From Publishers Weekly
Like the wacky crew of the ship in Carryl's classic nonsense poem, readers will "cheerily put to sea" in this captivating picture book. With his brush dipped in the same luminous colors that lit up The Rainbabies , LaMarche puts a fresh face on the adventures aboard the Window-blind , here presented as a highly original craft (part airplane, part sailing ship) with a multicultural crew composed entirely of children. Larger-than-life perspectives invite readers to step right in and participate, whether the cast is dipping the cook "in a tub of his gluesome food" or watching the "apparently mad" gunner "fire salutes in the captain's boots / In the teeth of a booming gale." LaMarche's gleeful illustrations capture the spirit of this rollicking read-aloud; there's a sense of joy and abandon in his artwork, as well as genuine wonder, which taps deeply into the intensely felt imaginary worlds of children. The result is pure magic. Ages 4-up.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 4-LaMarche has adapted Carryl's rollicking 19th-century sailing fantasy and set it in a 20th-century, child-centered world. His paintings create vivid scenes of captain and crew-the helmsman reads a comic book and eats oreos in his bunk; the young girl in a commodore's hat munches on a hot dog in her cabin. What the book doesn't offer is a vivid translation of the poem. Gone in this version are the jingoist lines, but also some wonderful images. A gunner who "fired salutes in the captain's boots" is not quite the same as Carryl's who "fired salutes with the captain's boots." Also, LaMarche has eliminated the Binnacle-bats and ends the poem, not with the merry commandeering of a Chinese junk ("we left the crew of the junk to chew/ The bark of the rubagub tree"), but with the stock sweet image "We plotted our course for the Land of Blue Horse,/Due west 'cross the Peppermint Sea." What makes a poem appealing to young readers is not seeing themselves mirrored in illustrations, but rather the imaginative use of language. Fans of the Window Blind will do well to turn to Ted Rand's interpretation (Arcade, 1992), which also includes its music and chorus.
Kathleen Whalin, Greenwich Country Day School, CTCopyright 1994 Reed Business Information, Inc.