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Via her dually-delivered doses of other people's observations -- mots both juste and justified, whether from familiar figures or unexpected sources -- and her own pithy commentary, the willy and witty Shaughnessy again and again lays a prickly grid of reality over the nebulous field of endeavor in which I toil, rendering it in clearer focus.
I've been working at the word trade for nearly 30 years as reporter, feature writer, and documentary filmmaker. I punched through the first 20 of those years without benefit of access to "Alligators." If I'd been able to avail myself earlier of the insights codified by Shaughnessy in her 1993 volume, I'd have been a wiser and perhaps better writer at a younger age. I'd certainly have avoided or at least short-circuited many of the soul-grinding, spirit-stifling, energy-draining habits of mind and contractual entanglements that dot the terrain of freelance writing like so many plastic anti-personnel mines.
Last fall, while teaching a Smithsonian Associates course on feature writing, I held up my copy of "Walking On Alligators" and told my students, "Get a copy of this book and read it. Even if you don't go on to become a writer, you'll be a better person for having read it." I say the same thing now to you.