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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Mississippi Half-Step Uptown Toodeloo | 5:45 | $0.99 |  |
| Play | 2. Let Me Sing Your Blues Away | 3:17 | $0.99 | |
| Play | 3. Row Jimmy | 7:14 | $0.99 | |
| Play | 4. Stella Blue | 6:26 | $0.99 | |
| Play | 5. Here Comes Sunshine | 4:40 | $0.99 | |
| Play | 6. Eyes Of The World | 5:19 | $0.99 | |
| Play | 7. Weather Report Suite | 12:52 | Album Only |
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Customer Reviews
Most Helpful Customer Reviews
39 of 41 people found the following review helpful
Format:Audio CD
This album is somewhat of an oddity within the Grateful Dead's canon. It sort of combines the folk-oriented song structures of "Workingman's Dead" and "American Beauty", along with the more jazz-oriented sound that they would approach more on "Mars Hotel" and "Blues For Allah".
"Mississippi Half-Step Uptown Toodleoo" is an interesting opener. The lyrics are very folky, but interplay between Jerry Garcia and Bob Weir's guitars, Keith Godchaux's piano, and guest violinist Vassar Clements really makes it different from anything else that they've ever done in that style.
"Let Me Sing Your Blues Away" is a rarity for The Dead. This song is both composed and sung by Keith Godchaux. His voice is probably the least impressive of anybody in the Dead. He sounds like a struggling Pete Townshend. The song however blazes from the saxophone courtesy of Martin Fierro and Donna Jean's vocal melismatics.
"Row Jimmy" is another slow folky song. Godchaux break's his tradition of grand piano with his use of Hohner Clavinet, Fender Rhodes Piano, and Hammond Organ on this song. Garcia utilizes a very "Cosmic Charlie"-esque slide guitar sound during the verse interludes. It's also a rare feature for 4-part harmony between Garcia, Weir, Lesh, and Donna Jean that was hardly ever utilized.
"Stella Blue" yet another slow folky song. It's one of pain and desperation in the vein of "Black Peter" and "China Doll". It even features very Pigpen-like organ playing by Godchaux (something of a tribute to a member who at the time was dying), and a rare post-1972 appearance of Garcia's pedal steel guitar.
"Here Comes Sunshine" feature the Dead's first use of synthesizer, which would be expanded on, on "Mars Hotel".
"Eyes Of The World" is another mold-breaker for this album. It would become the classic concert staple, but the album version stands on it's own. However the usual concert segues between this and "China Doll" were always solid and always a staple.
The albums true shining moment, "Weather Report Suite" the only artistic rendering of Bob Weir and lyricists Eric Anderson and John Perry Barlow.
It's a song in 3 parts;
"Prelude" - is perhaps the quietest thing that they ever recorded. You can hear a snippet of this played by Weir on the Steppin' Out set as a tune up between "Ramble On Rose" and "Black Throated Wind".
"Part 1" - is a mellow song about the change of seasons. It features Keith Godchaux on a mellow Fender Rhodes, and Garcia on pedal steel through a Leslie Speaker, giving it a tone of desperation. Interestingly, the transition to "Let It Grow" at the end of this always give me goosebumps.
"Part 2: Let It Grow" is something of an oddity in the Dead's canon. It once again features that mysteriously rare 4-part harmony that The Dead were never keen on reproducing live, but also breaks some rules with the inclusion of 12-string acoustic guitar courtesy of Dougie Sahm of the Sir Douglas Quintet, and a blazing horn section and Sax Solo from guest musician Frank Morin.
It's a good album by itself, coming after the live 1-2 punch of "Skull and Roses" and "Europe '72", it was time for a studio album, and "Wake Of The Flood" perfectly filled the void, and really showed how versatile musicians Keith & Donna were in the studio, in a way that they were unable to show on "Europe '72".
"Mississippi Half-Step Uptown Toodleoo" is an interesting opener. The lyrics are very folky, but interplay between Jerry Garcia and Bob Weir's guitars, Keith Godchaux's piano, and guest violinist Vassar Clements really makes it different from anything else that they've ever done in that style.
"Let Me Sing Your Blues Away" is a rarity for The Dead. This song is both composed and sung by Keith Godchaux. His voice is probably the least impressive of anybody in the Dead. He sounds like a struggling Pete Townshend. The song however blazes from the saxophone courtesy of Martin Fierro and Donna Jean's vocal melismatics.
"Row Jimmy" is another slow folky song. Godchaux break's his tradition of grand piano with his use of Hohner Clavinet, Fender Rhodes Piano, and Hammond Organ on this song. Garcia utilizes a very "Cosmic Charlie"-esque slide guitar sound during the verse interludes. It's also a rare feature for 4-part harmony between Garcia, Weir, Lesh, and Donna Jean that was hardly ever utilized.
"Stella Blue" yet another slow folky song. It's one of pain and desperation in the vein of "Black Peter" and "China Doll". It even features very Pigpen-like organ playing by Godchaux (something of a tribute to a member who at the time was dying), and a rare post-1972 appearance of Garcia's pedal steel guitar.
"Here Comes Sunshine" feature the Dead's first use of synthesizer, which would be expanded on, on "Mars Hotel".
"Eyes Of The World" is another mold-breaker for this album. It would become the classic concert staple, but the album version stands on it's own. However the usual concert segues between this and "China Doll" were always solid and always a staple.
The albums true shining moment, "Weather Report Suite" the only artistic rendering of Bob Weir and lyricists Eric Anderson and John Perry Barlow.
It's a song in 3 parts;
"Prelude" - is perhaps the quietest thing that they ever recorded. You can hear a snippet of this played by Weir on the Steppin' Out set as a tune up between "Ramble On Rose" and "Black Throated Wind".
"Part 1" - is a mellow song about the change of seasons. It features Keith Godchaux on a mellow Fender Rhodes, and Garcia on pedal steel through a Leslie Speaker, giving it a tone of desperation. Interestingly, the transition to "Let It Grow" at the end of this always give me goosebumps.
"Part 2: Let It Grow" is something of an oddity in the Dead's canon. It once again features that mysteriously rare 4-part harmony that The Dead were never keen on reproducing live, but also breaks some rules with the inclusion of 12-string acoustic guitar courtesy of Dougie Sahm of the Sir Douglas Quintet, and a blazing horn section and Sax Solo from guest musician Frank Morin.
It's a good album by itself, coming after the live 1-2 punch of "Skull and Roses" and "Europe '72", it was time for a studio album, and "Wake Of The Flood" perfectly filled the void, and really showed how versatile musicians Keith & Donna were in the studio, in a way that they were unable to show on "Europe '72".
26 of 29 people found the following review helpful
Format:Audio CD
A broken angel sings, from a guitar, In the end there's just a song ... (still that song) Come's cryin' like the wind, Down every lonely street that's ever been...(Stella Blue). That song at the end is Weather Report Suite, but the journey through this wonderful album is like a dream in a way.
I have had Wake for almost 30 years, and it was always up there on my list of favorite DEAD albums. I personally was a bit more into Blues for Allah, American Beauty and Workingman's on the studio album front since they really absorbed me as a teen. After all these years, I truly have to say this is the equal (in my mind) to every "best" album of the DEAD you can think of, live or studio! I know many DEAD lovers will quibble, but this in some ways is their most perfect recording...so smooth and pleasant. Not quite the fire and spontaneity of Blues for Allah, but at least as much underlying beauty and musicianship. Not quite as catchy as American Beauty or Workingman's...but just as great songwriting and consistency. The quiet nature of some of the songs require careful and meditative attention to fully appreciate, but is it ever worth it. Stella Blue for instance, is sweet enough to reduce you to Jello. I personally love the Weir song Weather Report Suite - very intricate and well-crafted (the demo on the remaster is great too, bare bones beauty of guitar and vocal). Row Jimmy Row plucks the old soul fibers with it's catchy slow shuffle. This provided much material for concerts of the future.
Here Comes Sunshine MIGHT have made a better beginning and introduction to Wake; The signature chimey, joyful Garcia guitar intro, Lesh bouncing off the walls, takes your spirit immediately to Dead Heaven. That song sticks in your head like gum on hot pavement, has a great hook and the title itself sets up the anticipation and atmosphere (ears will quickly find congruity with the lyrics: "Wake of the flood, laughing water ... get out' the way"). With that change, Vassar Clements nice additions (fiddle) in Toodeloo would be less of an abrupt (intro, new sound) change - that song would nicely lead into Weather Report Suite it seems to me. You will be picking up the pieces of your emotional body double after Stella Blue ... Let Me Sing Your Blues Away would be welcome relief between it and Eyes Of The World (another charming song that wrings-out drops of your love for humanity, if you still have it in you).
I now have both of the unbelievably great box sets to replace the many records and cassettes (and a few older cd's), and the sound quality is something I clearly was missing! They have never sounded so good before! The addition of an earlier (and different) version of China Doll goes further to make this album perfect. There is also a 17 minute live Eyes of the World that kicks! Wake is absolutely one of the deepest DEAD records in my opinion and will certainly reward anyone who opens their ears and lets it soak into their souls. Really people, turn it up and ENJOY --- it doesn't get much better than this (the people who constantly try to tell everyone that only the live albums are worthy are trippin').
It all rolls into one, and nothin' comes for free, there's nothing you can hold for very long ... It seems like all this life was just a dream (Stella Blue again).
PEACE!
I have had Wake for almost 30 years, and it was always up there on my list of favorite DEAD albums. I personally was a bit more into Blues for Allah, American Beauty and Workingman's on the studio album front since they really absorbed me as a teen. After all these years, I truly have to say this is the equal (in my mind) to every "best" album of the DEAD you can think of, live or studio! I know many DEAD lovers will quibble, but this in some ways is their most perfect recording...so smooth and pleasant. Not quite the fire and spontaneity of Blues for Allah, but at least as much underlying beauty and musicianship. Not quite as catchy as American Beauty or Workingman's...but just as great songwriting and consistency. The quiet nature of some of the songs require careful and meditative attention to fully appreciate, but is it ever worth it. Stella Blue for instance, is sweet enough to reduce you to Jello. I personally love the Weir song Weather Report Suite - very intricate and well-crafted (the demo on the remaster is great too, bare bones beauty of guitar and vocal). Row Jimmy Row plucks the old soul fibers with it's catchy slow shuffle. This provided much material for concerts of the future.
Here Comes Sunshine MIGHT have made a better beginning and introduction to Wake; The signature chimey, joyful Garcia guitar intro, Lesh bouncing off the walls, takes your spirit immediately to Dead Heaven. That song sticks in your head like gum on hot pavement, has a great hook and the title itself sets up the anticipation and atmosphere (ears will quickly find congruity with the lyrics: "Wake of the flood, laughing water ... get out' the way"). With that change, Vassar Clements nice additions (fiddle) in Toodeloo would be less of an abrupt (intro, new sound) change - that song would nicely lead into Weather Report Suite it seems to me. You will be picking up the pieces of your emotional body double after Stella Blue ... Let Me Sing Your Blues Away would be welcome relief between it and Eyes Of The World (another charming song that wrings-out drops of your love for humanity, if you still have it in you).
I now have both of the unbelievably great box sets to replace the many records and cassettes (and a few older cd's), and the sound quality is something I clearly was missing! They have never sounded so good before! The addition of an earlier (and different) version of China Doll goes further to make this album perfect. There is also a 17 minute live Eyes of the World that kicks! Wake is absolutely one of the deepest DEAD records in my opinion and will certainly reward anyone who opens their ears and lets it soak into their souls. Really people, turn it up and ENJOY --- it doesn't get much better than this (the people who constantly try to tell everyone that only the live albums are worthy are trippin').
It all rolls into one, and nothin' comes for free, there's nothing you can hold for very long ... It seems like all this life was just a dream (Stella Blue again).
PEACE!
5 of 5 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
The more I listen to this CD, the more I like it. I enjoy this CD because I've never heard most of these tracks. It's like I've found a golden nugget. I'm currently reading Mcnally's book, "A Long Strange Trip: The Inside History of the Grateful Dead" and I find myself purchasing all of the dead's officially released albums as the story unfolds - because I want to! Wake of the Flood is as well produced as the other remastered releases I've gotten so far but it has no major hits. It's a record that was made while the band was trying to find it's way after Pigpen's death. It's truely for the serious Dead Head. So, if you are a serious Dead Head, get it and complete your collection of the Dead's back catalog. DTM.
Most Recent Customer Reviews
Ants in the packaging
This CD was received in a timely manner but I was disturbed when I opened the cardboard packaging to find hundreds of ants inside!They were not inside the CD case. Read more
Published 7 months ago by PJ
WORTH THE LONG WAIT
Like many young music fans I used to spend a lot of time in record stores looking longingly at record covers. Sometimes wondering what music might be in them. Read more
Published 18 months ago by VOICE OF VICTORIA
Somehow Special
For some reason, I always thought that this album was something special. Don't know why. It always just struck me as a very introspective, unpretentious piece. Read more
Published on April 19, 2010 by Lazy Drunken Hillbilly
GOOD, NOT GREAT
Good studio album for the Dead, but could be better. Not as good as Blues for Allah, In The Dark, American Beauty, and probably Workingmans Dead...BUT a solid effort. Read more
Published on October 18, 2009 by aspiring saint
Their best album
I love Workingman's and American Beauty as much as any Deadhead....but this album is magic. "Mississippi Uptown" is a great track to start off this masterpiece and I've warmed up... Read more
Published on June 17, 2009 by Thomas
New Life For The Dead
In 1973 the 60's had been over for a few years and for sure,the Grateful Dead were evolving musically-had been since the turn of the decade in fact. Read more
Published on June 7, 2009 by Andre S. Grindle
Excellent, deeper than the Marianas Trench..
and stronger than 10 acres of onions. What more is there to say? It's the Dead, if you don't like 'em well why are you here? Read more
Published on April 17, 2009 by rationalista
One of their very best
WAKE OF THE FLOOD is way up their with Dead classics WORKINGMAN'S DEAD and AMERICAN BEAUTY. People sometimes say they reached their peak with these two earlier albums and it was... Read more
Published on February 22, 2009 by FolkFan
one of the underated Dead Albums
At the time this album was released I believe it was generally underrated by many. It went to the "cut out bin" at my local record store in a matter of months. Read more
Published on September 15, 2008 by Matt C. Stockwell
Bonus Tracks
What can I say? This was already a great album in the 70's. But now with three added tracks which are better than the rest of the original album its Terrific. Read more
Published on August 19, 2008 by K. Ward
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