|
| ||||||||||||||||||||||||||||||
|
Product Details
Would you like to update product info or give feedback on images? |
While Big Swifty is avant garde electric jazz, the rest of the record is simply excellent rock/blues, with eccentric instrumentation such as electric bed springs.
'Big Swifty' is an exceptionally jazzy piece with some amazing horn arrangemants, and an excelent solo that concludes with a reprisal of the main theme - the best 30 seconds on the disk.
'Your mouth' is a fine piece of blues with piogniant yet humerous lyrics, and some very quirky horn arrangements.
'One Shot Deal' is a piece of country music as only Frank could've played it ie - weird. It changes quite a bit, but it's interesting how Aynsley Dunbar manages to keep the beat all the way through some of the more psychotic sections.
'Waka / Jawaka' seems quite quiet in comparason with the rest of the album, and is a nice way to finish what is one of Zappas more jazzy albums.
Bottom line: Eclectic jazz weirdness.
Anyway, it's the title cut that's the stand out here; it features some tasty playing by Sal Marquez on Trumpet, Don Preston on Moog (Don has said that this is his favorite recorded solo of all the records he did with Frank) and a really inventive and melodic guitar solo from the wheelchair-bound maestro himself. The chord changes during the solos, and the soloists' seamless adaptation to those changes, catch my ear every time.
"Your Mouth" and "It Just Might Be A One Shot Deal", the two vocal cuts, concern a "lyin' woman" type and a vacuum cleaner salesman, respectively. Dropping a Sneaky Pete Kleinow pedal steel solo into the middle of "One Shot Deal" was a stroke of genius on Frank's part.
Buy this one with "The Grand Wazoo," the album recorded simultaneously with and released shortly after this one. It shows what Frank could do with an even BIGGER band of hotshot studio people and his best Mothers in tow.