Customer Reviews

Walker

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4 star:		(3)
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Fans of Joe Strummer and The Clash will already be familiar with some of his more romantic and atmospheric musical explorations. Tracks such as "Rebel Waltz" on Sandanista, "Sean Flynn" on Combat Rock, "Sleepwalk" on Earthquake Weather and "Mondo Bongo" on Global-A-Go-Go all share a common vibe - lyrical and beautiful - which is sadly overlooked whenever people write or talk about Joe's music.

This CD was originally released in 1987 as the soundtrack to Alex Cox's film "Walker". It inhabits similar musical and thematic territory to albums such as "Straight To Hell" and "Earthquake Weather", but in my opinion "Walker" is far superior - an overlooked gem.

The music on this CD is mostly instrumental, with Joe providing the vocal on a few tracks, including the wonderful "Unknown Immortal". "Walker" takes us on an exotic journey through Central and South American music, with Joe's passion and rough edges blending perfectly (just as Alex Cox mixes old and new references in the movie - Zippo Lighters, Cadillacs, Vietnam choppers, revolutionaries...) so we end up with a cocktail that is truly satisfying. Special mention must be given to Zander Schloss, whose guitar playing is exceptional throughout.

If you're going to name your bands "Latino Rockabilly War" and "Mescaleros" then I guess it must be in your blood. Listen to this CD on a hot and sultry evening... look up at the stars and remember Joe Strummer.

Joe Strummer lovers may need a few repeated listenings to
get into this CD because it's much more sedate than his other
works...a few tracks could even be characterized as "lounge"
music, but it is definitely worth buying. Once you get over
any pre-conceived notions of what this CD might sound like,
its quiet brilliance shines through-----it's really quite hypnotic
and friendly sounding...and approximately 75% intstrumental...
some of the better instrumentals are reminiscent of that great
track "Shepards Delight" on Sandanista....other tracks sound like
Perez Prado latino style music. A CD that will grow & grow on you.

In his 1987 historical drama Walker, director Alex Cox (Repo Man) told the story of William Walker (Ed Harris), an American renegade who, in the 1850s, took over as president of Nicaragua. The film caught a lot of flak from critics because of its use of deliberate anachronisms (TVs, helicopters, etc.) to draw satirical parallels between Walker's corrupt behavior and the US government's involvement in Nicaragua in the 1980s; it quickly sank into obscurity -- and sadly, so did its soundtrack...

Feeling somewhat lost after the breakup of his celebrated punk band, the Clash, singer Joe Strummer had begun to dabble in film work, contributing some songs to Cox's previous films Sid & Nancy (1986) and Straight To Hell (1987), and even accepting a starring role in the latter. Eager to try his hand at a whole film score -- and inspired a bit by Bob Dylan's work on one of his favorite movies, Sam Peckinpah's Pat Garrett & Billy the Kid (1973) -- Strummer offered to compose *all* of the music for Walker (in addition to taking a small role in the film as an ill-fated member of the Immortals, General Walker's "gringo army").

The result was a surprisingly lively and lovely soundtrack album, featuring 11 instrumental pieces and 3 vocal tracks. As the producer of the album, Strummer suggested that the music be performed entirely on acoustic instruments -- his rationale being, "let's be 1850, nothing plugged in." He only appears as a performer on the vocal tracks: the wistful "The Unknown Immortal," sung from the viewpoint of one of Walker's men; the giddy "Tennessee Rain," which apparently runs down a wide-ranging list of things his men would rather be doing and places they'd rather be; and the mournful "Tropic of No Return," which seems to be about how his army was depleted by disease and desertion. Joe acquits himself nicely on these pretty, low-key tunes, though I wish that his vocals were higher in the mix (or that a lyric sheet had been included with this disc). The instrumentals -- blends of traditional folk and Latin sounds, with trace elements of jazz and country -- are just as intriguing; a lot of the tunes here may not be instantly memorable, but I think they're appealing enough to keep you listening and to keep growing on you.

Last year, the label Astralwerks was kind enough to reissue this long out-of-print album with 3 bonus tracks (remixes of the jaunty opener "Filibustero" and the haunting "The Brooding Side Of Madness," as well as the brief "Straight Shooter," originally released as a b-side) shortly after its expanded reissue of Elgin Avenue Breakdown, the album by Strummer's pre-Clash band the 101ers; together, these two discs are bookends of sorts to the most popular phase of Joe's career. Although I admit I was hesitant to buy the mostly-instrumental soundtrack to a movie that I haven't seen and may never get a chance to see, I'm glad I finally did; Walker shows a side of the late Strummer that his last albums with the Mescaleros (not to mention such Clash songs as "Rebel Waltz" and "Corner Soul," from 1980's Sandinista) only hint at, and it's actually a more satisfying effort than Joe's official solo debut, 1989's uneven Earthquake Weather. I'd love to see Astralwerks put together a whole collection of Strummer's post-Clash, pre-Mescaleros soundtrack work and rarities (like the aforementioned Sid & Nancy and Straight To Hell tracks, the songs he did for the 1988 film Permanent Record, his contribution to the 1998 South Park TV series soundtrack, etc.)!

Everybody knows that reggae is the punk rocker's preferred style of World music, but Strummer was at home in any cultural music style. He certainly sounds at home on this CD, playing straight-up traditional, acoustic Central American music, almost all of it instrumental (with three or four terrific vocal tracks)--even more at home than he ever did on any reggae/dub/rap song he did with the Clash. For me, the Walker soundtrack provides a total foreshadowing of the kind of music he would make later with the Mescaleros, espeically on Global A-Go Go. But this CD is not just an interesting artifact for the Strummer scholar; it's also a very enjoyable listen. Strongly recommended for fans of Strummer and fans of largely-instrumental soundtracks like Bob Dylan's Pat Garrett & Billy the Kid.

Now, if only they would release the movie on DVD so I could finally see what I have been listening to...

While this isn't a must have title, it certainly is good listening. It shows Joe's diversity as a musician and his knowledge of all sorts of arrangements like brass, strings and percussion. Most of the songs are of latin flavor and all of it is acoustic. This isn't anything like Joe has done before so don't expect anything familiar. My favorite tracks are "Smash Everything," "Tropic of Pico," and "Musket Waltz."

It was an interview in his later years, and he was asked to recall his favorite work.

He said it was an album one couldn't even buy anymore.

Kudos to Astralwerks for the re-release.

It would've been nice if they had used the overdubs in the movie to accompanying the end title theme on the elpee.

I have not heard the re-issue and am looking forward to the bonus remixes. I received the vinyl version when it was released, and it was extremely difficult to get back once it was loaned. Yet, it is one of those things one takes pleasure in when loaning.

I've purchased this album back in 1988, just because the cover art and the 'Joe Strummer' seemed to me a 'back to the Clash' times. But, when I've spinned the vinyl, I'd realized another shade of a mature musician's work. Remarkable. I've never had found this CD version. Once I have it, I've purchased it. Sounds incredibly better than the LP version.

Only the best after The Clash.
If you saw the movie, you'll remember a perfect match with the music.