Sorry, this item is not available in
Image not available for
Image not available

To view this video download Flash Player

Sell Us Your Item
For up to a $0.75 Gift Card
Trade in
Have one to sell? Sell yours here

Walkabout (The Criterion Collection) (1971)

Jenny Agutter , Luc Roeg , Nicolas Roeg  |  R |  DVD
3.9 out of 5 stars  See all reviews (162 customer reviews)

Available from these sellers.

Watch Instantly with Rent Buy
Walkabout   $2.99 $14.99

Other Formats & Versions

Amazon Price New from Used from
Blu-ray The Criterion Collection $26.99  
DVD 2-Disc Version $25.99  
  1-Disc Version --  
Other 1-Disc Version --  

Explore The Criterion Store

TV Deal of the Week
Interested in learning more about Criterion titles or the Criterion brand? Visit the Criterion Store to browse pre-orders, new releases, and best sellers. Shop now

Frequently Bought Together

Walkabout (The Criterion Collection) + Rabbit-Proof Fence
Buy the selected items together
  • Rabbit-Proof Fence $19.99

What Other Items Do Customers Buy After Viewing This Item?

Videos Related to This Product

Product Details

  • Actors: Jenny Agutter, Luc Roeg, David Gulpilil, John Meillon, Robert McDarra
  • Directors: Nicolas Roeg
  • Format: AC-3, Closed-captioned, Color, Letterboxed, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Criterion
  • DVD Release Date: May 6, 1998
  • Run Time: 100 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (162 customer reviews)
  • ASIN: 0780020847
  • Amazon Best Sellers Rank: #152,801 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Walkabout (The Criterion Collection)" on IMDb

Special Features

  • Original, Unedited Director's Cut
  • An Essay by Roger Ebert

Editorial Reviews

Nicolas Roeg's mystical masterpiece chronicles the physical, spiritual, and emotional journey of a sister and brother abandoned in the harsh Australian outback. Joining an Aborigine boy on his walkabout-a tribal initiation into manhood-these modern children pass from innocence into experience as they are thrust from the comforts of civilization into the savagery of the natural world.

Customer Reviews

3.9 out of 5 stars
3.9 out of 5 stars
Share your thoughts with other customers
Most Helpful Customer Reviews
92 of 96 people found the following review helpful
5.0 out of 5 stars Coming of age in the outback of Australia April 12, 2004
A very unusual film for its time, Walkabout combines many themes in what is ostensibly a tale of survival in the Australian outback. I suppose it was a bit too racy for American audiences as Roeg focuses lovingly on a young nubile Jenny Augutter but that would be missing the point of this movie which contrasts the sterile life of a young British girl and boy with an Aborigine man-child.
The film depicts the initial bleakness of the Australian desert which the two children find themselves thrust into after the father mysteriously chooses to commit suicide, but eventually shows the immense diversity of the outback as the young Aborigine leads the lost children back to civilization. Roeg uses a variety of cinematic techniques to paste together his poetic vision, ultimately developing the sexual tension between Agutter and the Aborigine, culminating in a fateful courting ritual which Agutter appears oblivious too. However, the star of the movie is the little boy, Luc Roeg, who forms a very special bond with the Aborigine.
The film may be too much to handle for small children, but it is ideal for teenagers, as it will give them a very different experience from the run-of-the-mill teen movies that proliferate in the video stores. Don't fret over the R rating, as the nudity is fleeting and treated in a very respectful way. In Britain, the rating is 12 for young teenagers.
Was this review helpful to you?
69 of 71 people found the following review helpful
5.0 out of 5 stars Thank you again, Criterion August 13, 2005
In Gus Van Sant's Elephant, we follow several teenagers around for half a day, with little or no dialogue, and with nothing to connect us to the characters. We watch a father drive his kid to school, drunk. We watch three girls vomit in the bathroom after eating lunch. We watch two teenagers shoot up the school, ala Columbine, all without any given reason. That film won the Golden Palm and Best Director awards at the Cannes Film Festival. Although I was not a fan of the film at all, in fact I was disgusted by it, I have learned to understand why Van Sant chose to shoot his film the way he did; little or not plot, and no back story for the characters, and little audience interaction with the characters.

Walkabout is somewhat similar to the style that Van Sant used in Elephant, and reportadley also in his films Gerry and Last Days, but it was done over 30 years prior. Its a beautiful film, told quite simply, over the course of an unkwown number of days. We get to know the characters, but not through back story, or by seeing them in their daily lives. The only thing we know about either one of them (the 14 year old girl and her six or seven year old brother) is that they are English living in Australia, and both attend prep-school...and even this is an assumption based on their language and uniforms, not on anything the film really tells us.

The story, as told in every review, is about how the two are mystreriously brought to the outback by their father, who then tries to kill them, and then kills himself. They are close to death as they wander through the desert, until a young Aborigine boy of 16 sees them and essentially rescues them.

One reviewer complains that nothing happens. I disagree, plenty happens.
Read more ›
Was this review helpful to you?
36 of 37 people found the following review helpful
I saw this soon after it came out, and as an adolescent was utterly mesmerized by the story. With very little dialogue and virtually nothing explained, it was a profound experience of shocking loss, disorientation in a deadly yet beautiful environment, and finding one's way back. Accustomed to the pat formats of hollywood, I had never seen anything like it: little resolution, reflection, or overt lessons. Yet it stimulated a great dialogue with my father, who had insisted that I accompany him to it in the face of my adolescent unwillingness. Though I have not seen it since 1972, its images stuck with me as if in a dream.

Now, nearly 40 years later, I bought it for my daughter, to nurture her interest in anthropology. I am happy to say that she was swept into it in the same way, wondering what it meant and wanting to learn more. What better success could there be for a film experience than that?

The story begins in a normal city in AUstralia. A father takes his children to the outback for a picnic, and without explanation completely loses it, leaving them to fend for themselves in a land so alien that they have no idea how to survive. Trapped in an oasis that dries up without food, they are lucky to be found by a young aborigine, on his "walkabout" - a stay alone in the veldt to test his survival skills - and he brings them to a road. Apparently, in helping them, he violates the conditions of his walkabout, with terrible consequences.

As a visual poem, the film has many sequences of silence or trivial dialogue, a cover for deeper meanings that the viewer must reflect upon later. The girl, Agutter, is shielding her brother from frightening realities, but it is the young brother who is the real focus of the story.
Read more ›
Comment | 
Was this review helpful to you?
28 of 31 people found the following review helpful
5.0 out of 5 stars Intricate Beauty December 31, 2001
By marcvdp
For some reasons I had reservations about seeing this film when I first heard about it; maybe because what I heard and the advertising I saw didn't begin to hint at its depth. Ostensibly its the story of two WASPs who get stranded in the Australian outback and meet an aborigine boy who helps them to surive their journey back to civilization. Most noticeably, for me, the movie criticizes the spiritual emptiness of civilized society and lets the viewer glimpse at some of uncharted territory's secret beauty. The movie works fine on this level. But its brilliance lies in how many different levels it does work, and its subtlety.
It is a tragic story of two people who fail to communicate. The blindess of the girl (presented in quite a harsh light, and a symbolic big slap in the face to whitey now that I rethink it) despite huge language and cultural differences is inept or unwilling to understand the aborigine boy's perspective. Indeed she is deeply rooted in Anglo-Saxon values -- only the young boy, her companion, is able to break down the barrier and communicate simple ideas.
There are points in the film that expose sexual tension as brilliantly and as subtley as I have ever seen. It is vastly important that the boy is not dramatized or stylized in any way, he seems really to have been picked out of the outback and cast directly in the movie. His behavior should seem at least somewhat bewildering to the audience, it was to me, particularly in the haunting mating dance scene. The girl rejects him out of a lack of understanding and fear, and he sheds tears of failure. Was sexual consumation a part of his walkabout or did he fall deeply for this girl. What are the cues to suggest the latter? I'd have to watch the movie again.
Read more ›
Comment | 
Was this review helpful to you?
Most Recent Customer Reviews
1.0 out of 5 stars Read the Book!
The novel however, is a great read for middle schoolers.
Published 8 days ago by Michael T. Rogers
5.0 out of 5 stars Five Stars
good product
Published 29 days ago by Jeremy F. Conner
5.0 out of 5 stars Five Stars
Was great to find this movie from the past and discover so many more that are available.
Published 1 month ago by Allen Perry
2.0 out of 5 stars Confused
This movie lefted me so confused. Without giving too much away if you plan on watching it. There are some questions in the beginning that you will ask yourself, "why did he do... Read more
Published 1 month ago by Big Leezay
3.0 out of 5 stars Three Stars
This movie is a very strange , and hard to understand the ending.
Published 3 months ago by Kenneth willis
5.0 out of 5 stars Top Ten List for Me
One of my favorite films ever. Directed by the always brilliant Nicholas Roeg (Castaway, Performance, Bad Timing, The Man Who Fell to Earth, and another Top Ten for Me favorite,... Read more
Published 3 months ago by Maury D. Sharp
5.0 out of 5 stars A Great Film
First, this movie takes you to a place that no longer exists, an Australia where aborigines go on a walkabout. For that alone, it's worth it. Read more
Published 5 months ago by simpleaj
1.0 out of 5 stars no purpose
i don't see the purpose of this movie. jenny is still beautiful today but, i can't make the jump from a dad trying to kill his own flesh and blood to jenny swimming naked in a... Read more
Published 5 months ago by DAVID ARLEDGE
3.0 out of 5 stars Sad
Interesting view of life as an aborigine, and the relationship he makes with 2 white children despite the language difference. Read more
Published 6 months ago by Rebecca S. Gray
5.0 out of 5 stars Walkabout - Life in Reality
This story about becoming a man in the outback, is fantastic. I'm not trying to down play two young children being left to die in the outback was not part of the story because it... Read more
Published 6 months ago by Faye
Search Customer Reviews
Search these reviews only


There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
First post:
Prompts for sign-in

Look for Similar Items by Category