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8 of 8 people found the following review helpful:
3.0 out of 5 stars
Very Little Civil War Content, March 9, 2010
This review is from: Walking to Gatlinburg: A Novel (Hardcover)
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If you're looking for Civil War historical fiction, this is not the book. It mentions some major players in the war, wraps some of the plot geographically around some of the battles, and follows the North-South Underground Railroad route. In fact the strongest connection to the Civil War is the main character's journey along the Railroad and his initial connection to it that led to a runaway slave's murder.
This murder leads Morgan Kinneson on a search to find his brother, Pilgrim, who may have died in the battle of Gettysburg, the year before the book takes place(1864). On Morgan's journey, he meets many people, one of which he falls in love. He also meets fantastical things like an elephant who seems to know the enemy. Along the way, Morgan is also being pursued by the murderers of Jesse, the runaway slave. This makes for an exciting chase to the finish.
While the story is outlandish at times, it is a fun read if your expectations change from wanting a good historical to wanting a good story well told.
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6 of 6 people found the following review helpful:
3.0 out of 5 stars
Great Parts and Not So Great Parts, April 9, 2010
This review is from: Walking to Gatlinburg: A Novel (Hardcover)
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Mr. Mosher's writing is superb and from the outset he captures the flowery and distinctive language of mid-nineteenth century America. He also takes an engaging young Vermonter - Morgan Kennison of Kingdoam County, Vermont - and sends him on his long walk from Vermont to Tennessee to find his brother who had been given up for dead at Gettysburg. Surprisingly, the Civil War is tangential to the book, although the Underground Railroad, sets the course for Morgan to follow south.
The book is framed as Morgan's Odyssey, or a less dreary Cold Mountain. Along the way he meets up with many characters, many of whom are interesting and several amusing. Some were fantastical and those detracted from the cast. To add tension and moral conflict he is followed by escaped convicts who want some things they believe he has, including an escaped slave woman. As he goes he must fend them off which leads to his moral "crisis" which really wasn't much. The plot was the journey itself and there many many unlikely coincidental meetings along the way.
The novel was confusing. There were serious moments of violence and killing (and one sexually grotesque scene) followed by light-hearted and frivolous ones. There were dark characters and cartoon-like characters. It dipped into fantastical moments and then attempted to graphically show the evils of slavery. The incongruous and inconsistent yarns spun on the southward journey leave the reader unsure whether this book was a romp or an attempt at anti-war fiction. If Mr. Mosher had picked one primary flavor, it could have been great because the writing is that good.
The excellent writing carried it to mediocrity. There were several scenes that were excellent, but the inconsistent nature brought the book as a whole down. There were a few great characters interspersed among fantasy ones and completely unrealistic encounters, albeit brief, with Lincoln and Lee. This book cried out for some serious editing.
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8 of 9 people found the following review helpful:
4.0 out of 5 stars
"He must confront and kill the devil or be killed himself.", February 27, 2010
This review is from: Walking to Gatlinburg: A Novel (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
A beautiful runaway slave girl. Her small brother, tortured for his secrets. A young man searching for his older brother through the chaos of war. And a band of psychopathic killers terrorizing the land with violence and death. It is 1864 and the War Between the States rages on in America, north against south, brother against brother. And among the fringe dwellers of the war are the murderous miscreants who seek to destroy the Underground Railroad, men like Doctor Surgeon, Prophet Floyd, a mad preacher, Steptoe, a necrophiliac actor and the murderous minstrel Ludie Too. Seventeen-year-old Morgan Kinneson leaves Vermont to find his older brother, Pilgrim, a physician for the Union Army. First Morgan is tasked with the security of Jesse Moses, an old man meant to escape via the Railroad.
Morgan makes a fatal misjudgment and Jesse pays the ultimate price. The killers are after Jesse's runs stone, but the old man has thwarted his murderers at the end of his life, passing the marked stone to Morgan. Now Morgan is the target, his fate sung by a mad minstrel as the boy realizes the magnitude of his mistake and the danger that faces him. Undeterred, Morgan continues his journey through the Great Smoky Mountains, harassed and tormented by the killers who seem to anticipate his every move. Following the etchings on the stone that mark the path to freedom for fleeing slaves, Morgan treads through scenes of battlefield carnage, encounters the idiosyncratic souls that inhabit the wild mountains and falls in love with Slidell, the slave girl desperate to save her brother. Her flight becomes Morgan's as he gathers wit and ammunition, facing extinction in the lair of the Devil as, time after time, he faces the murderers who would destroy the route to freedom.
Mosher captures this eerie progression in a series of scenes that are both phantasmagoric in nature and brutally real, Morgan tested as never before: "The world held a depth of evil that he had not yet plumbed." Slidell offers the healing power of love, the only antidote to such destruction as Morgan moves inexorably toward the brother he is seeking. Like a Grimm's fairy tale filled with horrors and dreams, this bizarre landscape reminds me of Cold Mountain, with the same particularity of personalities and place, the seductive stories and enchanted wilderness where good and evil reside in counterpoint and civil war fills the crevasses with the blood of the fallen. This is a fascinating canvas of love, war and slavery, the triumph of one young man in the service of an old man's legacy. Luan Gaines/2010.
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