Waking the Dead 2000 R CC

Amazon Instant Video

(109) IMDb 6.7/10
Available in HD
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When one man's 70's idealism confronts his 80's aspirations, he begins an emotional rollercoaster that brings ghosts back to life and asks the ultimate question: Does love conquer all, even death?

Starring:
Billy Crudup, Bill Haugland
Runtime:
1 hour, 46 minutes

Available to watch on supported devices.

Waking the Dead

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Product Details

Genres Drama, Thriller, Romance, Mystery
Director Keith Gordon
Starring Billy Crudup, Bill Haugland
Supporting actors Nelson Landrieu, Ivonne Coll, Jennifer Connelly, Maxine Guess, Paul Hipp, Hal Holbrook, Lawrence Dane, Ed Harris, Robert Harding, Janet McTeer, Molly Parker, Larry Marshall, Don Jordan, Caroline Sabourin, Stanley Anderson, Patricia Gage, John Carroll Lynch, Bruce Dinsmore
Studio Universal Studios
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

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Customer Reviews

A powerful, haunting film that is unforgettable.
FloozyFlapper1926
I want to see the Fielding and Sarah love story more than I wanted to see Fielding's blossoming political career.
Joshua Miller
I got it this week and having watched it, I can honestly say it will stay with me for the rest of my life.
S. Naisbitt

Most Helpful Customer Reviews

29 of 29 people found the following review helpful By R.L. Holly on February 4, 2005
Format: DVD Verified Purchase
Keith Gordon has again bowled me over with a magnificent piece of filmmaking. "Waking the Dead" shares many of the same elements as his "A Midnight Clear" (still in my view the best WWII drama of modern times) -- a skillful adaptation of a powerful novel, intense performances from the entire cast, and careful attention to the rhythm and pacing of his story. And two other things that are especially rare in today's mainstream movies: the deliberate ambiguity of the ending and nuanced characters that are neither black nor white but multiple shades of grey. Hollywood must hate this, and it must baffle many moviegoers. The general public is force-fed so many lifeless, undemanding, predictable movies with cardboard characters that they probably didn't reward this gem at the box office (Gordon's commentary track implies that this movie was a semi-flop, commercially, which is tragic -- and probably makes it only harder for him to continue to shoot quality films). One hopes "Waking the Dead" will find its audience on home video, much as the well-respected "A Midnight Clear" (which I saw several times in the theatre) seems to have.

Another reviewer has pointed out the double-meaning behind the title -- the "dead" here refers to both Sarah, believed to be physically dead, and Fielding, who has found his soul wasting away since losing her. Can Fielding bring himself as well as Sarah back to life? The story is also tellingly noncommittal as to Sarah's actual status. By the end of the film, we still don't know if Sarah is secretly alive, a ghost from the other side, or simply a product of Fielding's mental breakdown. Everything in the script leaves the question wide open for interpretation, and the effect is both chilling and intensely moving.
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18 of 19 people found the following review helpful By Stephen Hall on August 6, 2002
Format: DVD
Writer-director Keith Gordon's "Waking the Dead" caught me off guard and - dare I say it? - moved me to tears. But what's almost as sad as the movie itself is that this 1999 release - which works beautifully as both a tragic love story and a psychological thriller - slipped in and out of theaters virtually unnoticed.
Based on the novel by Scott Spencer, the film opens in 1972, where we meet Fielding Pierce (Billy Crudup), a young U.S. Coast Guard officer with big political ambitions. He meets Sarah Williams (Jennifer Connelly), a secretary and political activist who works at his hippie brother's New York publishing house, and the two are smitten right away. But tragedy strikes ...
Without giving too much away, I will say that "Waking the Dead" cuts back and forth between the early '70s and the early '80s, producing a subjective, stream-of-consciousness narrative that manages to be compelling instead of confusing. Also, I liked the use of color and lighting to visually differentiate between the '70s scenes (warm earth tones) and the '80s scenes (cold, dark colors).
But unlike "The Matrix" and "Memento," which used subjective narrative to play head games with the audience as its central gimmick, "Waking the Dead" is after bigger game. The ambiguity surrounding Sarah underscores how deeply her memory haunts Fielding, the toll it has taken on his mental state, and how deeply they love each other, despite the cruel blow fate has dealt them.
The soundtrack also features lovely songs by Joni Mitchell ("A Case of You"), Lori Carson ("Snow Come Down") and Peter Gabriel ("Mercy Street"); alas, no soundtrack CD was ever made. The DVD also includes 45 minutes of deleted scenes, including a brief but engaging performance by Ed Harris, whose character only appeared onscreen (in TV footage, no less) for about 10 seconds in the final cut.
Just make sure you have a box of tissues and a wastebasket handy before you push "play." You have been warned.
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14 of 14 people found the following review helpful By ELA GOKKAN on November 8, 2001
Format: DVD
I won't be writing anything like a movie critic. But I know one thing that this movie is created and I believe the scenario is written by someone who knows what it is to really fall in love and really lose someone you love at such a young age and so unexpectedly.
As someone who has lost my beloved at age 29 due to random murder on street. The way the actor plays out grief process is just real. I BELIEVE THIS IS A GREAT MOVIE W›THOUT EXAGGERATIONS AND CLASSIC HOLLYWOOD EMOTIONS, FOR THOSE WHO HAS LOST A LOVED ONE.
The script has exact same statements I have been telling people about how I felt."It doesn't get any better, it just goes on,it just goes on". The behaviour of the people surrounding the grieving actor is just the same I have experienced. All those people who tell you and try to convince you that in time you will start to feel better. But the heartbreaking fact that you never feel any better, you just stop talking about it, you get back into the daily routines and people think that time started to show its healing effect. They are unable to see what goes in your brain when walking on the street, while in a business meeting when alone at home, when making love to someone else -but your loved one-.
I just wanna congratulate everyubody who took part in this magnificiently TRUE story of how one will live after such an unpleasant experience. You couldn't have explained it any better.
A must see!!
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18 of 21 people found the following review helpful By Traveler on July 17, 2004
Format: DVD
I read "Waking the Dead" a few months before watching the movie. I was thus certainly biased in a certain direction in favor of the book.

Keith Gordon, who also directed the outstanding and under-appreciated films "A Midnight Clear" and "Mother Night", stays pretty much faithful to the original material by Scott Spencer. It's obvious that films are different than books and directors need a certain amount lattitude to change the story as needed. Gordon certainly left a lot of the story on the cutting room floor and that is, for the most part, not a problem.

What is the problem is that Gordon didn't flesh out Sarah's story and, as a result, offers a skewed ending that the book doesn't share.

Spoiler Alert

Sarah and Fielding are not "opposites" as many suggest. They happen to agree politically. They're both "liberals." Where they disagree is on tactics. The problem with the film is that we don't really see enough of Sarah to understand just how different her tactics are compared to Fielding and why, ultimately, she chose to go away. The movie's ending is ambiguious about the fate of Sarah. Did she die or didn't she? The book shares some of this approach, but it strongly leans in the direction of Sarah having faked her death. In the book Fielding meets with a priest who states that Sarah is alive. And when Sarah and Fielding finally meet at the end Sarah explains how she is living underground and continuing her work. We're given, at least in the text, a reason why Sarah chose the path that she did. Gordon, however, mostly gives us Fielding's side of things. In the process he detracts from the central conflict and ends up with a rather wishy-washy ending.

I strongly recommend this film.
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