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Wagner Remembered [Paperback]

Stewart Spencer (Author)
4.6 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

July 2000
No one could be indifferent to Wagner, written impressions from his contemporaries often demonize or idolize him. This book brings together recollections from 60 of his aquaintances, from Queen Victoria to one of his servants, producing a kaleidoscope of conflicting images from an eventful life.

Editorial Reviews

Review

"A wonderful collection . . . indispensable to those seeking an inkling of the range of Wagner's character." -John Deathridge -- Gramophone, July 2000

About the Author

Stewart Spencer is the co-editor of several books on Wagner, including Selected Letters of Richard Wagner, and has translated books on Wagner, Liszt, Mozart, and Bach.

Product Details

  • Paperback: 256 pages
  • Publisher: Faber & Faber (July 2000)
  • Language: English
  • ISBN-10: 0571196535
  • ISBN-13: 978-0571196531
  • Product Dimensions: 8.3 x 5.3 x 0.9 inches
  • Shipping Weight: 15.5 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,920,539 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
4.6 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 14 people found the following review helpful:
5.0 out of 5 stars A must for all those interested in Wagner, June 10, 2000
This review is from: Wagner Remembered (Paperback)
A delightful book. It really is a must for anyone who is interested in Wagner. What emerges from Mr Spencer's skillful co-ordinating of personal recollections of Wagner is a fully rounded portrait of the composer, seen, as it were, through a kaleidoscope of time and chance. There are some charming vignettes of Wagner being entirely spontaneous, when for instance, he greets an old friend who has travelled far distances to be with him for a special occasion, and later, when he is hiding from importunate sightseers. Sometimes, of course, Wagner is less than pleasant, but when he is a musician among other musicians he emerges as a rather likeable man. When he is a famous figure holding his own among other famous figures one gets the impression of his need to dominate everyone and everything. I won't say anymore, I don't want to spoil it for you.

It's a well constructed book, and none of the recollections are overlong. There is also a marvellous chronology of events that puts the time and place of each of these encounters within their historical framework.

As I have said: A must!

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9 of 10 people found the following review helpful:
4.0 out of 5 stars A fascinating book; more on music would have been welcome, May 7, 2001
By 
Laon (moon-lit Surry Hills) - See all my reviews
This review is from: Wagner Remembered (Paperback)
Here is a fascinating collections of memoirs, letters, diary extracts and articles by people who spent time with Wagner.

They show an extraordinary force of nature, a man of astonishing energy, by turns charming and unbearable, astonishingly quick both to rage and to forgive, and childish beyond belief. A famous example, given here, is the soiree where the guests - not Wagner's guests, by the way - briefly paid attention to another person in the room. Wagner solved the problem by screaming, literally, with rage; when the astonished company turned back to Wagner he carried on his "conversation", or monologue, as if nothing had happened. Other less well-known stories appear here, illustrating a similar outrageousness. The ugly and unpleasant antisemitism is also fully represented. Though the different excerpts all find this mercurial man in different moods, all accounts have one thing in common: the writers are all aware that they have just encountered something absolutely extraordinary.

Not appearing is (I've forgotten the original source and the exact form of the quote, though it's cited in a well-known article on Wagner by Deems Taylor) Wagner's own observation on what people who put up with his demands, financial and emotional could expect: they were well recompensed because they would be able to tell stories about having known Wagner, for the rest of their lives. He was right, of course, as this book, among thousands of others, so richly proves.

This is an excellent portrait and resource book, offering a more vivid and arguably truer picture of Wagner than any of the available biographies. (Wagner may be the historical figure of whom secondary sources are most unreliable. With Wagner it ALWAYS pays to read the original source and NEVER to trust the commentator, some of whom should be thoroughly ashamed of themselves.)

A fault is that we should have heard more from the musicians who knew Wagner: not the fellow composers, whose anecdotes are mostly well-known and appear here once again, but the orchestral players and others who played under him or worked with him at London, Dresden and of course Bayreuth: more especially on his rehearsing of the _Ring_ would have been most welcome. Among musicians Wagner is not only at his best as a human being, but also his most fascinating as a talker. His obiter dicta on his contemporaries, and even more on his great ancestors, are worth the price, but there could comfortably have been more.

Still, a book which is both a fascinating read for the Wagner neophyte and a useful resource for the Wagner scholar: a great combination and an excellent book. Highly recommended.

Cheers!

Laon

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3 of 3 people found the following review helpful:
4.0 out of 5 stars Wagner Remembered - Sort Of, January 27, 2005
By 
jerry i h (Berkeley, CA USA) - See all my reviews
This review is from: Wagner Remembered (Paperback)
This interesting little book is a collection of rather brief eyewitness accounts of people who actually met Wagner. It is entertaining, and endlessly fascinating. However, the veracity of many of these memories is questionable, so the reader has to be careful about accepting the text at face value. I recommend it to anyone who is interested in Richard Wagner, keeping the previous caution in mind.

Literature about Wagner is not in short supply, and neither are analysis, critiques, and essays about his personality and behavior. It is refreshing to read first hand reports about him from a variety of viewpoints. On the other hand, many of these brief letters and diary entries were written many years or even decades after the fact. Some are obviously colored or altered by the eyewitness for various reasons. The childhood reminisces by Avenarius (Wagner's half-nephew) is a laughable prevarication, yet most writing about Wagner's childhood is based on it. Likewise, the account of Wagner's death by someone who was not there is also manufactured from whole cloth.

I do have a few objections to the book's format. Each chapter merely has a year span as its title (1813-42, 1842-49, 1849-58, 1858-64, 1864-72, and 1872-83). There is no listing in the table of contents or chapter heading of the names in that chapter. Also, the date the reminisce was actually written is usually not listed. Likewise for the specific date the encounter supposedly occurred, even then only in an elliptical footnote.

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Inside This Book (learn more)
First Sentence:
1813 22 May (Wilhelm) Richard Wagner born at the House of the Red and White Lion in the Bruhl in Leipzig's Jewish quarter, the son of Johanna Rosine Wagner and (probably) the police actuary Carl Friedrich Wagner. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
viola alta, prose draft, ooo thalers, first complete draft, des contemporains, full score
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Richard Wagner, Die Meistersinger, Das Rheingold, Kapellmeister Wagner, Act Three, King Ludwig, Ninth Symphony, Court Opera, Judith Gautier, Act Two, Frau Cosima, Bayreuth Festival, Hans von Billow, Mathilde Wesendonck, Mein Leben, Imperial Hotel, Angelo Neumann, Bolshoi Theatre, Dresden Court Theatre, Dresden Uprising, Eduard Devrient, Eliza Wille, Franz Schott, Hans Richter, Otto Wesendonck
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