Walker Evans & Company [Hardcover]

Peter Galassi (Author)

Book Description

Publication Date: March 2000

A Museum of Modern Art Book Walker Evans's radical photography of the 1930s demonstrated that unembellished photographic fact could serve as a highly poetic language. These works expanded the potential of the art of photography and at the same time defined a lasting iconography that recognized advertising, movies, and car culture as central images of modern American identity. Published in conjunction with the second of three cycles of millennial exhibitions (MoMA2000) at The Museum of Modern Art, New York, this book focuses on Evans as a central figure in the arts of the 1920s and 1930s.

This superbly illustrated volume includes works in photography and other mediums that influenced Evans or were influenced by him, or which resonate in a significant way with aspects of his imagery, sensibility, and style. Among the other artists whose work is featured are: Eugne Atget, Mathew Brady, Stuart Davis, Robert Frank, Lee Friedlander, Edward Hopper, Roy Lichtenstein, Ed Ruscha, August Sander, Andy Warhol, and Edward Weston.

Approximately 440 illustrations, 60 in full color, 380 in duotone, 9 3/4 x 11 1/4"

PETER GALASSI is chief curator in the Department of Photography at The Museum of Modern Art, New York. His previous books, also available from Abrams, include American Photography 1890-1965 and, with Magdalena Dabrowski and Leah Dickerman, Aleksandr Rodchenko.

EXHIBITION SCHEDULE The Museum of Modern Art, New York, Mar. 15-Sept. 6, 2000

Editorial Reviews

From Library Journal

Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction of well-known black-and-white and little-known color photographs by Evans forms the heart of the volume. There are quality essays here as well, biographical and analytical writing that effectively places Evans's visual efforts in social and territorial context. From the self-portrait on the cover to the notebook entries to the many photographs clustered along the way, Unclassified: A Walker Evans Anthology quickly broadens the popular view of the photographer as a chronicler of 1930s America with black-and-white film in his camera. Gathered from many files in the large and varied Evans Archive at the Metropolitan Museum of Art, these collected writings, photos, and ephemera give us a socially concerned writer, artist, and meticulous keeper of his life's work along with his opinions and his collections of postcards. This version of Evans shakes him free of any narrow channel in which we placed him. He led a robust life, and the stillness that comes from his Depression-era work is shaken up by this energized look at the photographer. Walker Evans pointed a camera at his world and let the documentary result speak as his art. Chief curator in the Museum of Modern Art's Department of Photography, Galassi has taken that objective eye as his theme. Gathering over 300 works from several media by 100 artists, Galassi gives us a volume of reportorial art, showing people, places, and things in "as is" condition. Evans touched people with his photographs because he merged his images with their "real lives." The question of whether other artists using other means were influenced by Evans's work or simply liberated to offer a visual vernacular landscape is incidental here. Galassi's book succeeds because his choices match his theme so well and play off the many examples of Evans's work that unite these pages. Though the Metropolitan catalog is the first choice for purchase, all three books are well recommended for all types of libraries and essential for serious art collections.DDavid Bryant, New Canaan Lib., CT
Copyright 2000 Reed Business Information, Inc.

About the Author

Peter Galassi is Chief Curator of the Department of Photography at The Museum of Modern Art, New York. --This text refers to an alternate Hardcover edition.

Product Details

• Hardcover: 272 pages
• Publisher: Harry N Abrams; First edition. edition (March 2000)
• Language: English
• ISBN-10: 0810962063
• ISBN-13: 978-0810962064
• Product Dimensions: 11.4 x 10 x 1.1 inches
• Shipping Weight: 4 pounds
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #2,751,295 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:

5.0 out of 5 stars Photo Fine Art, May 20, 2007

By 

Robin Benson - See all my reviews
(REAL NAME)   

This review is from: Walker Evans & Company (Hardcover)

Peter Galassi focuses on Evans as one of the great photographers of the twentieth century who also had a huge influence on many American photographers (and some contemporary graphic artists) and the ten visual chapters in this beautiful book provide a convincing case.

Photography as an art form has had a hard time proving it. Unlike fine art paintings, which exist as an entity, photography has mainly presented a visual record in many printed mediums (newspapers, magazines, advertising, packaging, posters) all seen by the public but not as art. Walker Evans helped to change that perception in America.

The first two chapters are interesting because Galassi features photographers who influenced Evans, especially Eugene Atget and his studies of Paris. The remaining eight each start with work by Evans then the chapter theme is carried on by other well-known photographers (and artists) who drew inspiration from the style and subject matter in his work. The hundred creative folk featured are a who's who of American photography since the 1940s.

Just over three hundred images are shown printed in an impressively fine screen (more than 250dpi) that brings out the wonderful detail in so many of them. Galassi contributes a fine introduction and each photographer get a comprehensive list of their photos in the back of the book. Overall I thought this was a fascinating survey American art photography whose origins clearly owe so much to Walker Evans.

***FOR AN INSIDE LOOK click 'customer images' under the cover.