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Trade in Wagner - Gotterdammerung / Jones, Mazura, Jung, Hubner, Becht, Altmeyer, Killebrew, Boulez, Bayreuth Opera (Boulez Ring Cycle Part 4) for a $11.55 Amazon.com Gift Card that can be redeemed for millions of items store wide. See more Movies & TV eligible for trade-in
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The cursed ring is stolen from Brunnhilde, who has kept it as a token of Siegfried's love. Siegfried, who has taken the ring in disguise, has been drugged and deceived into wooing Gutrune, a Gibichung. Brunnhilde is forced to marry Gunther, another Gibichung, but still faithful to Siegfried she commits suicide on his funeral pyre. The fire spreads to destroy Valhalla. The ring, snatched from Siegfried's dead hand, is dropped into the Rhine, where it is restored to its rightful place, and the situation returns to the normality of the time before Das Rheingold.
The Gibichungs, new to the cycle, are well-portrayed by Franz Mazura and Jeanne Altmeyer, and Fritz Hübner is impressive as the treacherous Hagen. Gwemdolyn Killibrew stands out as Brunnhilde's ally Waltraute. As always, Pierre Boulez conducts with a clear vision of the total work. --Joe McLellan
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Most Helpful Customer Reviews
21 of 23 people found the following review helpful:
5.0 out of 5 stars
Don't hestiate to purchase this remarkable Götterdämmerung!,
By David (North Carolina, USA) - See all my reviews
This review is from: Wagner - Gotterdammerung / Boulez, Jones, Jung, Hubner, Altmeyer, Bayreuth Festival (Ring Cycle Part 4) (DVD)
Due to the high cost of this collection, I decided to purchase my favorite opera from the Ring, which is Götterdämerung. If the rest of the Chéreau Ring Cycle is as incredible as this production of Wagner's Götterdämmergung, then my only regret will be that I didn't save money and buy the entire Ring, which as a set is sold at a special price. This glorious production is on 2 discs (over 4 hours) with rich, full stero and surround sound of the highest quality that DVD has to offer. The sound quality is superior to a lot of opera productions on DVD that were made much later than this one. Unfortunately, the picture quality is not always at the same high level of the sound quality, especially in the darker scenes, of which there are many in this opera. Even so, the picture quality is no worse than slightly below average, and often it is quite good. The singing is first rate--Gwyneth Jones' Brünnhilde especially captivated me. For me the entire cast was outstanding in bringing this amazing work to life. Of course with Wagner the orchestra as is vital as the singing, and the Bayreuther Festspeile Orchestra under Pierre Boulez is radiant throughout. This is a modern production, and while controversial some 20 years ago, it seems just right for today. I prefer it to the more traditional Ring productions, but that is a question of personal taste. I look forward to viewing the rest of the highly acclaimed Chéreau Ring cycle, for if the standards are a high as they are for Götterdämmerung, it will rank for me as one of the greatest accomplishments for opera on DVD.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
A magnificent achievement,
By A Customer
This review is from: Wagner - Gotterdammerung / Boulez, Jones, Jung, Hubner, Altmeyer, Bayreuth Festival (Ring Cycle Part 4) (DVD)
Although this production is not perfect, as seen on DVD, it is still a magnificent achievement. The drama unfolds powerfully on the stage, and the direction is always appropriate, often superb. The singers make a fine team, headed by Gwyneth Jones's glorious Brunnhilde. Manfred Jung is a macho Siegfried, even though the character doesn't earn one's sympathy. The Bayreuth Orchestra plays with great skill under Boulez.
14 of 18 people found the following review helpful:
4.0 out of 5 stars
I got iniciated to Wagner through this (!),
By
This review is from: Wagner - Gotterdammerung / Boulez, Jones, Jung, Hubner, Altmeyer, Bayreuth Festival (Ring Cycle Part 4) (DVD)
When I watched for the first time this DVD (well, it was a Laserdisc, for that happened prior to the release on DVD) I knew the music of the Ring for 6 years (more or less) and I hadn't yet seen any other production. I have to confess that it was watching it that I had for the first time a feeling of understanding not only the music but the drama. Since then my relation with Wagner's music and drama changed completely and he became one of my great musical loves along with Puccini. As time has passed I have also my regrets to this production (the dullness of the image) but I still love it. That cannot say in the same degree about the other operas of the cycle, specially about boring, with nothing to say 'Siegfried'. I'm not a fan of Boulez conducting Wagner operas. I also think that his axionatic 'return to the truth' when conducting this Ring in Bayreuth in the 70s and his negative to accept tempi acquired by tradition was an out-of-place extrapolation of the phenomenological principles that guided him in composition (that's to say, to do music as if one had been born out of the world, had no bias derived from tradition and had to invent the laws of music from zero). These are my irrepetible moments: - Act I: Scene between Brünnhilde and Gutrune. I will never forget the tragic accents, the description of the end of an old world, by Gwendoline Killebrew and the sober response by Brünnhilde 'Welch banger Träume Mären meldest du mir". Also excellent her downfall minutes later when Siegfried comes in disguise and submits her. - Act II almost in its entirety. Haunting first scene between Hagen and Alberich, frightening, almost nazi scene of the vassals, heartbreaking realization of the downfall of the Gods through Hagen's manipulations when Brünnhilde holds her violent agonistic scene with Siegfried, scandal of the people, and final bloody vendetta trio. - Acto III. Full expresionistic final scene from the moment in which Gutrune (Jeannine Altmeyer) cannot sleep due to nightmares, the murder of king Gunther (great actor Franz Mazura, also excellent Schön/Jack the Ripper in Boulez's Lulu and Moses in Solti's 'Moses und Aron') by his brother for the possesion of the ring and appearance of apocalyptic Brünnhilde in a final monologue for which I haven't words enough. Ok, this Götterdämmerung has not a brilliant funeral march or a Siegfried singer to compete with many others (althogh here he is much more inspired that in his boring rendition of the role in 'Siegfried'), but it has the Brünnhilde that made me understand the deepest feeling of this work (Gwyneth Jones, and I mean the Ring complete cycle) and I still have to listen to it when want to remember the true sense of this metaphore of the world's destruction by the greedness of the powerful. Sorry for my English. Rafael Fernandez
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