Wagner: The Flying Dutchman/Der Fliegende Hollander

Wagner (Artist), Norman Bailey (Artist), Janis Martin (Artist), Rene Kollo (Artist), Martti Talvela (Artist), Werner Krenn (Artist), Sir Georg Solti (Conductor), Chicago Symphony Orchestra & Chorus (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Chicago Symphony Orchestra & Chorus
• Conductor: Sir Georg Solti
• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Polygram Records
• ASIN: B0000041QK
• Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #387,735 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Ov - Chicago SO/Sir Gerog Soltii

2. Act I: Hohoje! Hojoje! Hallojo! Ho!/Kein Zweifel! Sieben Meilen fort - Chicago Sym Chor/Martti Talvela

3. Act I: Mit Gewitter und Sturm aus fernem Meer - WErner Krenn

4. Act I: Die Frist ist um/Wie oft in meeres Tiefsten Schlund/Dich frage ich, gepriesner Engel... - Norman Bailey

5. Act I: He! Holla! Steuermann! - Martti Talvera

6. Act I: Durch Sturm und bosen Wind verschlagen - Norman Bailey

7. Act I: Wie? Hort' ich recht?/Sudwind! Sudwind! - Martti Talvera

8. Act I: Mit Gewitter und Sturm aus fernem Meer - Chicago Sym Chor/Margaret Hillis

9. Act II: Summ und brumm, du gutes Radchen - Chicago Sym Chor/Margaret Hillis

10. Act II: Du boses Kind, wenn du nicht spinnst - Isola Jones

See all 11 tracks on this disc

Disc: 2

1. Act II: Ach! Wo weilt sie - Chicago Sym Chor/Margaret Hillis

2. Act II: Senta! Senta! Willst du mich verderben? - Rene Kollo

3. Act II: Bleib, Senta! Bleib nur einen Augenblick!/Auf hohem Felsen lag ich traumend - Rene Kollo

4. Act II: Mein Kind, du sieht mich aif der Schwelle... - Martti Talvera

5. Act II: Mogst du, mein Kind, den fremden Mann willkommen heissen - Martti Talvera

6. Act II: Wie aus der Ferne langst vergang' ner Zeiten/Wirst du des Vaters Wahl nicht schelten?... - Norman Bailey

7. Act II: Verzeiht! Mein Volk halt draussen sich nicht mehr - Martti Talvera

8. Act II: Orch Transition - Chicago SO/Sir Georg Solti

9. Act III: Steuermann, lass die Wacht! - Chicago Sym Chor/Margaret Hillis

10. Act III: Johohohe! Johohohoe! Hoe! Hoe! - Chicago Sym Chor/Margaret Hillis

See all 15 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

4.0 out of 5 stars A Solid Recording of a Great Opera, July 2, 2004

By 

Timothy Kearney (Haverhill, MA United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Wagner: The Flying Dutchman/Der Fliegende Hollander (Audio CD)

In the 1950's and 60's, there were a number of books that were published about opera in general. The books were readily available at the Boston Public Library, and I found them of great value when I first began collecting recordings. One of the sources (I do not recall which) suggested HOLLANDER as a good first Wagner opera. The reason why HOLLANDER was a good beginning opera is that it is a precursor of the style Wagner would later perfect in works such as TRISTAN UN ISOLDE and The Ring. So it would serve as an introduction. It also had recognizable arias and chorus like that of Italian opera, so the novice Wagnerian would not be too frightened of the composers more serious fare. Well, I took the advice and HOLLANDER was my first official Wagnerian opera. I did not find it all that similar to Italian opera, but I did grow to love the work on its own terms and it did lead me to a love of Wagner's other masterpieces.

This particular set was a good first choice, due in no small part to its conductor Sir George Solti. Solti's contributions to both the symphonic and operatic repertoire are legendary, and in this set he is conducting his beloved Chicago Symphony Orchestra. What shines most in this recording is the orchestra. Wagner's works need a conductor who can produce a large powerful sound one moment and beautiful softer tones the next. Solti more than manages to handle the orchestra. Beginning with the powerful overture and continuing throughout the recording, Solti has full command of the orchestra. The Chicago Symphony Chorus under the direction of longtime collaborator Margaret Hillis handles the choral parts with technical skill and vocal beauty. The principal singers in the work: Norman Bailey as the Dutchman, Rene Kollo as Erik, and Janis Martin as Senta are not the greatest interpreters of these roles, yet each does a reasonably good job in their respective roles. Kollo does seem a bit weak at times, but the role of Erik is not one of Wagner's greatest tenor roles.

If you are a fan of the golden days of Wagner, this recording is probably not for you. The principals are not the quality of a George London, Kirtsen Flagstad or Lauritz Melchoir. Still, this is a solid recording of the work and one that does, serve as an excellent introduction to the works of Wagner.

4 of 4 people found the following review helpful:

4.0 out of 5 stars Very good introduction to Wagner's first "big" opera, January 19, 2007

By 

Autonome (London United Kingdom) - See all my reviews

This review is from: Wagner: The Flying Dutchman/Der Fliegende Hollander (Audio CD)

I am quite surprised by the fact that this set never got more reviews than it did on Amazon: the only one applies to the non-remastered version of the performance. I remember learning my Wagner with this performance a good twenty years ago now and I was quite worried about purchasing the set again with "the new sound" and do a trip back down memory lane...in most cases, one is disappointed by the results but hopefully not here. The second the Chicago Symphony Orchestra starts with the opening chords of the piece, you are caught in the eye of the storm: the tempest, the fear, the waves jumping at your speakers, it's all in there. The dynamics are ENORMOUS, Solti relishes in letting the sound of this beautiful orchestra spread in all the sound space. Overall the fantastic orchestral display I remembered from my youth was here ...and more, thanks to a remastering of the original tapes making the performance even clearer than it was. But Fliegende is not all about being loud. Solti has a very good sense of contrasts and can let its orchestra breathe: listen to the clarinets in the Eric-Senta duet in Act II: simply beautiful.
Was the cast up to the really good memories of my youth? Well yes and no!
Norman Bailey, brilliant British heldenbass, is not at ease as the Hollander here. His initial monologue is buried under Solti's thankless orchestra, his German is not well articulated and his high notes clearly come from the throat...His duet with Senta in Act II is nonetheless very good and his portrayal remains acceptable. Talvela is very lazy in this recording and the Finnish bass simply turns up with his marvellous voice without trying anything. His sound remains sumptuous though!
The rest of the cast is really good: Rene Kollo portrays a youthful, noble Erik, Janis Martin is simply put an amazing Senta. She inhabits the part with her beautiful, crystal-clear voice and her portrayal of Senta is still, twenty years after and a lot of Wagner down the road, one of the best I have heard. Krenn is an elegant Mozartian pilot and Isola Jones does the job as Mary, no more no less. The Chicago Symphony Chorus is a bit stale though and doesn't really hold its rank opposite such a demonic orchestra. Regardless of these minor flaws, this Fliegende represents a perfect introduction to the piece thanks to its Senta, Sir Georg and his fabulous orchestra. Recommended.

2 of 6 people found the following review helpful:

3.0 out of 5 stars ZZZZZZZZZZ.........except for the overture..., April 10, 2008

By 

Timothy Mikolay (Pittsburgh, PA) - See all my reviews
(REAL NAME)   

This review is from: Wagner: The Flying Dutchman/Der Fliegende Hollander (Audio CD)

I was really excited to buy this opera because I have a London vinyl entitled "Solti conducts Wagner" (and because of the ravishingly beautiful painting on the package). Compared to the "Ormandy conducts Wagner" series on RCA, Solti's perfs are full of life, invigorating and if not some of the best performances of these wonderful overtures.
Unfortunately, I think Solti should have stopped after this, especially with Der Fliegende Hollander.

Aside from the usual impeccable detail given to intonation, this performance is quite boring. The brass during the sailors' chorus is hysterically loud and the solo singing is lackluster throughout. While Margaret Hillis' efforts are apparent, this doesn't seem to matter because the orchestral effort is so dull. Bombastic is okay, but like everything else, it's better in moderation.

I apologize for offending, but even though Solti and the Viennese forces gave us the unparalleld "Ring" cycle, no such effort exists with this set.
3 stars for the sound and intonation and the chrous.