vanel, Peter van Eyck, Folco Lulli, Véra Clouzot
• Directors: Henri-Georges Clouzot
• Writers: Henri-Georges Clouzot, Georges Arnaud, Jérôme Géronimi
• Producers: Henri-Georges Clouzot, Raymond Borderie
• Format: Black & White, DVD, Full Screen, Special Edition, Subtitled, NTSC
• Language: French (Dolby Digital 2.0 Mono)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 2
• Rating: Unrated
• Studio: Criterion
• DVD Release Date: October 25, 2005
• Run Time: 147 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (91 customer reviews)
• ASIN: B000AQKUH2
• Amazon.com Sales Rank: #10,117 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in these categories: (What's this?)

  #6 in	Movies & TV > Classics > International > France
  #69 in	Movies & TV > Art House & International > By Original Language > French
  #76 in	Movies & TV > Art House & International > European Cinema > Italy

• For more information about "The Wages of Fear - Criterion Collection" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

Henri-Georges Clouzot's gripping 1953 thriller throws four men into a primal struggle against the jungle armed with modern machinery and their own nerves and endurance. The squalid, isolated South American town of Las Piedras is a veritable refuge turned prison for criminals from all over the world. When an oil fire ignites 300 miles away, dozens of desperate volunteers apply for the dangerous job of driving highly volatile nitroglycerin across rugged jungle roads--for a $2,000 payday. The bulk of the film charts the slow, grueling trek over bumpy, pothole-dotted dirt roads and worse. A dangerous cutback forces the trucks to back over a rotting wooden platform built over a cliff, a boulder in the road must be blasted away, and a river of oil (gushing from a broken pipeline) must be forded--all with one ton of explosive nitro resting in the back of each truck. The ordeal forges a tough-guy trust between German Bimba (Peter Van Eyck) and Italian Luigi (Folco Lulli) but tears apart Frenchmen Mario (Yves Montand) and Jo (Charles Vanel). Former gangland hotshot Jo finds his once-fearless exterior cracked, while Mario discovers in himself a new grit and tenacity. Clouzot's stark, simple imagery and painstaking attention to detail create a riveting tension that never lets up, intensified by the ruthless drive of Mario, who proves he will do anything--anything--to get his truck through. William Freidkin remade the film in 1977 as the stylish Sorcerer. --Sean Axmaker

Product Description

In the squalid, impoverished South American town of Las Piedras, desperate men and women from all over the world scrape out a living and dream of escape, under the watchful eye of the ruling Southern Oil Company.

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Customer Reviews

Most Helpful Customer Reviews

22 of 24 people found the following review helpful:

5.0 out of 5 stars Great movie in 148-minute format, December 23, 1999

By A Customer

Amazon Verified Purchase

This review is from: The Wages of Fear - Criterion Collection (DVD)

I wanted to amend my earlier review. I reviewed the 148-minute VHS version, which I highly recommend. I strongly caution against getting the (less expensive) 131-minute VHS version. The picture quality is very poor and the subtitles are often almost unreadable, i.e. white writing against an almost white background. The full-length VHS and DVD versions are terrific, with clear, crisp picture and perfectly legible subtitles.

15 of 16 people found the following review helpful:

5.0 out of 5 stars *EXPLOSIVES*, June 15, 2000

By	karl b. (Fraser Valley, BC, Canada) - See all my reviews

This review is from: The Wages of Fear - Criterion Collection (DVD)

It is difficult to overstate what a terrific blend of suspense, biting images, and nihilistic philosophy this film is. It works at several levels, the most compelling being a thoroughly existential treatment of the action adventure movie. Clouzot layers his irreverent cynicism into every aspect of the film, but it is actuated by the tight interplay of the characters. They are the kind of fugitives, hucksters, fortune seekers, down on their luckers you'd expect to find at a squalid, end of the world drilling camp. The director portrays them all in a dour, brave light as they struggle with futility and fear.

The corruption, exploitation and innocence, are brought to a boil by a raging inferno and a couple of truck loads of nitroglycerine. Three hundred miles of rugged roads are all that separates these desperadoes from a ticket out of town. Clouzot rolls his audience into the drama with ingenious visual cues, cables stressed to snapping, tobacco blown from its paper. He uses no gimmicks, though, to impose an artificial sense of spectacle. Everything is shown with a taut authenticity. The film never loses its devil-me-care bravado in spite of all its tension and pathos. Clouzot intersperses little milestones of grace, in a prayer or a dance, with images of death. Alternately-- ambivalence, compassion and admiration are elicited for characters pushed beyond human boundaries and endurance.

It resembles Treasure of the Sierra Madre (another excellent film), but caves in to none of its happy endings, higher ideals, saving benedictions. All here is carried out in a quiet desperation as every vestige of hope, purpose, escape are systematically sabotaged. All that is left is the moment, and survival. The scenes on the bridge, the oil pond, the road, are among the most unforgettable in cinema. The characters strive for freedom but are continually confronted with their interdependence and frailty. The director's final gesture, in the face of potential victory, provides a seal of consistency to this sinister, masterful brew. Clouzot delves into motivations, relationships, doubt. He challenges pat assumptions of life and destiny. It is a remarkable and original film, even more so in the context of the conventions imposed on Hollywood films of that era.

8 of 8 people found the following review helpful:

5.0 out of 5 stars FANTASTIC!!!!!, August 14, 1999

By A Customer

This review is from: The Wages of Fear - Criterion Collection (DVD)

"Wages of Fear" is one of the greatest films I'veever seen and vastly superior to William Freidkin's '70s remake as"Scorcerer." Prefect direction by Henri-Georges Clouzot, stunning b/w photography by Armand Thirard, and a great performance by Charles Vanel as "Jo:" "You're being paid to drive, I'm being paid to worry." Don't listen to those who say the first half of the film is boring, it's not if you enjoy solid character development. And Jo, while indeed a "whiner," is the film's most memorable character because he is so real. You've met a version of this guy in your own life at one time or another. The ending is hardly a let down either as some have stated... it's what life is all about.