51 of 54 people found the following review helpful:
5.0 out of 5 stars
Meow! The Fur Flies in "Walk On The Wild Side", December 11, 2001
Last evening, I skipped the traditional televised holiday fare and watched Edward Dmytryk's "Walk On The Wild Side" (Columbia Pictures, 1962). Let's just say that the next time you're having friends over for melba toast and you're looking for the perfect over-the-top extravaganza to project on to the living room wall, this should be the featured attraction. Barbara Stanwyck is the lesbian owner of a New Orleans brothel known as "The Doll House." Glamorous Capucine (a 60's version of Garbo)is the most popular call girl since Holly Golightly and coveted by both her butch madame and a drifter named Dove (not kidding) played by the inscrutable Laurence Harvey. Add a youthful Jane Fonda (in her bulimic period) and a miscast Anne Baxter as a Mexican diner owner (cascading dark wig, inauthentic accent and all) and you've got one mesmerically curious flick. Oh, did I forget to mention that the entire thing kicks off with a title sequence in which two felines (one black, one white) engage in a vicious catfight punctuated by Elmer Bernstein's pulsating jazz score? Meow! They sure as hell don't make e'm like this anymore! - Mark Griffin ("Genre" Magazine)
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30 of 31 people found the following review helpful:
4.0 out of 5 stars
City Full Of Lost Girls, August 7, 2005
This review is from: Walk on the Wild Side (DVD)
Elmer Bernstein's beautiful Jazz theme and Saul Bass' sensuously lyric opening credits set the tone for this tale of Dove Linkhorn and his search for his lost love Hallie Gerard through the tough underbelly of 1930's New Orleans. These opening shots of a back cat prowling through an alley are justifiably considered one of the best credit sequences ever filmed. Cinematically sublime and well worth the viewing.
What follows is a high melodrama set in a brothel called the Doll House, where Dove, Hallie, Kitty and Madame Jo Courtney meet their various tragic ends. As directed by once black listed director Edward Dmytryk "Walk on the Wild Side" is a full-blown old style drama that is chock full of finely tuned old style performances.
Cast against character Laurence Harvey as Dove tackles his roll as a love sick Texas cowboy with more than his usual cool approach. He manages a plausible Texas accent and turns Dove into a man of fire and misguided passion. He makes it believable that he is the kind of guy that the women he meets with the exception of Barbara Stanwyck find it hard to resist. This is no mean feat for the thin aristocratic British actor.
French beauty Capucine seems almost too refined at first to play Hallie the artistic and wounded object of Dove's affection. But as the film progresses she delivers just the right blend of tragedy and pathos of a girl lost in the world of prostitution.
The accomplished Anne Baxter makes her presence known as Teresina Vidaverri the Mexican café owner who helps Dove and along the way also falls for him. Miscast in an age when Hollywood had most major roles of Latinos played by non-Latinos she is tough, tender and manages to be believable in the role.
Jane Fonda appears as the spurned bad girl Kitty. She walks the wild side with abandon and shows her range as an actress in this, one of her early rolls. Sexy, slinky and utterly rotten her Kitty is pure fun as in her desperation for Dove's affections carries the turn of events for him and Hallie to damnation and loss.
When Barbara Stanwyck comes on the screen she steals the picture out from under all concerned as Jo the lesbian Madame who looses her cool over her unrequited passion for Hallie. It is a classic Stanwyck performance full of all the power and history of this great American star. In her speech to Hallie about what love is she shines as she reveals her own tragic past. This was the first American film to show a lesbian on the screen and Stanwyck presents us with a real woman full of strengths and flaws that is much more than one would expect from a gay character in mainstream Hollywood of 1962.
Joseph MacDonald captures all the heat and steam of New Orleans with his shimmering black and white cinematography. The out of time early 60's costumes by Charles La Maire are stunning in their range from rags to high class call girl glamour. Bernstein's wonderful score is one of his best and adds the right touch of jazzy glitz to the drama.
"Walk on the Wild Side" is one hell of a ride and well worth the admission price to the Doll House.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
DOVE & the "DOLL HOUSE"....., February 16, 2004
This review is from: Walk on the Wild Side (DVD)
It's been said that nobody deliberately sets out to make a bad movie. Based on a novel of the same name and with character names like Dove Linkhorn and Kitty Twist, "Walk on the Wild Side" kind've makes me wonder. Set in the "early thirties", it tells of Texan Dove (Laurence Harvey) on the road to New Orleans to find his lost love, sculptress Hallie (Capucine). He hooks up with been-around runaway Kitty Twist (Jane Fonda). They meet good-hearted cafe owner Teresina (Anne Baxter---with a not very convincing Mexican accent) and Dove discovers Kitty is a thief so he ditches her. Teresina gives Dove work and helps him with a newspaper ad to locate Hallie. After a suspicious phone call (that sounds like Kitty) tips Dove off to Hallie's whereabouts, he finally finds her. She's living off brothel owner/vice queen Jo Courtney (Barbara Stanwyck) and works in Jo's "Doll House" in the French Quarter. But good ole boy that he is, he doesn't catch on. Kitty turns up as a new "doll" and things begin to unravel leading to scandal and tragedy. The performances are rather good even if Capucine seems a bit too classy and patrician to be a fallen woman. The dialogue is ripe and I loved one line a drunken street preacher shouts at Capucine, "You hip-slingin' daughter of Satan!" I can't really call this a bad movie. I enjoyed it despite the obvious plot contrivances and recommend it to those who enjoy somewhat trashy but interesting melodramas. The title sequences by Saul Bass are cool and Brook Benton sings the title song performed in the "Doll House". For some, this will be a good DVD find.
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