Customer Reviews

Walking on Locusts

5 star:		(1)
4 star:		(2)
3 star:		(2)
2 star:		(1)
1 star:		(0)

 

 

No one doubts John Cale's status as a modern cultural icon. Similarly, no one doubts the man's integrity or skill in having produced such a vast array of music over his 30 year career. But it is precisely this versatility and willingness to experiment that has made Cale such a frustrating artist for CD buyers to gauge. From his avant-classical compositions, to film scores, to angry-young-man psuedo-punk rants to his highly melodic lyrical works, Cale often seems to be going in several directions at once, musically speaking, with the effect that even if one has enjoyed a previous Cale work, one hesitates to buy the next product from the fertile Cale music factory.

In Walking On Locusts, Cale returns to the lyrical, pop/rock ballad style of composition that graced 1974's 'Paris 1919' as well as the less 'edgy' numbers on 'Fear' plus much of his collaboration with Brian Eno on 'Wrong Way Up'.

First, Cale is a brilliant tunesmith when he wants to be. His sense of composition is second to none in the rock genre, his classical training and intellectual understanding of musical forms rising to the fore without any overstatement or pretension.It is this quality that makes 'Walking on Locusts' such a great listen. There is hardly a weak track in the set.'So Much For Love' recalls Paris 1919's 'Emily' with its powerful minimalist setting.'Set It Free' utilizes pedal steel with an emotional resonance unusual for that instrument. Such 'quiet' tracks are balanced by frantic numbers such as 'Crazy Egypt' where Cale utilizes his trademark 'speaktalk' style and the powerful gospel chorus of 'Tell Me Why'. Demonstrating his versatility, Cale brings complex but bewitching string playing into melodic tracks such as 'Circus' and intoxicating guitar work that recalls 'The Endless Plane of Fortune' from Paris 1919, in the opening moments of 'Secret Cordilla' perhaps the gem of this wonderful album.

If Cale can put out thoughtful, intricate and passionate work like this once every few years between his other projects, he will finally get the recognition he deserves as one of the finest songwriters of the modern era.

A superb CD, so far my favourite of the last few years and in my all-time top 5.

This is by many accounts a very commercial album. It could have almost been a breakthrough album for Cale. Listen to it with that in mind. A lot of these reviews are written by hard-core Cale/Velvets fans, and much of the Velvets/solo catalog isn't for the faint of heart (read: is for hard-core fans). If you are a pop-rock fan and feel like checking out Cale, this album will do it for you. It's got some really terrific stuff on it, and won't disapoint lyrically or musically. I think the tempo of the album is great. It's not one of those edgy albums, that is to say, Cale probably didn't put blood into this one, but he did put heart into it. It's funny, but I would say the same about Lou Reed's "Set the Twighlight Reeling," which came out the same year (very commercial sound, could have been another breakthrough for him, and was also self-produced). Really--check out that one and this one. The hard-core fans...I suspect most of them will "hate" on both of these albums, but not this hard-core fan. "Walking on Locusts" is spinning in my CD player right now.

I'll never say I don't care what John Cale does. He is - unlike Lou Reed - still unpredictable. But I don't like this CD. No, not much at all. Cale produced the CD, and he has no one to blame but himself. This CD is alternately fussy, sentimental, dull, eh. Yes, eh. The best tunes are "Dancing Undercover" (too controlled), "Circus" (too cute), "Set Me Free" (just fine) & "Indistinct Notion of Cool" (beautiful). The rest just sinks into well-recorded blah. John Cale is a gamble - I'll always be a sucker to that bet. But this is easily one of his least-interesting albums. You'll find no musical adventure here.

I enjoy listening to this CD very much. Yes, at first it seems somewhat tame, not as edgy as many of Cale's other compositions. No matter, I respect this musician. What it comes down to is that I like sound of Cale's voice and his poetry. I listen to him and wonder where he gets his inspiration.

If you listen carefully, you will find a few surprises.

John Cale is probably my favorite musician, but this album is disappointing for the most part. One hears Cale merely treading water on songs like Dancing Undercover, So Much For Love, Tell Me Why and Secret Corrida. The two brilliant exceptions are the sorrowful Set Me Free with its poetic lyrics and country-like sound, and the wistful Circus with a woman's spoken contributions in French. His lyrics are trenchant throughout, but suffers from lack of memorable tunes. Two masterpieces amongst 12 tracks thus merit this album 3 stars. But believe me, it's worth buying for Set Me Free and Circus if you're a fan of John Cale.

Say what you like about how this kind of music will give Cale the mainstream recognition he deserves. The all-powerful teenage consumer will decide that, and the average one of these would not give this album ten seconds of his or her time. I thought some of Eno's Before and after Science toed this line of fluff, but this one really tried my tolerance at times. Many tracks are accompanied by some kind of choir in an almost cheesy way. If this is what it takes to be poppy, I fear it sacrifices too much artistry. All the respect to Mr. Cale for his versatility, but he's no Spice Girl (thankfully).