Product Details

• Actors: Gabriel Byrne, Emily Watson, Julie Walters, Nicholas Hoult, Miranda Richardson
• Format: NTSC
• Rated: R (Restricted)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (12 customer reviews)
• ASIN: B00005JP52
• For more information about "Wah-Wah" visit the Internet Movie Database (IMDb)

Customer Reviews

Most Helpful Customer Reviews

22 of 22 people found the following review helpful:

5.0 out of 5 stars Characters at the End of Empire, July 9, 2006

By 

Andrew Desmond (Neutral Bay, NSW Australia) - See all my reviews
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"Wah Wah" is, quite simply, a magnificent film. It is a film that can be enjoyed by all ages. It is a character study of the challenges within a family at the time of end of empire. The backdrop is Swaziland as it moves to independence from Britain.

The expatriate lifestyle enjoyed in Africa by the British was quite extraordinary. They were able to live like kings with large estates and a multitude of servants at their beck and call. Yet, they were also regularly bored, often consumed by alcohol and constantly looking for sexual encounters with other married expatriates. It is against this background that an adolescent lives his life while the family gradually disintegrates. His mother, in particular, is absolutely abominable. His father has his own issues to manage and the boy must navigate a path through this maelstrom. To the extent that the boy succeeds is a tribute to his strength of character.

"Wah Wah" is always a pleasure to watch but it is also funny, sad and then uplifting at different times. To see this film is itself an uplifting experience. It is a wonderful character study that I highly recommend to all viewers.

16 of 17 people found the following review helpful:

5.0 out of 5 stars Wah-wah is more than a petty phrase!, July 23, 2006

By 

Tso Haven Hei Wan "Havenough Dupont Randall-B... (Sydney, Australia) - See all my reviews
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Wah-wah depicts the disintegration of a British family during the ending time of the British rule in the South East African country Swaziland. The title of the movie refers to the petty expressions that the British people in the country like to use in their daily conversation. The exact wordings were not Wah-wah but instead it is a mockery sound made by one of the characters in the movie.

Wah-wah started off with an adultery affair, which eventually plagued the family for the rest of the years in this soon independent country. The movie centred around the coming of age of the young boy Ralph, who was trying to deal with his growth and falling apart family at the same time. Gabriel Byrne, Miranda Richardson and Emily Watson formed a very strong iron triangle performance for the whole movie. The most interesting part is how the director tried to produce a movie that seems to be about the adults but at the same time through the growing perception of the teenager. Scenes were so well pieced together that every single moment in the movie became very critical to the audience. Emily Watson was fabulous in the movie. She played an American stewardess married to Gabriel Byrne, whose wife Miranda Richardson had run away with another man, who happened to be one of Gabriel's closest friend's husband. The way that Emily came in and shattered all the colonial practices inside the family and within the social circle just put her on the pedestal in the movie. Gabriel's alcoholic problem further injected periodic disturbance to a family that is already walking on thin ice. The theme of the movie seems to be surrounding the idea of how many times can you love and hate a family? And would we ever learn what real love in a family is?

Ralph whose life was plagued by the separatism - both physical and emotional - in the family found himself putting his mind into the act of puppeteer. Ironically this is the thing that broke the barrier between him and his dad's new wife. The funny part is with all the drama going on inside the family Ralph seems to be growing up alright.

Apart from focusing on the family, the movie also display certain subtle and obvious colonial mentality at that time. People who treasured their titles to feel their superiority, the unwillingness to give in to time and the perception of what they think other people's needs are. A very good comparison was that Gabriel was an educator going around the country to educate illiterate locals but at the same time refused to teach his servants how to read and write. Is education a real passion for him? Or it is just a job to put him in the right place of the colonial circle?

Wah-wah is a very well-done movie with a superb cast. It has a good balance of tears and laughter that can keep you going without consult your watches. And it sure does make you feel that your two hours is well spent.

8 of 8 people found the following review helpful:

5.0 out of 5 stars The Fallout of British Colonialism, January 16, 2007

By 

Grady Harp (Los Angeles, CA United States) - See all my reviews
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This review is from: Wah:Wah (DVD)

Gifted actor Richard E. Grant makes his writing and directing debut with this highly entertaining film about the last days of British colonial protectorate of Swaziland, East-South Africa, drawing from his memoirs as a child growing up in Swaziland the time when the Kingdom of Swaziland was given its independence from British rule. The autobiographical nature of the film aids in Grant's sensitive approach to creating this drama tinged with comedy and the result if a film that is one of the strongest depictions of the end of British colonialism in the world. Supported by a sterling cast Grant makes a strong impression with this delightful outing.

Harry Compton (Gabriel Byrne) is the Minister of Education for Swaziland, respected by both the natives and the snobbish, insular, stuffy colonialists who live in the isolation of the colony's chief city. Harry is married to Lauren (Miranda Richardson) whose disgust with her husband's home habits and the stifling life of the colonialists is placated by adultery: her latest affair is with John Traherne (Ian Roberts) whose wife Gwen (Julie Walters) is a close friend of the family. Their son Ralph (played as a young boy by Zachary Fox and as an older lad by Nicholas Hoult) discovers his mother's adultery and the family comes to a disastrous crumble as Lauren leaves Harry and Ralph to escape her perceived prison. Harry descends into alcoholism and Ralph is sent away to boarding school, only to return a few years later to find that Harry has married a tacky but truthful American Ruby (Emily Watson) whose presence is the center of disgust from the colonials lead by their Lady Hardwick (Celia Imre) and who mimics the colonial snobbery by terming their insular and foolish language as 'wah-wah'.

Gradually Ruby wins the confidence and respect of Ralph and as the time approaches for the British to hand over the independence to the natives, Princess Margaret is scheduled for an appearance and the colonials led by Lady Hardwick plan a performance of 'Camelot' for the occasion. Ralph discovers he can both sing and act and wins a role in the play, finding the beginning of his true self at last. How the production and the Princess' visit come off and how the intricacies of the Compton family are resolved serve as the finale of the film.

There are numerous subplots in the film and not all of them are fully realized or even necessary, but chalk that up to the 'first film' experience of Grant. Grant does demonstrate a sturdy hand in directing a cast of superb actors, both British and African including the excellent John Matshikiza whose Dr. Zim Mzimba represents one of the only grounded minds in the film. The beauty of Swaziland is captured by the lush photography by Pierre Aïm and a thoroughly charming musical score by Patrick Doyle. Not only is the story entertaining and well told, it also gives us insights into the machinations of the last of the British Empire era. Recommended viewing. Grady Harp, January 07