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Wall [Hardcover]

Andy Goldsworthy (Photographer), Jerry L. Thompson (Photographer)
4.5 out of 5 stars  See all reviews (4 customer reviews)


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Hardcover --  
Hardcover, May 1, 2000 --  
Paperback $21.56  

Book Description

May 1, 2000
British artist Andy Goldsworthy, known for creating art outdoors and from natural materials, has now built a 2,278-foot stone wall at Storm King Art Center, a sculpture park on the Hudson River in Mountainville, New York. This sensitive and detailed response to the land-former farmland in an area once rich in stone walls-is one of his most impressive and important permanent artworks. This new work starts by closely following the foundations of an old, dilapidated wall and then makes a series of increasingly voluptuous arabesques before plunging down into a lake. It rises again on the other side and heads straight up a grassy slope to stop dead at a major highway. The book's stunning color photographs show the wall from every vantage point and in all four seasons, as well as documenting ephemeral work made around it. Kenneth Baker's essay considers the Storm King wall in the context of Goldsworthy's other work. The book accompanies an exhibition at Storm King that opens in May 2000.

More than 60 photographs in full color, 9 1/2 x 10 1/2"

ANDY GOLDSWORTHY was born in 1956 in Cheshire, England. His work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work. His previous books include Abrams' Andy Goldsworthy: A Collaboration with Nature, Hand to Earth, Stone, Wood, and Arch. JERRY L. THOMPSON is a highly regarded photographer who has contributed to a number of books, including Abrams' Mark di Suvero. KENNETH BAKER is art critic of the San Francisco Chronicle.

EXHIBITION SCHEDULE Storm King Art Center, Mountainville, New York May-November 2000


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Editorial Reviews

From Library Journal

This well-nigh perfect art catalog was produced to record the building of an immense drystone wall at the Storm King Art Center, a sculpture park in New York state. This beautifully photographed and printed book provides excellent insight into the thought processes and working methods used by British artist Goldsworthy to produce his permanent works of stone and wood as well as his ephemeral works of leaves and water. Context is provided by photographs of his other works and the artist's commentary on working in the different landscapes of Scotland, England, and the United States. By examining the completion of this specific commission, the clear and thoughtful essay by critic Kenneth Baker that opens the book, combined with serial photographs of exceptional clarity and the elegant book design, gives the reader a broader understanding of Goldsworthy's work. Highly recommended for all libraries.DDavid McClelland, Philadelphia
Copyright 2000 Reed Business Information, Inc.

About the Author

Andy Goldsworthy was born in 1956 in Cheshire, England. His work is regularly exhibited in Britain, France, the United States, Japan, and elsewhere. Although commissions take him all over the world, the landscape around his home in Dumfriesshire, Scotland, remains at the heart of his work. His previous books include Abrams’ Andy Goldsworthy: A Collaboration with Nature, Hand to Earth, Stone, Wood, and Arch. Jerry L. Thompson is a highly regarded photographer who has contributed to a number of books, including Abrams’ Mark di Suvero. Kenneth Baker is an art critic at the San Francisco Chronicle.

--This text refers to the Paperback edition.

Product Details

  • Hardcover: 92 pages
  • Publisher: Harry N. Abrams (May 1, 2000)
  • Language: English
  • ISBN-10: 0810945592
  • ISBN-13: 978-0810945593
  • Product Dimensions: 10.9 x 9.5 x 0.7 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #690,707 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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16 of 16 people found the following review helpful:
5.0 out of 5 stars Thoughts from a bent back, December 30, 2000
By 
Max Nowell (Irongray, Dumfries, Scotland) - See all my reviews
This review is from: Wall (Hardcover)
As one of the wallers involved in the building of Andy's wall at Storm King, I can honestly say that this book gives a really good insight into the ideas behind his work and some of the technicalities involved in its construction. The photography is wonderful and the text informative. This book is well worth a look, and so is the wall itself.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Another flight of imagination from inimitable Goldsworthy, September 7, 2002
By 
Catherine S. Vodrey (East Liverpool, Ohio United States) - See all my reviews
(REAL NAME)   
This review is from: Wall (Hardcover)
Imagine that you're a giant playing with pebbles in your backyard. There's a big puddle nearby, and a lot of weeds. You idly pick up pebble after pebble, placing them gently one on top of the other, winding what ends up being a wall through the weeds until it gets to the edge of the puddle. That's the deliciously disconcerting feeling you'll get as you page through Andy Goldsworthy's "Wall."

A document of the design and construction of Goldsworthy's wall at Mountainville, New York, the book details the finding of the original, now-falling-down stone wall and the decision to recreate and embellish upon this. Andy Goldsworthy was called in to design the new wall. While he begins by following what is left of the old wall, his work is looser, more elegant, almost scroll-like as it winds down the hill and plunges directly into the water of the lake. There is a calligraphic quality to this wall that's visually arresting and, quite simply, beautiful.

Along with the wall, Goldsworthy can't resist playing with nature in other ways and these photographs are thoughtfully included as well. We see the line of chrome yellow leaves he's stitched together and placed on the wall, the holes he's filled with crimson leaves and water, and the tree whose bark he's lined with, well, other trees! It's astounding to see how Goldsworthy's brain works and what handsome design statements result from his creativity.

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4 of 4 people found the following review helpful:
4.0 out of 5 stars The Uncommon Power of Common Things, April 28, 2006
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This review is from: Wall (Hardcover)
Wall is a visual journey into the uncommon power and beauty of common things. Stones, leaves, a blade of grass. Rushes, thorns, the splash of water on a quiet rock. In the thoughtful hands of artist Andy Goldsworthy, these ordinary landscape artifacts are pressed, moved, shaped and juxtaposed, then left to melt back into earth over time. When viewing Goldsworthy's art, one thinks of the rapt attention of a child, who sees possibility in every fallen branch. Yet, the overall impression is philosophical in nature. Even the person who claims little understanding of art can find a way to enter in, especially with the help of Baker's essay. A beautiful read, a beautiful look.
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