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Walker Evans the Hungry Eye
 
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Walker Evans the Hungry Eye [Hardcover]

Gilles Mora (Author), John T. Hill (Author), Walker Evans (Photographer)
4.2 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

October 20, 1993
Walker Evans (1903-1975) ranks with Stieglitz and others as one of America's greatest photographers. With more than 300 superbly reproduced pictures, including some little known color images, this is the first complete retrospective of the photographer's work to appear in print. A unique historical view of American life in the mid-20th century.


Editorial Reviews

From Publishers Weekly

Evans (1903-1973), an immortal of the art-photography establishment he eschewed, had a distinct antipathy toward certain eminent colleagues--Stieglitz, Steichen, Edward Weston, Ansel Adams--in whose work he found undesirable dramatization. His own materials were everyday life and vernacular art and architecture in which he discerned aesthetic possibilities "when intelligent observation backed up by a culture was applied to them," notes French art historian Mora. A fine line positions Evans's fame, for, as seen in this retrospective volume, his "hungry eye" and visual judgment, combined with an aversion to artistic grandiosity, produced images that were innovative and arresting in the 1930s but might seem undistinguished today to the untutored eye. Included among the 300 photographs reproduced here are the 100-picture 1938 exhibition at Manhattan's Museum of Modern Art, "American Photographs," and selections from Let Us Now Praise Famous Men , a book collaboration by Evans and James Agee. Design on these pages , however, frequently overshadows art, with white space overwhelming the illustrations. A literal reproduction of the MOMA exhibition's original geometry and picture sequence so reduces many of the scenes that the reader can barely view them.
Copyright 1993 Reed Business Information, Inc.

From Library Journal

Evans (1903-75) began photographing in 1927, joined Time in 1945, later became editor at Fortune , and ended his career as a professor of graphic design at Yale. The body of work he produced in half a century distinguishes him as one of the most important and influential 20th-century American photographers. This is not the first book to present Evans's work retrospectively, but this is certainly the most comprehensive. Mora ( Walker Evans: Havana 1933 , Pantheon, 1989) and Hill (Evans's friend and executor of his estate) provide concise and readable biographical and interpretive essays accompanied by exquisite reproductions. The photo groups are arranged chronologically, with essays introducing each project or period in Evans's life. Topics range from the Brooklyn Bridge to his work for the Farm Security Administration--including his famous photographs for James Agee's Let Us Now Praise Famous Men --to the Museum of Modern Art exhibition "American Photographs," reproduced in exact sequence and relative size. Highly recommended for photography and photographic history collections.
- Kathleen Collins, New York Transit Museum Archives, Brooklyn
Copyright 1993 Reed Business Information, Inc.

Product Details

  • Hardcover: 336 pages
  • Publisher: Harry N. Abrams; First edition (October 20, 1993)
  • Language: English
  • ISBN-10: 0810932598
  • ISBN-13: 978-0810932593
  • Product Dimensions: 12.4 x 9.8 x 1.3 inches
  • Shipping Weight: 5.5 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #161,755 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

15 of 15 people found the following review helpful:
5.0 out of 5 stars Great Book, August 18, 2005
By 
Melissa (San Diego, CA) - See all my reviews
This book is very informative of Walker Evans. It shows a wide variety of his work form portraiture to architecture, from the streets of New York to exotic places. It not only shows the works of art but also shows short blurbs about the place he was at and what was happening in his life; like why he was there and what he wanted out of the photo shoot.

The part I like best about this book is that it references whose work he was admiring at the time. It also references his feelings, whether it was something he hated or something that was inspiring him. The print of the book is also very representational. It shows in great detail the contrast and depth of the works of art. I give the book 5 stars. I really enjoyed reading the book.
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3 of 3 people found the following review helpful:
2.0 out of 5 stars paperback size is TOO small, June 1, 2009
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The version I bought is the paperback version. It's way too small a format to see the photos, much less the print. While the photos are well printed and look good (and why wouldn't they at this teeny tiny size?) I can't say I'm appreciating the book; buy the larger version.
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5.0 out of 5 stars A little book about a great photographer, November 30, 2010
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This edition is small but it brings a lot of material on Walker Evans. A detailed look at his work, from the beginning to the end. Accompanied by text explaining each period and creative development.
In short, a little book about a great photographer.
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