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Wallace Stegner and the American West [Deckle Edge] [Hardcover]

Philip L. Fradkin (Author)
4.1 out of 5 stars  See all reviews (7 customer reviews)


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This Book Is Bound with "Deckle Edge" Paper
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.

Book Description

February 12, 2008
Wallace Stegner was the premier chronicler of the twentieth-century western American experience, and his novels, the Pulitzer Prize–winning Angle of Repose and the National Book Award–winning The Spectator Bird, brought the life and landscapes of the West to national and international attention. Now, in this illuminating biography, Philip L. Fradkin goes beyond Stegner’s iconic literary status to give us, as well, the influential teacher and visionary conservationist, the man for whom the preservation and integrity of place was as important as his ability to render its qualities and character in his brilliantly crafted fiction and nonfiction.

From his birth in 1909 until his death in 1993, Stegner witnessed nearly a century of change in the land that he loved and fought so hard to preserve. We learn of his hardscrabble youth on the Canadian frontier and in Utah, and of his painful relationship with his father, a bootlegger and gambler. We follow his intellectual awakening as a young man and his years as a Depression-era graduate student at the University of Iowa, during its earliest days as a literary center.

We watch as he finds his home, with his wife, Mary, in the foothills above Palo Alto, which provided him with a long-awaited sense of belonging and a refuge in which he would write his most treasured works. And here are his years as the legendary founder of the Stanford Creative Writing Program, where his students included Ken Kesey, Edward Abbey, Robert Stone, and Wendell Berry.

But the changes wrought by developers and industrialists were too much for Stegner, and he tirelessly fought the transformation of his Garden of Eden into Silicon Valley. His writings on the importance of establishing national parks and wilderness areas—not only for the preservation of untouched landscape but also for the enrichment of the human spirit—played a key role in the passage of historic legislation and comprise some of the most beautiful words ever written about the natural world.

Here, too, is the story—told in full for the first time—of the accusations of plagiarism that followed the publication of Angle of Repose, and of the shadow they have cast on his greatest work.

Rich in personal and literary detail, and in the sensual description of the country that shaped his work and his life—this is the definitive account of one of the most acclaimed and admired writers, teachers, and conservationists of our time.

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Editorial Reviews

From The New Yorker

Stegner, born in Iowa in 1909 and brought up on a Saskatchewan dirt farm, may have been our last frontier writer. As Fradkin notes in this astute biography, it was a miracle that he didn’t write pulp Westerns. Instead, Stegner took as his subject the failure of his father’s homestead, built on denial of the most fundamental Western reality: drought. Stegner’s fiction stalked the slow disintegration of the family as closely as previous potboilers tracked cattle; and he transformed his father’s subsequent rambles—bootlegging the family from the dry northern plains to drier Mormon counties—into a founding narrative stronger than any ultra-violent "revisionist" Western. Whether as novelist, conservationist, or teacher, Stegner showed how the West has "a way of warping well-carpentered habits, and raising the grain on exposed dreams."
Copyright © 2008 Click here to subscribe to The New Yorker

From Booklist

Environmental historian Fradkin’s previous books about the West focus on sagebrush and stagecoaches, earthquakes and rivers. He now portrays a western writer who mapped the paradoxes of the New West. Fradkin has a deep affinity for Wallace Stegner (1909–93) and makes superb use of Stegner’s evocative writing, including passages never before published. Adept at seeding every scene with myriad details, he follows Stegner from the Saskatchewan prairie, where nature was his narrative, to Utah, where he became a “public library addict.” Stegner’s prizewinning fiction comes under close scrutiny as Fradkin explicates Stegner’s profound insights into the way nature shapes the human condition. Fradkin writes with particular zest about Stegner’s conservation work with Secretary of the Interior Stewart Udall and the Sierra Club, and assesses the enormous influence of Stegner’s “environmental classic” Beyond the Hundredth Meridian (1954). Fradkin’s dynamic and probing portrait of Stegner brilliantly combines literary and environmental history, and provides a fresh and telling perspective on the rampant development of the arid West, and Stegner’s prophetic warnings of the complex consequences. --Donna Seaman

Product Details

  • Hardcover: 384 pages
  • Publisher: Knopf; 1 edition (February 12, 2008)
  • Language: English
  • ISBN-10: 1400043913
  • ISBN-13: 978-1400043910
  • Product Dimensions: 9.6 x 6.6 x 1.2 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,206,857 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.1 out of 5 stars (7 customer reviews)
 
 
 
 
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26 of 26 people found the following review helpful:
5.0 out of 5 stars Adroit Biography of a Major Figure, March 9, 2008
By 
Peter Richardson (San Francisco Bay Area) - See all my reviews
(REAL NAME)   
This review is from: Wallace Stegner and the American West (Hardcover)
Philip Fradkin, a Los Angeles Times reporter turned environmental historian, has given us a skillful biography of an important novelist, teacher, essayist, and environmental activist. Despite a tough childhood roaming the hardscrabble northern prairies and intermountain West, Stegner earned a Ph.D., taught at Harvard, and established Stanford University's creating writing program just after World War II. That program assembled a long list of fabulously gifted writers, and well before Stegner left it in 1971, he and his students (Ken Kesey, Larry McMurtry, Robert Stone, Thomas McGuane, Edward Abbey, Evan Connell, etc.) were thoroughly reimagining the literary West. Fradkin's work complements two earlier biographies by shifting the focus from Stegner's literary achievement to "the whole man ... set against the passing backdrops of his life." The attention to place is fitting, and Fradkin expertly reveals a canny, forthright figure in twentieth-century American letters. Highly recommended.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars longing to belong, April 14, 2009
By 
Daniel B. Clendenin (www.journeywithjesus.net) - See all my reviews
(REAL NAME)   
In his autobiographical novel Recapitulation (1979), Wallace Stegner (1909-1993) wrote of his character that "all his earliest years in Salt Lake had been an effort, much of the time as unconscious as growth itself and yet always there as if willed, to outgrow what he was and become what he was not. A stray, he yearned to belong. An outsider and an isolate, he aspired to friends and family and the community solidarity he saw all around him in that Mormon city" (41). In this comprehensive biography of Stegner, published to coincide with the centennial of his birth and written with the full cooperation of Stegner's only child, Page, Philip Fradkin shows just how true that was of his subject.

Stegner's earliest years began in an orphanage in Seattle, the drought-stricken frontier prairie of Saskatchewan homesteaders, a year in Great Falls, Montana (where at age eleven he encountered his first flush toilet and bath tub), and then twelve years in Salt Lake City and the University of Utah: "the happiest years I ever knew or will know." His father was a gambler and a bootlegger who moved the family twenty times in ten years to avoid raids, a man with a violent temper who died in a murder-suicide. Stegner hated his father and inherited that temper. He was plagued by guilt over his mother's hard life, and devoted to Mary, his wife of fifty-nine years.

Later years took Stegner to Harvard and then Stanford, where he founded the creative writing program and nurtured future writers like Wendell Berry and Larry McMurtry. Although he lived in the Stanford area for almost fifty years, he felt alienated from the university by the time he left, and a bitter argument led him to donate his papers to the University of Utah. A man who wrote eloquently about the power of place, he spent considerable time at a home in Vermont, which is where his ashes were spread after he died. Stegner won almost every literary award there is and his books have been translated into numerous languages, yet he was forever cast as a "regional" author and felt spurned by the east coast elites. His novel Angle of Repose won a Pulitzer in 1972 but was later mired in controversial and genuinely complex charges of plagiarism. Outwardly successful, Stegner was inwardly deeply insecure.

As Fradkin points out in his introduction, the previous two biographies of Stegner in 1997 and 1996 were written by professors of literature. He paints with a broader brush and hangs his narrative on the three major components of Stegner's life and work -- Talented Teacher, Reluctant Conservationist, and Prominent Author. Fradkin honors Stegner but does not ignore the many contradictions in his life. Did he ever fit in or "become what he was not?" It's doubtful, Fradkin suggests; the autobiographical character Bruce Mason in Stegner's novel The Big Rock Candy Mountain asks, "But going home where. . . Where do I belong in this?" A bibliography of books by and about Stegner, along with a number of photos, complete the volume.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars Wallace Stegner and the American West: Superb, September 23, 2008
A simply marvelous work. It flows like a novel, contains references that enhance the work and never strays from the subject. Wonderfully executed. A very keen insight to a complex personality. It renewed my interest in reading the books by Stegner I haven't yet read and likewise, makes me want to read more of Philip Fradkin.
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